References
- Orlando, S., (Ed.). (2013). “La pensée du décentrement et la mondialisation artistique” in Art et Mondialisation, une anthologie de textes 1950–2012, Paris: Editions du Centre Pompidou
- Fisher, J. (Ed.). (1994). Global Visions: Towards a New Internationalism, London: Kala Press.
- Gilroy, P. (1993). The Black Atlantic, Cambridge Mass: Harvard University.
- Araeen, R. (1991). “The Other Immigrant: The Experience and Achievements of Afro-Asian Artists in the Metropolis,” Third Text, no. 15–17.
- Mercer, K., (2005–2009). Cosmopolitan Modernism, Discrepant Abstraction, Pop Art and Vernacular Cultures, Exiles, Diasporas and Strangers, London, Iniva, “Annotating Art's Histories: Cross-Cultural Perspectives in the Visual Arts.
- Mercer, K. (1999). “Ethnicity and Internationally: New British Art and Diaspora-Based Blackness,” Third Text 49, issue 13, 51–62.
- Chambers, E. (2011)., Things Done Change, Amsterdam, New York: Rodopi.
- Mercer, K., (1990). “Black Art and the Burden of Representation,” Third Text, vol 4, issue 10, 61–78.
- Ford, S., (1998). “The Myth of the Young British Artists” in Occupational Hazard: Critical Writing on Recent British Art, eds. Duncan McCorquodale, Naomi Siderfin and Julian Stallabrass, London: Black Dog Publishing, 130–141.
- Enwezor, O., and Chika Okeke-Agulu. (2009). Contemporary African Art Since 1980 Damiani
- Tawadros, G. (2005). “A Case of Mistaken Identity” in Shades of Black: Assembling Black Arts in 1980s Britain, eds., David A. Bailey, Ian Baucom and Sonia Boyce (London: Iniva and Duke University Press, 125.
- Mercer, K., and I. Julien, (1988) “De Margin and De Centre” Screen.
- Hall, S. (1992). “New Ethnicities” in Race, Culture and Difference, eds., J. Donald and A. Rattansi London, Sage, 258.
- Gilroy, P., (1993) The Black Atlantic: Counter-culture of Modernity, London: Verso.
- Hall, S. (1992). “New Ethnicities” in Race, Culture and Difference, Ed., J. Donald and A. Rattansi; London: Sage.
- Archive ACBG/121/1044 stored at Blythe House, London.
- Hall, S. (2005). “Assembling the 1980s: the Deluge and After” in Shade of Black, eds., Sonia Boyce, David A Bailey and Ian Baucom, Durham: Duke University Press, 1–21.
- Recordings: A Select Bibliography of Contemporary Afro-Caribbean and Asian British
- Stallabrass, J, (2006), High Art Lite: The Rise and Fall of Young British Art, London: Verso.
- Millard, R., The Tastemakers: U.K. Art Now (London: Thames and Hudson, 2001), Gould, C. (2003), Les Young British Artists: L'ecole du scandale (PhD dissertation: University Paris 3 Sorbonne Nouvelle.
- Gaywood, J. (1997). “‘yBa’ as Critique: The Socio Political Inferences of the Mediated Identity of Recent British Art,” in Third Text, no. 11, vol 40, 3–12.
- Bailey D.A. and S. Hall, (1991). Ten.8. “Critical Decade: Black British Photography in the 80s,” vol 2, no. 3.
- Stephens, C., (2008). The History of British Art: 1870-Now, London, Tate Publishing, Yale Centre for British Art.
- Shocks to the System: Social and Political Issues in Recent British Art from the Arts Council Collection, 1991–1992, touring exhibition, commissioned by Isobel Johnstone.
- Hylton, R. (2007). The Nature of the Beast: Cultural Diversity and the Visual Art Sector. A Study of Policies, Initiatives and Attitudes 1976–2006, Bath: ICIA.
- Garnett, R. (1994). in Exhibition Catalogue I wish you were here, unpaginated.
- Nairne, A. (1990). “Briefing for a descent” in British Art Show 1990, (London: South Bank Centre, 119.
- Werner, M., and B. Zimmermann. (2003). “Penser l'histoire croisée: entre empire et réflexivité,” in Annales. Histoires Sciences Sociales, 1.
- Maharaj, S. (2001). “Perfidous Fidelity: the Untranslatability of the Other,” in Stuart Hall and Maharaj, S., Modernity and Difference, London: Iniva, annotation 6, 29
- Mercer, K. (1999–2000). “Ethnicity and Internationality: New British Art and Diaspora- Based Blackness” in Third Text, no. 49, 51–62.