Using stars, not just ‘reading’ them: the roles and functions of film stars in mother–daughter relations

References

• Austin, T. and Barker, M., eds., 2003. Contemporary Hollywood stardom. London: Arnold.
   Google Scholar
• Barbas, S., 2001. Movie crazy: fans, stars and the cult of celebrity. New York: Palgrave Macmillan.
   Google Scholar
• Boyd, C., 1989. Mothers and daughters: a discussion of theory and research. Journal of Marriage and the Family, May 51 (2), 291–301.
   Web of Science ®Google Scholar
• Charade, 1963. Film. Directed by Stanley Donen. USA: Stanley Donen Productions.
   Google Scholar
• Chodorow, N., 1978. The reproduction of mothering: psychoanalysis and the sociology of gender. Berkeley, CA: University of California Press.
   Google Scholar
• Dyer, R., 1979. Stars. London: BFI.
   Google Scholar
• Dyer, R., 1986. Heavenly bodies: film stars and society. London: Macmillan.
   Google Scholar
• Fischer, L. and Landy, M. eds., 2004. Stars: the film reader. New York: Routledge.
   Google Scholar
• Fischer, L.R., 1981. Transitions in the mother-daughter relationship. Journal of Marriage and the Family, August, 613–622.
   Web of Science ®Google Scholar
• Flax, J., 1978. The conflict between nurturance and autonomy in mother-daughter relationships and within feminism. Feminist Studies, 4 (2), 171–189.
   Google Scholar
• Gell, A., 1998. Art and agency: an anthropological theory. Oxford: Clarendon Press.
   Google Scholar
• Gone with the wind, 1939. Film. Directed by Victor Fleming. USA: Selznick International Pictures and Metro-Goldwyn-Mayer.
   Google Scholar
• Hammer, S., 1976. Daughters and mothers, mothers and daughters. London: Hutchinson.
   Google Scholar
• Holmes, S. and Redmond, S., eds., 2006. Framing celebrity: new directions in celebrity culture. Abingdon: Routledge.
   Google Scholar
• Holmes, S. and Redmond, S., eds., 2007. Stardom and celebrity: a reader. London: Sage.
   Google Scholar
• Kail, R.V. and Cavanaugh, J.C., 2008. Human development: a life-span view. 5th ed. Belmont, CA: Wadsworth.
   Google Scholar
• Kuhn, A., 2002. An everyday magic: cinema and cultural memory. London: IB Tauris.
   Google Scholar
• Last of the Mohicans, 1992. Film. Directed by Michael Mann. USA: Morgan Creek Productions.
   Google Scholar
• Lawrence of Arabia, 1962. Film. Directed by David Lean. UK: Horizon Pictures.
   Google Scholar
• Lock Stock and Two Smoking Barrels, 1998. Film. Directed by Guy Ritchie. United Kingdom: The Steve Tisch Company, SKA Films, Summit Entertainment and Handmade Films.
   Google Scholar
• McDonald, P., 1998. Reconceptualising stardom. In: R. Dyer, ed. Stars. 2nd ed. London: British Film Institute.
   Google Scholar
• Miss Congeniality, 2000. Film. Directed by Donald Petrie. USA: Castle Rock Entertainment, Village Roadshow Pictures, NPV Entertainment and Fortis Films.
   Google Scholar
• Moseley, R., 2002. Growing up with Audrey Hepburn. Manchester: Manchester University Press.
   Google Scholar
• Phantom of the opera, 2004. Film. Directed by Joel Schumacher. USA/UK: Really Useful Films, Joel Schumacher Productions, Odyssey Entertainment and Scion Films.
   Google Scholar
• Ralph, S., forthcoming 2015. ‘A place for talking about female stars’: exploring versatility, femininity and ‘fantasy’ in mother-daughter talk on film stars. In: H. Savigny and H. Warner, eds. The politics of being a woman: feminism, media and 21st century popular culture. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Rojek, C., 2001. Celebrity. London: Reaktion Books.
   Google Scholar
• Shrek, 2001. Film. Directed by Andrew Adamson and Vicky Jenson. United States: Pacific Data Images.
   Google Scholar
• Smith, J.A. and Osborn, M., 2008. Interpretative phenomenological analysis. In: J.A. Smith, ed. Qualitative psychology: a practical guide to research methods. Sage: London.
   Google Scholar
• Snatch, 2000. Film. Directed by Guy Ritchie. United Kingdom/United States: SKA Films.
   Google Scholar
• Soila, T., ed., 2009. Stellar encounters: stardom in popular European cinema. New Barnet: John Libbey.
   Google Scholar
• Stacey, J., 1994. Star gazing: Hollywood cinema and female spectatorship. Abingdon: Routledge.
   Google Scholar
• Suspicion, 1941. Film. Directed by Alfred Hitchcock. USA: RKO Radio Pictures.
   Google Scholar
• Taylor, H., 1989. Scarlett’s women: Gone with the Wind and its female fans. London: Virago Press.
   Google Scholar
• The Philadelphia story, 1940. Film. Directed by George Cukor. USA: Metro-Goldwyn-Mayer.
   Google Scholar
• Walkerdine, V. and Lucey, H., 1989. Democracy in the kitchen: regulating mothers and socialising daughters. London: Virago Press.
   Google Scholar