1,020
Views
1
CrossRef citations to date
0
Altmetric
Research Articles

Beautiful penitent whore: the desecrated celebrity of Mary Magdalene

Pages 25-42 | Received 23 Jan 2018, Accepted 26 Aug 2019, Published online: 01 Mar 2020

References

  • AD The Bible Continues, 2015. Television series. USA: United Artists.
  • Allen, B., 2018. Mary Magdalene director Garth Davis responds to ‘whitewashing’ claims [online]. Radio Times. Available from: https://www.radiotimes.com/news/film/2018-03-16/mary-magdalene-director-garth-davis-responds-to-whitewashing-criticisms/ [Accessed 20 Jan 2019].
  • Apostolas-Cappadona, D., 2002. In search of Mary Magdalene: images and traditions. New York: American Bible Society.
  • Apostolas-Cappadona, D., 2009. Iconography. In: J. Lyden, ed. Routledge companion to religion and film. Oxford: Routledge, 440–464.
  • Ascough, R., 2009. Jesus: real to reel. Word & world, 29 (2), 179–186.
  • Bamigboye, B., 2018. Brilliant Rooney brings St Mary to life [online]. The Daily Mail. Available from: https://www.dailymail.co.uk/tvshowbiz/article-5342513/Rooney-Maras-passionate-performance-Mary-Magdalene.html [Accessed 20 Jan 2019].
  • Beavis, M., 2012. The deification of Mary Magdalene. Feminist theology, 21 (2), 145–154.
  • Bernstein, A. and Scharf, I., 2018. Long maligned, Mary Magdalene now seen as stalwart disciple [online]. Times of Israel. Available from: https://www.timesofisrael.com/long-maligned-mary-magdalene-now-seen-as-stalwart-disciple/ [Accessed 21 Jan 2019].
  • Bolton, L., 2015. The intertextual stardom of Iris: Winslet, Dench, Murdoch and Alzheimer’s disease. In: A. Backman Rogers and L. Mulvey, eds. Feminisms: diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press, 65–75.
  • Bradshaw, P., 2018. Mary Magdalene review [online]. The Guardian. Available from: https://www.theguardian.com/film/2018/feb/27/mary-magdalene-review-rooney-mara-sunday-school-myths [Accessed 20 Jan 2019].
  • Brown, D., 2006. The DaVinci code. London: Corgi.
  • Campbell, R., 2006. Marked women: prostitutes and prostitution in the cinema. Madison, Wis: University of Wisconsin Press.
  • Carol, 2015. Film. Directed by Todd Haynes. UK/USA. The Weinstein Company.
  • Carr, F., 2018. The real reason why Mary Magdalene is such a controversial figure [online]. Time. Available from: http://time.com/5210705/mary-magdalene-controversial/ [Accessed 21 Jan 2019].
  • Casey, M., 2010. Jesus of Nazareth. London and New York: T&T Clark International.
  • Clarke, S., 2019. Interview with Philippa Goslett. Variety. Available from: https://variety.com/2019/film/news/mary-magdalene-philippa-goslett-neil-gaiman-himalaya-1203187903/ [Accessed 1 May 2019].
  • Common Bible, 1973. Revised Standard Version. London; New York: Collins.
  • Cox, A., 2018. Jesus’s female disciples: the new evidence. UK: Timeline.
  • Drury, J.M., 2002. Painting the word: Christian pictures and their meanings. New Haven, Conn. and London: Yale University Press in association with National Gallery Publications.
  • Dyer, R., 1979. Stars. London: British Film Institute.
  • Dyer, R., 2003. Heavenly bodies. London, New York: Routledge.
  • Edwards, K. and Warren, M.J.C., 2018. Mary Magdalene is yet another example of Hollywood whitewashing [online]. The Conversation. Available from: http://theconversation.com/mary-magdalene-is-yet-another-example-of-hollywood-whitewashing-94134 [Accessed 21 Jan 2019].
  • Eschrich, J., 2011. Behold the man! Constructing the masculinity of Jesus of Nazareth in mainstream American film. Men and Masculinities, 14 (5), 520–541.
  • Ferguson, G., 1961. Signs and symbols in Christian art. Oxford: Oxford University Press.
  • From the Manger to the Cross; or, Jesus of Nazareth, 1912. Film. Directed by Sidney Olcott. USA: Kalem Company.
  • Ghost Story, A, 2017. Film. In: Directed by david lowery. USA: Sailor Bear, .
  • Grimshaw, M., 1999. Sexless piety or a man’s man? Notes on the cinematic representation of Jesus. Journal of Beliefs and Values, 20 (2), 149–161.
  • Haskell, M., 1987. From reverence to rape: the treatment of women in the movies. Chicago: University of Chicago Press.
  • Haskins, S., 1993. Mary Magdalen: myth and metaphor. London: HarperCollins.
  • Jarvie, I.C., 2003. Stars and ethnicity: Hollywood and the United States, 1932–1951. In: L. Fischer and M. Landy, eds. Stars, the film reader. London: Routledge, 167–180.
  • Jesus Christ Superstar, 1973. Film. Directed by Norman Jewison. USA: Universal Pictures.
  • Jesus of Montreal, 1989. Film. Directed by Denys Arcand. Canada: Max Films Productions.
  • Jesus of Nazareth, 1977. Film. Directed by Franco Zeffirelli. Italy; UK: ITC Films.
  • Kennedy, T., 2005. (Re)presenting Mary Magdalene: a feminist reading of The Last Temptation of Christ. Journal of religion and popular culture, Volume 9 (1), 2.
  • Kennedy, T., 2012. Mary Magdalene and the politics of public memory: interrogating. The Da Vinci code. Feminist formations, 24 (12), 120–139.
  • King, N., 2011. The Passion of the Christ. Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan.
  • King of Kings, 1927. Film. Directed by Cecil B. DeMille. USA: DeMille Pictures Corporation.
  • King of Kings, 1961. Film. Directed by Nicholas Ray. USA: MGM.
  • Knapp, L., 1999. Tsvetaeva’s Marine Mary Magdalene. The slavic and East European journal, 43 (4), 597–620.
  • Kozlovic, A., 2004. The cinematic Christ-figure. The furrow, 55 (1), 26–30.
  • Leloup, J., 2002. The gospel of Mary Magdalene. Rochester, Vermont: Inner Traditions.
  • Marks, L.U., 2000. The skin of the film. Durham and London: Duke University Press.
  • Mary, 2005. Film. Directed by Abel Ferrara. Italy, France, USA: Wild Bunch.
  • Mary Magdalene, 2000. TV Movie. Directed by Raffaelle Mertes, Elisabetta Marchetti. Italy, Germany: Epsilon.
  • Mary Magdalene, 2018. Film. Directed by Garth Davis. UK, USA, Australia: See-Saw Films.
  • Morin, E., 2005. The stars. Minnesota: University of Minnesota Press.
  • Negra, D., 2001. Off-White Hollywood: American culture and ethnic female stardom. London and New York: Routledge.
  • Plumer, E.A., 2009. The Catholic Church and American culture. Scranton, PA: University of Scranton Press.
  • Raintree County, 1957. Film. Directed by Edward Dmytryk. USA: Metro-Goldwyn-Mayer.
  • Redmond, S., 2019. Celebrity. Oxford; New York: Routledge.
  • Reinhartz, A., 2007. Jesus of Hollywood. New York: Oxford University Press.
  • Rojek, C., 2001. Celebrity. London: Reaktion.
  • Sanchez-Biosca, V., 2006. ‘The Latin Masquerade. The Spanish Disguise in Hollywood’. In Journeys of Desire: European Actors in Hollywood, edited by Alastair Phillips and Ginette Vincendeau, London, BFI.
  • Snchez-Biosca, V., 2006. The Latin Masquerade: the Spanish in disguise in Hollywood. In: A. Phillips and G. Vincendeau, eds.. Journeys of desire: European actors in Hollywood. London: British Film Institute, 133–139.
  • Scarlet Woman: the True Story of Mary Magdalene, 2017. Film. Directed by Waldemar Januszczak. UK: XiveTV.
  • Superman, 1978. Film. Directed by Richard Donner. USA: Dovemead Films.
  • Taylor, J., 2017. What did Mary Magdalene look like? [unpublished conference paper]. Delivered at 'The body politics of Mary Magdalene' conference. 24 November 2017. Warburg Institute
  • The Bible, 2013. TV Miniseries. UK, USA: Lightworkers Media.
  • The DaVinci Code, 2006. Film. Directed by Ron Howard. USA: Columbia.
  • The Day the Earth Stood Still, 1951. Film. Directed by Robert Wise. USA: Twentieth Century Fox.
  • The Greatest Story Ever Told, 1965. Film. Directed by George Stevens. USA: MGM.
  • The Last Temptation of Christ, 1988. Film. Directed by Martin Scorsese. Canada; USA: Universal Pictures.
  • The Mary Magdalene Conspiracy, 2009. Film. Directed by John Fothergill. UK: Little Dot Studios.
  • The Matrix, 1999. Film. Directed by Lana Wachowski and Lilly Wachowski (as the Wachowski Brothers). USA: Warner Bros.
  • The Miracle Maker, 2000. Film. Directed by Derek W. Hayes and Stanislav Sokolov. Russia; UK: BBC.
  • The Passion of the Christ, 2004. Film. Directed by Mel Gibson. USA: Icon Productions.
  • The Sandpiper, 1965. Film. Directed by Vincente Minnelli. USA: Filmways Pictures.
  • Vertigo, 1958. Film. Directed by Alfred Hitchcock. USA: Alfred J. Hitchcock Productions.
  • Warner, M., 1976. Alone of all her Sex. London: Weidenfeld and Nicholson.
  • Warren, M.J.C. and Edwards, K., 2018. Mary Magdalene – another Easter Jesus film that’s bad news for Judaism [online]. The Conversation. Available from: https://theconversation.com/mary-magdalene-another-easter-jesus-film-thats-bad-news-for-judaism-94136 [Accessed 21 Jan 2019].
  • Winkett, L., 2002. Go tell! Thinking about Mary Magdalene. Feminist theology, 29, 19–31.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.