References
- Appadurai, A. and Breckenridge, C., 1995. Public modernity in India. In: C.A. Breckenridge, ed.. Consuming modernity: public culture in a South Asian world. U of Minnesota Press.1-17
- Beltz, J., 2015. The making of a new icon: B.R. Ambedkar’s visual hagiography. South Asian studies, 31 (2), 254–265.
- Brook, S., 2006. Touring the Phantom agent: recognition, defacement and the Vietnamese Australian war memorial. Journal of intercultural studies, 27 (1–2), 133–149.
- Coombes, A.E., 2011. Monumental histories: commemorating Mau Mau with the Statue of Dedan Kimathi. African studies, 70 (2), 202–223.
- Duschinsky, R., 2010. Rethinking the Profane. International journal of interdisciplinary social sciences, 5 (3), 119–126.
- Freitag, S., 2001. Visions of the nation: theorizing the nexus between creation, consumption and participation in the public sphere. In: R. Dwyer and C. Pinney, eds. Pleasure and the nation: the history, politics and consumption of public culture in India. New Delhi: Oxford UP, 35–75.
- Ganguly, D., 2002. History’s implosions: a Benjaminian reading of Ambedkar. Journal of narrative theory, 32 (3), 326–347.
- Gesty, D.J., 2014. Acts of stillness: statues, performativity, and passive resistance. Criticism, 56 (1), 1–20.
- Komath, R., 2017. Ambedkar will teach the nation from his statues. Economic and political weekly, 52 (25–26).
- Koskella, H., 2014. “Capture every moment” – the profane semiotics of surveillance advertisements. Social semiotics, 24 (3), 324–344.
- McCarthy, Cormac. The Road. 2006. London: Picador, 2008.
- McKinney, M., 2008. The Frontier and the Affrontier: French-Language Algerian comics. European comic art, 1 (2), 175–199.
- Mehta, B. and Mukherji, P., 2015. Introduction. In: B. Mehta and P. Mukherji, eds. Postcolonial comics: texts, events, identities. New York: Routledge, 1–26.
- Philipps, A., 2015. Defining visual street art: in contrast to political stencils. Visual anthropology, 28 (1), 51–66.
- Rasmusen, E., 1998. The economics of desecration: flag burning and related activities. Journal of legal studies, 27 (2), 245–269.
- Sekula, A., 1999. Reading the archive: photography between labor and capital. In: J. Evans and S. Hall, eds. Visual culture. London: Sage-The Open University, 181–192.
- Verdrey, K., 1999. The political lives of dead bodies: reburial and postsocialist change. New York: Columbia UP.