933
Views
2
CrossRef citations to date
0
Altmetric
Research Article

Forever Gor Gor, changing fans: Leslie Cheung posthumous fandom revisited

Pages 186-201 | Received 14 Jun 2020, Accepted 05 Oct 2020, Published online: 07 Apr 2021

References

  • Bennett, L., 2016. Introduction: seeing fans. In: L. Bennett and P. Booth, eds. Seeing fans: representations of fandom in media and popular culture. London: Bloomsbury Academic, 1–10.
  • Brooker, W., 2017. A sort of homecoming: fan viewing and symbolic pilgrimage. In: J. Gray, C. Sandvoss, and C.L. Harrington, eds. Fandom: identities and communities in a mediated world. 2nd ed. New York: New York University Press, 157–173.
  • Cagle, V.M., 2005. Flaunting it: style, identity, and the social construction of Elvis fandom. In: S. Jones and J. Jensen, eds. Afterlife as Afterimage: understanding Posthumous Fame. Bern: Peter Lang, 31–60.
  • Cinque, T. and Redmond, S., 2019. The fandom of David Bowie: everyone says “hi”. London: Palgrave Macmillan.
  • CNN Entertainment, 2010. Michael Jackson: your number one music icon. 27 August. Available from: http://edition.cnn.com/2010/SHOWBIZ/Music/08/24/music.icon.gallery/index.html [Accessed 25 February 2020].
  • Days of Being Wild, 1990. Film. Directed by Wong Kar-wai. Hong Kong: In-Gear Films.
  • Dyer, R., 1979. Stars. London: British Film Institute.
  • Dyer, R., 1991. A star is born and the construction of authenticity. In: C. Gledhill, ed. Stardom: industry of desire. London and New York: Routledge, 136–144.
  • Farewell My Concubine, 1993. Film. Directed by Chen Kaige. China; Hong Kong: Beijing Film Studio.
  • Sandvoss, C., Gray, J. and Harrington, C.L.,  2017. Introduction: why still study fans. In: Fandom: identities and communities in a mediated world. 2nd ed. New York: New York University Press, 1–28.
  • Groene, S.L. and Hettinger, V.E., 2016. Are you ‘fan’ enough? The role of identity in media fandoms. Psychology of popular media culture, 5 (4), 324–339. doi:https://doi.org/10.1037/ppm0000080.
  • Grossberg, L., 1992. Is there a fan in the house?: the affective sensibility of fandom. In: L.A. Lewis, ed. the adoring audience: fan culture and popular media. Abingdon: Routledge, 50–65.
  • Happy Together, 1997. Film. Directed by Wong Kar-wai. Hong Kong: Kino International.
  • Hills, M., 2002. Fan cultures. Abingdon: Routledge.
  • Hills, M., 2016. Afterwards: Participating in Hybrid Media Logics?. In: Seeing Fans: Representations of Fandom in Media and Popular Culture. London: Bloomsbury Academic, 267–72
  • Hinerman, S., 1992. ‘I’ll be here with you’: fans, fantasy and the figure of Elvis. In: Lisa A. Lewis, ed. The adoring audience: fan culture and popular media. Abingdon: Routledge, 107–134.
  • Jenkins, H., 1992. Strangers no more, we sing’: filking and the social construction of the science fiction fan community. In: Lisa A. Lewis, ed. The adoring audience: fan culture and popular media. Abingdon: Routledge, 208–236.
  • Jenkins, H., 2013. Fans, bloggers, and gamers. New York: New York University Press.
  • Jensen, J., 2005. On fandom, celebrity, and mediation: posthumous possibilities. In: S. Jones and J. Jensen, eds. Afterlife as afterimage, xv–xxiii.
  • Lamerichs, N., 2018. Productive Fandom. Amsterdam: Amsterdam University Press.
  • Leslie Cheung Artist Studies, 2013. Best years: Leslie Cheung (Shengshi Guanyin: Zhang Guorong). Beijing: Modern Publishing House.
  • Luo, F., 2009. Colourless butterfly: Leslie Cheung’s art image (Jinse de Hudie: Zhang Guorong de Yishu Xiangxiang). Guilin: Guanxi Normal University Press.
  • Mudge, J., 2020. The immortal Leslie Cheung. 1 April. Available from: https://www.easternkicks.com/features/the-immortal-leslie-cheung.
  • Norman, A., 2011. Celebrity push, celebrity pull: understanding the role of the notable person in pilgrimage. Australian religion studies review, 24 (3), 317–341. doi:https://doi.org/10.1558/jasr.v24i3.317.
  • Rodman, G.B., 1996. Elvis after Elvis: the posthumous career of a living legend. Abingdon: Routledge, e–book.
  • Rong, X., 2018. Not gone with wind: Leslie Cheung (Suifeng bushi: Zhang Guorong). Fuzhou: Fujian People Publisher.
  • Sandvoss, C., 2005. Fans: the mirror of consumption. Cambridge, UK and Malden, MA: Polity.
  • Shen, H., 2016. How could it be banal to remember Leslie Cheung? The Beijing News, 1 April.
  • Spigel, L., 1990. Communicating with the dead: Elvis as medium. Camera obscura, 23, 176–205. doi:https://doi.org/10.1215/02705346-8-2_23-176
  • Stein, L., 2015. Millennial fandom. Iowa: University of Iowa Press.
  • Stringer, J., 2010. Leslie Cheung: star as autosexual. In: M. Farquhar and Y. Zhang, eds. Chinese film stars. Abingdon: Routledge, 207–224.
  • Taylor, G., 1999. Artists in the audience: cults, camp and American film criticism. Princeton: Princeton University Press.
  • Wang, Y., 2007. A star is dead: a legend is born: practicing Leslie Cheung’s posthumous fandom. In: S. Redmond and S. Holmes, eds. Stardom and celebrity: a reader. Newbury Park: Sage, 326–340.
  • Waysdorf, A. and Reijnders, S., 2018. Fan homecoming: analyzing the role of place in long-term fandom of The Prisoner. Popular communication, 17 (1), 50–65. doi:https://doi.org/10.1080/15405702.2018.1524146.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.