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BOOK REVIEW

Wanghong as Social Media Entertainment in China

by David Craig, Jian Lin, Stuart Cunningham, Palgrave Macmillan, 2021, 197 pp, € 84.99 (hardcover), ISBN 978-3-030-65375-0

References

  • Cunningham, S. and Craig, D., 2019. Social media entertainment: the new intersection of Hollywood and Silicon Valley. New York: New York University Press.
  • Cunningham, S., Craig, D., and Lv, J., 2019. China’s livestreaming industry: platforms, politics, and precarity. International Journal of Cultural Studies, 22 (6), 719–736. doi:10.1177/1367877919834942
  • Havens, T., Lotz, A.D., and Tinic, S., 2009. Critical media industry studies: a research approach. Communication, Culture & Critique, 2 (2), 234–253. doi:10.1111/j.1753-9137.2009.01037.x
  • Hesmondhalgh, D., 2010. Media industry studies, media production studies. In: J. Curran, ed. Media and Society. London: Bloomsbury Academic, 145–163.
  • Lin, J. and de Kloet, J., 2019. Platformization of the unlikely creative class: kuaishou and Chinese digital cultural production. Social Media+ Society, 5 (4), 1–12.
  • Lo, K.C. and Pang, L., 2005. Introduction: Chinese culture in inter-Asia. Modern Chinese Literature and Culture, 17 (1), 1–7.
  • Sullivan, J. and Kehoe, S., 2019. Truth, good and beauty: the politics of celebrity in China. The China Quarterly, 237, 241–256. doi:10.1017/S0305741018001285
  • Xu, J., Donnar, G., and Kishore, V., 2021. Internationalising celebrity studies: turning towards Asia. Celebrity Studies, 12 (2), 175–185. doi:10.1080/19392397.2021.1912069

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