Works Cited
- Azerrad, Michael. Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991. Boston: Little, Brown and Company, 2001. Print.
- Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York, NY: Routledge, 1990. Print.
- Butz, Konstantin. Grinding California: Culture and Corporeality in American Skate Punk. Bielefeld: Transcript, 2012. Print.10.14361/transcript.9783839421222
- Eco, Umberto. “Postscript.” The Name of the Rose. Trans. William Weaver. San Diego: Harcourt, 1994. 503–536. Print.
- Foege, Alec. Confusion is Next: The Sonic Youth Story. New York, NY: St. Martin’s Press, 1994. Print.
- Haselstein, Ulla, Andrew Gross, and MaryAnn Snyder-Körber. “Introduction: Returns of the Real.” The Pathos of Authenticity: American Passions of the Real. Ed. Ulla Haselstein, Andrew Gross, and MaryAnn Snyder-Körber. Heidelberg: Universitätsverlag Winter, 2010. 9–32. Print.
- Hutcheon, Linda. A Poetics of Postmodernism. History, Theory, Fiction. New York: Routledge, 1988. Print.10.4324/9780203358856
- Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke UP, 2003. Print.
- Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network Theory. Oxford: Oxford UP, 2005. Print.
- Lyle, Erick. Scam 9 (Fall 2012). Unpaginated. Print.
- Mierni, Mirosław Aleksander. “The Evolution of Emo and Its Theoretical Implications.” Polish Journal for American Studies 7 (2013): 175–188. Print.
- Reynolds, Simon. “Not Not Fun.” The Wire 372 ( May 2011): 36–43. Print.
- Reynolds, Simon. Retromania: Pop Culture’s Addiction to Its Own Past. London: Faber and Faber, 2011. Print.
- Stubbs, David. Fear of Music: Why People Get Rothko but Don’t Get Stockhausen. Winchester: Zero Books, 2008. Print.
- Triggs, Teal. Fanzines: The DIY Revolution. San Francisco: Chronicle Books, 2010. Print.