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Film Review

Pride + Prejudice + Zombies

References

  • Bishop, K. (2008). The sub-subaltern monster: Imperialist hegemony and the cinematic voodoo zombie. The Journal of American Culture, 31(2), 141–152. doi: 10.1111/j.1542-734X.2008.00668.x
  • Boon, K. (2007). Ontological anxiety made flesh. In N. Scott (Ed.), Monsters and the monstrous: Myths and metaphors of enduring evil (pp. 33–43). Amsterdam, Netherlands: Rodopi.
  • Cartmell, D. (2010). ‪Screen adaptations: Jane Austen’s pride and prejudice: A close study of the relationship between text and fil UK. London: A&C Black Publishers Ltd, p. 126.
  • Fandango Website. (2016). Retrieved February 20, 2016, from http://www.fandango.com/prideandprejudiceandzombies_138600/moviereviews
  • Halliwell, L. (1986). The dead that walk. London: Grafton Books.
  • Ortiz Hill, M. (1994/2004). Dreaming the end of the world: Apocalypse as a rite of passage. New Orleans, USA: Spring Publications.
  • The TV Guide Website. (2012). November 2nd, 2012. Retrieved January 18, 2013, from http://www.tvguide.com/News/Cable-Vs-Broadcast-Walking-Dead-1055456.aspx
  • Wollen, P. (1972). Godard and counter cinema: Vent d’Est in Rosen, P. (ed) (1986) Narratives, apparatus, ideology: A film theory reader. New York: Columbia University Press.
  • Young, R. (Ed.). (1981). Untying the text: A post-structuralist reader. London: Routledge and Kegan Paul.

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