546
Views
1
CrossRef citations to date
0
Altmetric
Articles

Punjabiyat and the music of Nusrat Fateh Ali Khan

Pages 179-192 | Received 09 May 2013, Accepted 10 Jan 2014, Published online: 15 May 2014

References

  • Abbas, S. B. 2002. The Female Voice in Sufi Ritual: Devotional Practices of Pakistan and India. Austin: University of Texas Press.
  • Ali, N., V. S. Kalra, and S. Sayyid. 2006. A Postcolonial People: South Asians in Britain. London: Hurst.
  • Baud, Pierre-Alain. 1996. “Nusrat Fateh Ali Khan: le _qawwali_ au risque de la modernitée [Nusrat Fateh Ali Khan: the Qawwali and the risks of modernity].” Cahiers de musiques traditionnelles 9: 259–274. doi: 10.2307/40240603
  • Baud, P. 2008. Nusrat Fateh Ali Khan: Le messager du qawwali. Paris: Demi-Lune.
  • Cottle, Simon. 1994. “Stigmatizing Handsworth: Notes on Reporting Spoiled Space.” Critical Studies in Mass Communication 11 (3): 231–256. doi: 10.1080/15295039409366900
  • Dudrah, R. 2007. Bhangra: Birmingham and Beyond. Birmingham: Birmingham City Council.
  • Dudrah, R. 2010. “Haptic Urban Ethnoscapes: Representation, Diasporic Media and Urban Cultural Landscapes.” Journal of Media Practice 11 (1): 31–46. doi: 10.1386/jmpr.11.1.31/1
  • Frembgen, Jürgen Wasim. 2008. Journey to God: Sufis and Dervishes in Islam. Oxford: Oxford University Press.
  • Gill, Talwinder. 2013. “The Indian Workers’ Association Coventry 1938–1990: Political and Social Action.” Journal of South Asian History and Culture 4 (4): 554–573. doi: 10.1080/19472498.2013.824683
  • Hutnyk, J. 2000. Critique of Exotica: Music, Politics and the Culture Industry. London: Pluto.
  • Jacoviello, Stefano. 2011. “Nusrat Fateh Ali Khan: The Strange Destiny of a Singing Mystic. When Music Travels.” Semiotica 183 (3): 319–341.
  • Kalra, V. 2014. Sacred and Secular Musics: A Postcolonial Approach. London: Continuum.
  • Kalra, V., R. Kaur, and J. Hutnyk. 2005. Diaspora and Hybridity. London: Sage.
  • Kalra, Virinder S., Umber Ibad, and Navtej K. Purewal. 2013. “Diasporic Shrines: Transnational Networks Linking South Asia through Pilgrimage and Welfare Development.” In Diaspora Engagement and Development in South Asia, edited by Tan Tai Yong and Md Mizanur Rahman, 176–198. London: Palgrave.
  • Kaur, R., and V. Kalra. 1996. “New Paths for South Asian Identity and Musical Creativity.” In Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, edited by S. Sharma, A. Sharma, and J. Hutnyk, 217–231. London: Zed Books.
  • Malhotra, Anshu, and Farina Mir. 2012. “Punjab in History and Historiography.” In Punjab Reconsidered: History, Culture, and Practice, edited by Anshu Malhotra and Farina Mir, xv–lviii. New Delhi: Oxford University Press.
  • Mandair, Arvind. 2009. Religion and the Specter of the West: Sikhism, India, Postcoloniality, and the Politics of Translation. New York: Columbia University Press.
  • Manuel, P. 2008. “North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism.” Ethnomusicology 52 (3): 378–400.
  • Mir, F. 2010. The Social Space of Language: Vernacular Culture in British Colonial Punjab. Berkeley: University of California Press.
  • Purewal, N. 2006. “Borderland Punjab.” Seminar. http://www.india-seminar.com/
  • Qureshi, Regula.1986 [1995]. Sufi music of India and Pakistan: Context and meaning in Qawwali. Cambridge: Cambridge University Press.
  • Qureshi, Regula. 1992/1993. “Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony.” Asian Music 24 (12): 111–121.
  • Rosser, Y. C. 2004. “Contesting Historiographies in South Asia: The Islamization of Pakistani Social Studies Textbooks.” In Religious Fundamentalism in the Contemporary World, edited by C. Saha, 265–307. Oxford: Lexington Books.
  • Roy, Anjali. 2010. Bhangra Moves: From Ludhiana to London and Beyond. Aldershot: Ashgate Publishing.
  • Rubi. 1992. Ahmed Aqeel Rubi, Nusrat Fateh Ali Khan, a Living Legend, translated from Urdu to English by Sajjad Haider Malik.
  • Sakata, H. L. 1994. “The Sacred and the Profane.” The World of Music 36 (3): 86–99.
  • Shah, A. 2004. “Punjabi Poetry with English Translations.” Journal of Punjab Studies 13 (1/2): 177–204.
  • Sharma, S., J. Hutnyk, and A. Sharma, 1996. Dis-orienting Rhythms: Politics of the New Asian Dance Music. London: Zed Books.
  • Singh, S., and I. Gaur. 2009. Sufism in Punjab. Delhi: Akaar Books.
  • Wimmer, A., and N. Glick Schiller. 2002. “Methodological Nationalism and Beyond: Nation-State Building, Migration and the Social Sciences.” Global Networks 4 (2): 301–334. doi: 10.1111/1471-0374.00043

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.