Advanced search
Publication Cover
South Asian Diaspora Volume 11, 2019 - Issue 2: Dance, Music and Cultures of Decolonisation in the Indian Diaspora
Submit an article Journal homepage
375
Views
0
CrossRef citations to date
0
Altmetric
Articles

Decolonising Indian classical dance? Projects of reform, classical to contemporary

Sitara ThobaniResidential College, Arts and Humanities, Michigan State University, East Lansing, MI, USACorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-8697-2753
ORCID Icon
Pages 179-192 | Received 01 Oct 2018, Accepted 17 Dec 2018, Published online: 18 Jan 2019

References

  • Allen, Michael Harp. 1997. “Rewriting the Script for South Indian Dance.” The Dance Review 41 (3): 63–100.
  • Balibar, Etienne. 2004. We, the People of Europe?: Reflections on Transnational Citizenship. Princeton, NJ: Princeton University Press.
  • Banks, Marcus. 1996. Ethnicity: Anthropological Constructions. London: Routledge.
  • Bourdieu, Pierre. 1977. Outline of a Theory of Practice. Cambridge: Cambridge University Press.
  • Connerton, Paul. 1989. How Societies Remember. Cambridge: Cambridge University Press.
  • Csordas, Thomas. 1990. Embodiment as a Paradigm for Anthropology. Cambridge: Cambridge University Press.
  • Erdman, Joan. 2000. “South Asian Dance: The British Experience, Choreography and Dance.” The Dance Review 44 (3): 180–113.
  • Fanon, Franz. 2008 [1952]. Black Skin, White Masks. Translated by C. L. Markmann. London: Pluto.
  • Gilroy, Paul. 1992. ‘There Ain’t No Black in the Union Jack’: The Cultural Politics of Race and Nation. London: Routledge.
  • Hall, Stuart. 1991a. “The Local and the Global: Globalization and Ethnicity.” In Culture, Globalization and the World-System, edited by A. D. King, 19–40. Basingstoke: Macmillan.
  • Hall, Stuart. 1991b. “Old and New Identities, Old and New Ethnicities.” In Culture, Globalization and the World-System, edited by A. D. King, 41–68. Basingstoke: Macmillan.
  • Hall, Stuart. 1996. “Who Needs ‘Identity’?” In Questions of Cultural Identity, edited by P. Du Gay, and S. Hall, 1–17. London: Sage.
  • Kothari, Sunil, and A. Pasricha. 1990. Odissi: Indian Classical Dance Art. Bombay: Marg Publications.
  • Mauss, Marcel. 1973 [1934]. “Techniques of the Body.” Economy and Society 2 (1): 70–88. doi: 10.1080/03085147300000003
  • Soneji, Davesh. 2012. Unfinished Gestures: Devadāsīs, Memory, and Modernity in South India. Chicago: University of Chicago Press.
  • Srinivasan, Amrit. 1985. “Reform and Revival: The Devadasi and Her Dance.” Economic and Political Weekly 20 (44): 1869–1876.
  • Thobani, Sitara. 2017a. Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage. New York: Routledge.
  • Thobani, Sitara. 2017b. “Projects of Reform: Frictions of Generation and Genre.” MUSICultures 44 (1): 163–186.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Supercharge Your Next Research Paper: Research and write your next paper with Jenni AI.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.