References
- Barba, E., 1986. Beyond the Floating Islands. New York: PAJ.
- Beringer, E., ed. 2010. Embodied Wisdom: The Collected Papers of Moshe Feldenkrais. Berkeley, CA: North Atlantic Books.
- Boal, A., 1994. The Rainbow of Desire: The Boal Method of Theatre and Therapy. London & New York: Routledge.
- Boal, A., 2000. Theatre of the Oppressed. London: Pluto.
- Boal, A., 2002. Games for Actors and Non-Actors. London & New York: Routledge.
- Bourdieu, P., 1984. Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
- Burt, R., 1998. Alien Bodies: Representations of Modernity, ‘Race’ and Nation in Early Modern Dance. London: Routledge.
- Cohen-Cruz, J., 2010. Engaging Performance: Theatre as Call and Response. London: Routledge.
- Evans, M., 2009. Movement Training for the Modern Actor. New York: Routledge.
- Evans, M., 2011. Dancing with Socrates: Telling Truths about the Self. Journal of Dance and Somatic Practices, 3 (1–2), 117–125.
- Evans, M., 2012. The Influence of Sports on Jacques Lecoq's Actor Training. Theatre, Dance and Performance Training, 3 (2), 163–177.
- Farrell, J., 2001. Dario Fo and Franca Rame: Harlequins of the Revolution. London: Methuen.
- Foucault, M., 1999. Discourse and Truth: The Problematization of Parrhesia. Available from: http://foucault.info/documents/parrhesia/ [Accessed July 1, 2011].
- Freire, P., 1996. Pedagogy of the Oppressed. London: Penguin.
- Gordon, R., 2006. The Purpose of Playing: Modern Acting Theories in Perspective. Ann Arbor: University of Michigan Press.
- Kapsali, M., 2013. Rethinking Actor Training: Training Body, Mind and … Ideological Awareness. Theatre, Dance and Performance Training, 4 (1), 73–86.
- Knowles, R., 2010. Theatre and Interculturalism. Basingstoke: Palgrave Macmillan.
- McEvenue, K., 2001. The Alexander Technique for Actors. London: Methuen.
- Mitchell, R., 2013. The Body Politics of Acting in the Context of Training and the Performance Industry: Perspectives from Contemporary Britain. Thesis (PhD). University of Kent.
- Nascimento, C.T., 2010. Crossing Cultural Borders Through the Actor's Work: Foreign Bodies of Knowledge. New York: Routledge.
- Potter, N., ed. 2002. Movement for Actors. New York: Allworth Press.
- Rouhiainen, L., 2008. Somatic Dance as a Means of Cultivating Ethically Embodied Subjects. Research in Dance Education, 9 (3), 241–256.
- Watson, I., 2013. The Odin Actor: Embodied Technology, Memory, and the Corporeal Archive. Theatre, Dance and Performance Training, 4 (3), 399–411.
- Willetts, J., ed. 1978. Brecht on Theatre. London: Eyre Methuen.
- Young, I., 1998. Throwing like a Girl. In:D.Welton, ed. Body and Flesh: A Philosophical Reader. Oxford: Blackwell, 259–173.