References
- Australia Council for the Arts, 2007. Protocols for Producing Indigenous Australian Performing Arts. Available from: http://www.australiacouncil.gov.au/__data/assets/pdf_file/0016/32353/Performing_arts_protocol_guide.pdf [Accessed 21 Jan 2014].
- Enoch, W., 2002. Interview with Author, Sydney, Australia.
- Enoch, W. and Mailman, D., 1996. 7 Stages of Grieving. Brisbane: Playlab Press.
- Langton, M., 1993. Well I Heard it on the Radio and I Saw it on the Television: An Essay for the Australian Film Commission on the Politics and Aesthetics of Film Making by and about Aboriginal People and Things. Sydney: Australian Film Commission.
- Orta, A., 1999. Syncretic Subjects and Body Politics: Doubleness, Personhood, and Aymara Catachists. American Ethnologist, 26 (4), 846–889.
- Page, S., 2003. Kinship and Creativity. In:K.Brisbane, ed. Philip Parsons Memorial Lectures on the Performing Arts 1993–2003. Sydney: Currency House, 113–129.
- Syron, L.M., 2013. Actor Training in Australia and the Indigenous Student Experience: Traversing Cultural and Pedagogical Domains, Thesis (PhD). University of Sydney, Australia.
- Williams, R., 1981. Keywords: A Vocabulary of Culture and Society. New York: Fontana Paperbacks.
- Western Australian Academy of Performing Arts. Aboriginal Theatre, 2014. Available from: http://www.waapa.ecu.edu.au/courses-and-admissions/our-courses/disciplines/aboriginal-theatre [Accessed 10 Mar 2014].