References
- Aristotle, 1986. Poëtica. Ed. N. van der Ben and J.M. Bremer. Amsterdam: Athenaeum – Polak & Van Gennep.
- Artaud, A., 1994. The Theater and its Double. New York, NY: Grove Press.
- Biet, C. and Féral, J., 2014. Avant-propos. La vague flamande: mythe ou réalité? Théâtre/Public, 211, 1–5.
- Brown, R.P. and Gerbarg, P.L., 2009. Yoga Breathing, Meditation, and Longevity. Annals of the New York Academy of Sciences, 1172, 54–62.
- Cassiers, E., 2014. Interview with Ivana Jozic. Unpublished.
- Celant, G., 2014. Jan Fabre. Stigmata. Acties & Performances 1976–2013 ( Exhibition catalogue). Milano: Skira.
- Crombez, T., 2014. Canonisation in Contemporary Theatre Criticism: A Frequency Analysis of ‘Flemish Wave’ Directors in the Pages of Etcetera. Contemporary Theatre Review, 24 (2), 252–261.
- De Brabandere, A., 1998. Performing Arts Portraits – Jan Fabre. Kritisch Theater Lexicon. Brussels: V.T. Instituut.
- Decreus, F., 2008. Ritueel theater of de droom over onze verloren oorsprong. Ghent: Academia Press.
- Diderot, D., 1830. Paradoxe sur le comédien: ouvrage posthume. Paris: A. Sautelet et Cie.
- Fabre, J., 2004. Ik ben een fout. Theaterscripts en theaterteksten 1975-2004. Antwerpen: Meulenhoff | Manteau.
- Foster, H., Krauss, K., Bois, Y., Buchloh, B.H.D. and Joselit, D., 2010. Art Since 1900: Modernism, Antimodernism, Postmodernism. 2nd ed. London: Thames and Hudson.
- Franklin, E., 2004. Conditioning for Dance: Training for Peak Performance in all Dance Forms. Illinois: Human Kinetics Publishers.
- Freedman, R., 1998. Martha Graham: A Dancer’s Life. Boston: Houghton Mifflin Harcourt.
- Goldberg, R.L., 1988. Performance Art: From Futurism to the Present. London: Thames and Hudson.
- Grotowski, J., 2002. Towards a Poor Theatre. New York, NY: Routledge.
- Hoghe, R. and Tree, S., 1980. The Theatre of Pina Bausch. The Drama Review, 24 (1), 63–74.
- Horton Fraleigh, S., 1999. Dancing Into Darkness: Butoh, Zen, and Japan. Pittsburgh, PA: University of Pittsburgh Press.
- Hrvatin, E., 1994a. Herhaling, Waanzin, Discipline. Het Theaterwerk van Jan Fabre. Amsterdam: International Theatre & Film Books.
- Hrvatin, E., 1994b. Jan Fabre: La discipline du chaos, le chaos de la discipline. Paris: Armand Colin.
- Laermans, R. and Gielen, P., 2000. Constructing Identities: The Case of the Flemish Dance Wave. Europe Dancing: Perspectives on Theatre Dance and Cultural Identity, 12. 57–78
- Lehmann, H.T., 2006. Postdramatic Theatre. New York, NY: Routledge.
- Online Focus, 2009. Ballett: Choreografin Pina Bausch gestorben [online]. Available on http://www.focus.de/kultur/kunst/ballett-choreografin-pina-bausch-gestorben_aid_412788.html, 30.06.2009, [Accessed 3 October 2015].
- Orozco, L. and Boenisch, P.M., 2010. Editorial: Border Collisions – Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4), 397–404.
- Roussel, N., Hallemans, A., Rutgeerts, J., Gielen, J. and Van Den Dries, L., 2014. Exploring the biomedical paradigm in the work of Jan Fabre. Performance research: A Journal of the Performing Arts, 19 (4), 45–53.
- Schechner, R., 2007. Performance Theory. London: Routledge Classics.
- Sels, G., 2005. Accidenten van Een Zaalwachter: Luk Perceval. Leuven: Van Halewyck.
- Servos, N. and Weigelt, G., 1984. Pina Bausch – Wuppertal Dance Theater or The Art of Training a Goldfish. Excursions into Dance. Cologne: Ballett-Bühnen-Verlag.
- Stanislavski, K., 1948. An Actor Prepares. vol 1. New York, NY: Theatre Arts Books.
- Stanislavski, K. and Van Omme, J., 1991. Creating a Role. Amsterdam: International Theatre & Film Book.
- Taper, B., 1996. Balanchine, A Biography. Oakland, CA: University of California Press.
- Van den Dries, L., 2004. Corpus Jan Fabre: Observaties van een creatieproces. Gent: Imschoot.
- Van den Dries, L., 2011. Jan Fabre’s Exercises on Biological Acting: A Few Observations. Isel, 40, 61–67.
- Van den Dries, L. and Crombez, T., 2010. Jan Fabre and tg STAN: Two Models of Postdramatic Theatre in the Avant-garde Tradition. Contemporary Theatre Review, 20 (4), 421–431.