References
- Allain, P., 2003. The Art of Stillness: The Theatre Practice of Tadashi Suzuki. New York, NY: Palgrave Macmillan.
- Bogart, A., 2001. A Director Prepares: Seven Essays on Art and Theatre. Abingdon: Routledge.
- Bogart, A. and Landau, T., 2005. The Viewpoints Book. New York, NY: Theatre Communications Group.
- Butler, J., 1997. Excitable Speech: A Politics of the Performative. New York, NY: Routledge.
- Chia, N., 2014. Language and Method: Nine Years Theatre’s Mandarin Production. Paper presented at the Asian Intercultural Conference, Singapore, 25‒28 Nov.
- Kuo, P. K., [1995] 2002. Cultural Orphans. Trans. H.W. Teo. In: K. W. Kwok and H. W. Teo, eds. Kuo Pao Kun: And Love the Wind and Rain. Singapore: Cruxible, 112–113.
- Lampe, E., 2001. SITI – A Site of Stillness and Surprise: Anne Bogarts’s Viewpoints Training Meets Tadashi Suzuki’s Method of Actor Training. In: Ian Watson, ed. Performer Training: Developments Across Cultures. Amsterdam: Harwood Academic Publishers, 171–189.
- Nascimento, C.T., 2009. Crossing Cultural Borders Through the Actor’s Work: Foreign Bodies of Knowledge. New York, NY: Routledge.
- Rajendran, C., 2014. Acting as Agency: Re-connecting Selves and Others in Multicultural Singapore. Theatre, Dance and Performance Training, 5 (2), 169–180.
- Suzuki, T., 1985. The Way of Acting: The Theatre Writings of Tadashi Suzuki. Trans. J. Thomas Rimer. New York: Theatre Communications Group.
- Suzuki, T., 2015. Culture is the Body: The Theatre Writings of Tadashi Suzuki. Trans. Kameron H. Steele. New York: Theatre Communications Group.
- Tatlow, A., 2001. Shakespeare, Brecht, and the Intercultural Sign. Durham, NC: Duke University Press.