References
- Baldwin, J., 1995. Meyerhold’s theatrical biomechanics: an acting technique for today. Theatre topics, 5 (2), 158–174.
- Braun, E., 1969. Meyerhold on theatre. Chatham: Methuen.
- Braun, E., 1998. Meyerhold: a revolution in theatre. London: Methuen Drama.
- Britton, J., 2013. Encountering Ensemble. London: Methuen Drama.
- Crimp, M., 2005. Fewer emergencies. London: Faber and Faber.
- Law, A., and Gordon, M., 1996. Meyerhold, Eisenstein and biomechanics. Actor training in revolutionary Russia. Jefferson, NC: McFarland and Company.
- Leach, R., 1989. Vsevolod Meyerhold, directors in perspective. Cambridge: Cambridge University Press.
- Leach, R., 2003. Stanislavsky and Meyerhold. Bern: Peter Lang AG.
- Normington, K., 2005. Meyerhold and the new millennium. New theatre quarterly, 21 (82), 118–126.
- Pitches, J., 2003. Vsevolod Meyerhold. London: Routledge.
- Pitches, J., 2007. Tracing/training rebellion: object work in Meyerhold’s biomechanics. Performance research, 12 (4), 97–103.
- Schmidt, P., 1967. Meyerhold at work. Manchester, NH: Carcanet New Press.
- Skinner, A., 2013. More than a sum of their parts: reflections on Vsevolod Meyerhold’s theatrical ensemble. In: J. Britton, ed. Encountering ensemble. London: Bloomsbury Methuen Drama, 55–66.
- Worrall, N., 2002. Meyerhold’s ‘Magnanimous Cuckold’. In: R. Schneider and G. Cody, eds. Re:direction: a theoretical and practical guide. London: Routledge.
Productions
- Bogdanov, G., Co-dir., 1997. Jesticulate, Talia Theatre.
- Bogdanov, G., Co-dir., 1998. Alice in Wonderland, Talia Theatre.
- Bogdanov, G., Co-dir., 1999. Is There Anybody Out There?, Talia Theatre.
- Bogdanov, G., Co-dir., 1999. The Duel, Talia Theatre.
- Bogdanov, G., Co-dir., 2000. Home, Talia Theatre.
- Bogdanov, G., Co-dir., 2001. Assilon Place, Talia Theatre.
- Bogdanov, G., Co-dir., 2003. The Vaudevilles, Talia Theatre.
- Bogdanov, G., Co-dir., 2005. Moliere, Talia Theatre.