References
- Adrian, B., 2008. Actor Training the Laban Way: An Integrated Approach to Voice, Speech and Movement. New York, NY: Allworth Press.
- Alexandrowicz, C., 2012. Pretty/Sexy: Impacts of the Sexualisation of Young Women on Theatre Pedagogy. Theatre, Dance and Performance Training, 3 (3), 288–301.
- Aston, E., 2008. Foreword. In: S.E. Case, ed. Feminism and Theatre. 2nd ed. London: Macmillan, xiv–xv.
- Bersani, L., 2010. Is the Rectum a Grave? And Other Essays. Chicago and London: University of Chicago Press.
- Bogart, A., and Landau, T., 2005. The Viewpoints Book. New York, NY: Theatre Communications Group.
- Butler, J., 1988. Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. In: K. Conboy, N. Medina and S. Stanbury, eds. Writing on the Body: Female Embodiment and Feminist Theory. New York, NY: Columbia University Press, 1997.
- Butler, J., 2004. Undoing Gender. New York and Abingdon: Routledge.
- Burt, R., 2007. The Male Dancer. 2nd ed. New York and London: Routledge.
- Case, S.E., 2008. Feminism and Theatre. 2nd ed. London: Macmillan.
- Chekhov, M., 1953. To the Actor: On the Technique of Acting. New York, NY: Harper and Row.
- Dalton, L., Bowles, C., Kilroy, W., and Powers, M., 2000. Michael Chekhov Technique Playbook. Fort Worth: National Michael Chekhov Association.
- Diamond, E., 1997. Unmaking Mimesis: Essays on Feminism and Theater. London and New York: Routledge.
- Dolan, J., 2010. Theatre and Sexuality. Basingstoke and New York: Palgrave MacMillan.
- Dolan, J., 2012. The Feminist Spectator as Critic. Ann Arbor: University of Michigan Press.
- Gere, D., 2001. 29 Effeminate Gestures: Choreographer Joe Goode and the Heroism of Effeminacy. In: J. Desmond, ed. Dancing Desires: Choreographing Sexualities on and off the Stage. Madison, WI: University of Wisconsin Press, 349–381.
- Grotowski, J., 2002. Towards a Poor Theatre. Ed. E. Barba. New York: Routledge.
- Keefe, J., and Murray, S., 2007. Physical Theatres: A Critical Introduction. Abingdon and New York: Routledge.
- Halperin, D., 2012. How To Be Gay. Cambridge, MA: Harvard University Press.
- Margolis, E., and Renaud, L.T., eds., 2010. The Politics of American Actor Training. New York City and Abingdon: Routledge.
- Oxford English Dictionary, 2015a. Available from: http://www.oed.com.ezproxy.library.uvic.ca/view/Entry/59701?rskey=u3W172&result=1#eid [Accessed 11 Dec 2015].
- Oxford English Dictionary, 2015b. Available from: http://www.oed.com.ezproxy.library.uvic.ca/view/Entry/224588?redirectedFrom=Voluptuous#eid [Accessed 18 Dec 2015].
- Pascoe, C.J., 2005. Dude, You’re a Fag: Adolescent Masculinity and the Fag Discourse. In: R.F. Plante and L.M. Maurer, eds. Doing Gender Diversity: Readings in Theory and Real-World Experience. Boulder: Westview Press, 85‒98.
- Rodenburg, P., 2000. Powerspeak: Women and Their Voices in the Workplace. In: F. Armstrong and J. Pearson, eds. Well-Tuned Women: Growing Strong Through Voicework. London: The Women’s Press, 96–109.
- Schechner, R., 1989. Race Free, Gender Free, Body-type Free. Age Free Casting. The Drama Review, 3 (1), 4–12.
- Schechner, R., 2001. Rasaesthetics. The Drama Review, 45 (3), 27–50.
- Torr, D. and Bottoms, S., 2010. Sex, Drag and Male Roles: Investigating Gender as Performance. Ann Arbor: University of Michigan Press.
- Wiles, D.E., 2010. Beyond Race and Gender: Reframing Diversity in Actor-Training Programs. In: E. Margolis and L.T. Renaud, eds. The Politics of American Actor Training. New York and Abingdon: Routledge, 123–136.