References
- Cazemajou, A. 2011. “Shifting Positions: From the Dancer's Posture to the Researcher's Posture.” In Fields in Motion: Ethnography in the Worlds of Dance, edited by Dena Davida, 19–28. Canada: Wilfrid Laurier University Press.
- Fonteyn, M. 1975. Margot Fonteyn: Autobiography. London: W.H. Allen and Co. Ltd.
- Grey, B., 2017. For the Love of Dance: Dame Beryl Grey, My Autobiography. London: Oberon Books.
- Jackson, J. 2005. “My Dance and the Ideal Body: Looking at Ballet Practice from the Inside Out.” Research in Dance Education, 6 (1–2), 25–40. doi:10.1080/14617890500373089
- Lave, J., and E. Wenger. 1991. Situated Learning: Legitimate Peripheral Participation. Cambridge: Cambridge University Press.
- Meinertz, A., and P. Hostrup-Jessen. 2007. Vera Volkova. Translated by A. Meinertz. Alton: Dance Books.
- Newman, B. 1982. Striking a Balance: Dancers Talk About Dancing. Boston: Houghton Mifflin.
- Newman, B. 2004. Grace under Pressure: Passing Dance through Time. Alton: Dance Books.
- Newman, B. 2014. Never Far from Dancing: Ballet Artists in New Roles. Abingdon and New York: Routledge.
- Shmueli, D. 2001. “Audrey De Vos 1900–1983.” IsraelDance Emagazine. Accessed 4 January 2018. http://www.ballet.co.il/inner.aspx?pid=2078
- Spatz, B. 2015. What a Body Can Do: Technique as Knowledge, Practice as Research. London & New York: Routledge.
- Styles, S. 2019. Email interview conducted by the author with Sheila Styles.