86
Views
0
CrossRef citations to date
0
Altmetric
Articles

A Rendezvous with the Ghosh Brothers: a sneak peek into Bengal’s homegrown exploitation cinema

Bibliography

  • Asaduddin, M., and A. Ghosh, eds. Filming Fiction: Tagore, Premchand, and Ray. Delhi: Oxford University Press, 2012.
  • Biswas, M. “In the Mirror of an Alternative Globalism: The Neorealist Encounter in India.” In Italian Neorealism and Global Cinema, edited by L. E. Ruberto and K. M. Wilson, 72–90. Michigan: Wayne State University Press, 2007.
  • Biswas, M. “Changing Scene“‘, Sarai Reader 08: Fear., 2010. http://archive.sarai.net/files/original/d4edbe1d2815492eb3bfb96f99e08485.pdf
  • Chatterjee, S. “On Disreputable Genres: B Movies and Revisionary Histories of Bombay Cinema.” Marg 64, no. 4 (2013): 32–41.
  • Cherian, V. K. India‘S Film Society Movement: The Journey and Its Impact. New Delhi: Sage Publications, 2016.
  • Dasgupta, C. The Painted Face: Studies in India‘S Popular Cinema. New Delhi: Roli Books, 1991.
  • Ghosh, A. “Memories of Action: Tracing Film Society Cinephilia in India.” Bioscope: South Asian Screen Studies 9, no. 2 (2019): 1–28.
  • Gooptu, S. “Bengali Cinema: It‘S Making and Unmaking.” In Routledge Handbook of Indian Cinemas, edited by K. M. Gokulsing and W. Dissanayake, 37–50. London: Routledge, 2013.
  • Harrow, K. W. Trash: African Cinema from Below. Bloomington: Indiana University Press, 2013.
  • Mathjis, E., and J. Sexton. “Exploitation and B Movies.” In Cult Cinema: An Introduction, 145–154. West Sussex: Wiley-Blackwell Publications, 2011.
  • Mukherjee, M. “Toward a New Frame for Regional Films: Manbhum Videos and the Other Side of (Indian) Cinema.” Bioscope: South Asian Screen Studies 7, no. 1 (2016): 58–79.
  • Mukherjee, M. “Inside a Dark Hall: Space, Place, and Accounts of Some Single-Theatres in Kolkata.” Journal of South Asian History & Culture 8, no. 3 (2017): 58–79.
  • Nag, A., and S. Bhattacharya. “The Politics around ‘B-Grade’ Cinema in Bengal: Re-Viewing Popular Bengali Film Culture in the 1980s‒1990s.” Acta Orientalia Villnesia 2, no. 2 (2011): 13–30. doi:10.15388/AOV.2011.1.3935.
  • Nair, K. “Taste, Taboo, Trash: The Story of the Ramsay Brothers.” Bioscope 3, no. 2 (2012): 123–145.
  • Raha, K. Bengali Cinema. Kolkata: Nandan Publications, 1991.
  • Ray, S. My Years with Apu: A Memoir. New Delhi: Penguin Books, 1996.
  • Schaefer, E. Bold! Daring! Shocking! True!: A History of the Exploitation Film: 1919-1959. Durham and London: Duke University Press, 1999.
  • Sconce, J. “Trashing the Academy: Taste, Excess and the Emerging Politics of Cinematic Style.” Screen 36, no. 4 (1995): 371–393. doi:10.1093/screen/36.4.371.
  • Sen, M. Haunting Bollywood: GenderGenre and Supernatural in Hindi Commercial Cinema. Austin: University of Texas Press, 2017.
  • Subba, V. “The Bad-Shah’s of Small Budget: The Small Budget Hindi Film of the B-Circuit.” Bioscope: South Asian Screen Studies Journal 7, no. 2 (2016): 215–233.
  • Subba, V. “Embalming the Obscure: The Rise of B-Movie Cinephilia.” Studies in South Asian Film & Media 8, no. 2 (2017): 89–107. doi:10.1386/safm.8.2.89_1.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.