428
Views
3
CrossRef citations to date
0
Altmetric
Articles

Can there be another Vikalp? Documentary film, censorship histories, and film festival publics in India

Bibliography

  • Bagchi, S. “Activist’s Arrest: It’s a More Serious Situation in Country than Emergency, Says Arundhati Roy.” The Hindu, August 28, 2018. https://www.thehindu.com/news/national/activists-arrests-situation-potentially-more-dangerous-than-emergency-arundhati-roy/article24802588.ece
  • Basu, K., and D. Banerjee, eds. Towards a People’s Cinema: Independent Documentary and Its Audience in India. Gurgaon: Three Essays Collective, 2018.
  • Battaglia, G. Documentary Film in India: An Anthropological History. New York, London: Routledge, 2017.
  • Buck-Morss, S. “The Cinema Screen as Prosthesis of Perception: A Historical Account.” In The Senses Still, edited by C. Nadia Seremetakis, 37–59. Chicago: University of Chicago Press, 1994.
  • Butalia, P. “Hocus Focus: Censorship and Misplaced Priorities.” The Times of India, August 23 2003.
  • Butalia, U. The Other Side of Silence: Voices from the Partition of India. Durham, NC: Duke University Press, 2000.
  • Castells, M. Networks of Outrage and Hope: Social Movements in the Internet Age. Cambridge, UK; Malden, MA: Polity Press, 2012.
  • Ceraso, A., and J. Pruchnic. “Introduction: Open Source Culture and Aesthetics.” Criticism 53, no. 3 (2011): 337–375. doi:10.1353/crt.2011.0026.
  • Chadha, K., and A. Kavoori. “Mapping India’s Television Landscape: Constitutive Dimensions and Emerging Issues.” South Asian History and Culture 3, no. 4 (2012): 591–602. doi:10.1080/19472498.2012.720076.
  • Chadha, S., B. Moskowitz, and P. Prakash. “The Online Video Environment in India: A Survey.” SSRN, 2010, doi:10.2139/ssrn.2116895
  • Chakrabarty, D. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton, NJ: Princeton University Press, 2000.
  • Chatterji, S. “Media Representations of the Kargil War and Gujarat Riots.” In Sarai Crisis Reader, edited by S. Sengupta, M. Narula, R. Vasudevan, and R. Sundaram, 110–117. New Delhi: Sarai Media Lab, 2004.
  • Delanty, G., M. Sassatelli, and L. Giorgi, eds. Festivals and the Cultural Public Sphere. London: Routledge, 2011.
  • Dhavan, R. Publish and Be Damned. Censorship and Intolerance in India. New Delhi: Tulika Books, 2008.
  • Downing, J. Radical Media: Rebellious Communication and Social Movements. Thousand Oaks: Sage Publications, 2001.
  • Ganti, T. “The Limits of Decency and the Decency of Limits: Censorship and the Bombay Film Industry.” In Censorship in South Asia: Cultural Regulation from Sedition to Seduction, edited by W. Mazzzarella and R. Kaur, 87–122. Bloomington: Indiana University Press, 2009.
  • Ghosh, S. “Redefining Public Space.” Communalism Combat 14, no. 125. ( 9/1/2007), http://www.sabrang.com/cc/archive/2007/sep07/media.html
  • Giorgi, L. “Between Tradition, Vision, and Imagination: The Public Sphere of Literature Festivals.” In Festivals and the Cultural Public Sphere., edited by G. Delanty, L. Giorgi, and M. Sassatelli, 29. London: Routledge, 2011.
  • Giorgi, L., and M. Sassatelli. “Introduction.” In Festivals and the Cultural Public Sphere, edited by G. Delanty, L. Giorgi, and M. Sassatelli, 1–11. London: Routledge, 2011.
  • Jain, A. “Beaming It Live’: 24-hour Television News, the Spectator, and the Spectacle of the 2002 Gujarat Carnage.” South Asian Popular Culture 8, no. 2 (2010): 163–179. doi:10.1080/14746681003797989.
  • Kak, S. “Every Picture Has a History.” In Towards a People’s Cinema: Independent Documentary and Its Audience in India, edited by K. Basu and D. Banerjee, 15–34. Gurgaon: Three Essays Collective, 2018.
  • Kapur, G. “Secular Artist, Citizen Artist.” In Art and Social Change., edited by W. Bradley and C. Esche, 422–439. London: Tate Publishing, 2007.
  • Kelty, C. “Geeks, Social Imaginaries, and Recursive Publics.” Cultural Anthropology 20, no. 2 (2005): 185–215. doi:10.1525/can.2005.20.issue-2.
  • Khilnani, S. The Idea of India. New York: Farrar, Strauss & Giroux, 1999.
  • Kishore, S. Indian Documentary Film and Filmmakers: Practicing Independence. Edinburgh: Edinburgh University Press, 2018.
  • Kumar, S. Gandhi Meets Primetime: Globalization and Nationalism in Indian Television. Urbana: University of Illinois Press, 2006.
  • Mazzarella, W. Censorium: Cinema and the Open Edge of Mass Publicity. Durham, London: Duke University Press, 2013.
  • Mazzarella, W., and K. Raminder, Eds. Censorship in South Asia: Cultural Regulation from Sedition to Seduction. Bloomington: Indiana University Press, 2009.
  • Mehta, M. Censorship and Sexuality in Bombay Cinema. Austin: University of Texas Press, 2012.
  • Monteiro, A., and K. P. Jayasankar. A Fly in the Curry: Independent Documentary Film in India. Los Angeles: Sage, 2016.
  • Monteiro, A., and K. P. Jayasankar. Vikalp: Films for Freedom.” Infochange India. Accessed February 17 2015. http://infochangeindia.org/film-forum/news-a-views/vikalp- films-for-freedom.html
  • Negt, O., and A. Kluge. Public Sphere and Experience: Towards an Analysis of the Bourgeois and Proletarian Public Sphere. Minneapolis: University of Minnesota Press, 1993.
  • Punathambekar, A. From Bombay to Bollywood: The Making of a Global Media Industry. New York: New York University Press, 2013.
  • Punathambekar, A., and S. Kumar. Television at Large in South Asia. London:: Routledge, 2013.
  • Rajagopal, A. “The Gujarat Experiment and Hindu National Realism: Lessons for Secularism.” In The Crisis of Secularism in India, edited by A. D. Needham and R. S. Rajan, 208–224. Durham, NC: Duke University Press, 2007.
  • Rangan, P. “Some Annotations on the Film Festival as an Emerging Medium in India.” South Asian Popular Culture 8, no. 2 (2010): 123–141. doi:10.1080/14746681003797963.
  • Rangan, P. Immediations: The Humanitarian Impulse in Documentary. Durham, NC: Duke University Press, 2017.
  • Roy, R. “Does Big Brother Ever Stop Watching You? in Delhi Film Archive.” [database online]. New Delhi, 2007. Available from www.delhifilmarchive.org/rahul.htm (accessed may 15 2007).
  • Sharma, A. Documentary Film in India: Critical Aesthetics at Work. London: Palgrave MacMillan, 2015.
  • Sharma, S. “When Filmmakers Became a Community.” In Towards a People’s Cinema: Independent Documentary and Its Audience in India, edited by K. Basu and D. Banerjee, 197–208. Gurgaon: Three Essays Collective, 2018.
  • Srinivas, S. V. “Is There a Public in the Cinema Hall?” Framework, 42 (2000) http://docs.wixstatic.com/ugd/32cb69_95584ff57df547febaf04c3e0bafa3fc.pdf
  • Sundaram, R. Pirate Modernity: Delhi’s Media Urbanism. New York: Routledge, 2010.
  • Vaidyanathan, R. “Hacking Group Anonymous Takes on India Internet ‘censorship’.” BBC News, 9 June 2012. https://www.bbc.com/news/technology-18371297
  • Varadarajan, S., ed. Gujarat: The Making of a Tragedy. New Delhi: Penguin, 2002.
  • Varshney, A. Ethnic Conflict and Civic Life: Hindus and Muslims in India. New Haven: Yale, 2002.
  • Virdi, J. “Experiments in State Incarceration: An Undeclared Emergency.” Jump Cut: A Review of Contemporary Media 59, no. Fall (2019).
  • Warner, M. Publics and Counterpublics. Cambridge, Mass: Zone Books, 2002.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.