168
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The phantom of history: figurations of the dancing body and the ‘Sitara Devi problem’ of Indian cinema

Bibliography

  • Ahmed, O. “Reclaiming Mehboob’s Roti: A Key Work of 1940s Pre-Independence Indian Cinema.” Projecthead (2016). https://projectorhead.in/reclaiming-mehboob-roti/.
  • Bhaumik, K. The Emergence of the Bombay Film Industry 1913–1936. Unpublished Ph.D diss., University of Oxford, 2001.
  • Callahan, V. Reclaiming the Archive: Feminism and Film History. Michigan: Wayne State University, 2010.
  • Chugtai, I. “Suraiya”. In Yeh Un Dinoñ Ki Baat Hai: Urdu Memoirs of Cinema Legends, edited by Y. Abbasi. New Delhi London Oxford NY Sydney: Bloomsbury, 2018.
  • Chugtai, I. Masooma. New Delhi: Speaking Tiger Publishing Pvt. Ltd. & Women Unlimited, 2018.
  • Daruwalla, K. N. “The Craft of Manto: Warts and All.” Annual of Urdu Studies 11 (1996): 117–128.
  • Dyer, R. Stars. London: British Film Institute, 1998.
  • Flemming, L. A., and T. Naqvi. Another Lonely Voice: The Life and Works of Saadat Hasan Manto. Lahore: Vanguard, 1985.
  • Flemming, L. A., and T. Naqvi. Conjugations: Marriage and Form in New Bollywood Cinema. Chicago/ London: University of Chicago Press, 2011.
  • Gledhill, C., ed. Stardom: Industry of Desire. London: Routledge, 1991.
  • Gledhill, C., and J. Knight, eds. Doing Women’s Film History, Reframing Cinema, past and Future. Urbana/ Chicago/ Springfield: University of Illinois Press, 2005.
  • Gopal, S., and S. Moorti eds. Global Bollywood. Travels in Hindi Song and Dance. Minneapolis/London: University of Minnesota Press, 2008.
  • Gopalan, L. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. London: British Film Institute, 2002.
  • Iyer, U. Film Dance, Female Stardom, and The Production of Gender in Popular Hindi Cinema, Unpublished Ph.D dissertation, University of Pittsburgh, 2014.
  • Kashyap, D.D. Chand. Prabhat Film Company, director.
  • Khan, M. Mother India. Mehboob Productions, director.
  • Krasilovsky, A., D. Mukherjee, J. Selbo, and A. Yadav. ““India [Screenwriting and Feminist Rewriting: The Lost Films of Jaddan Bai (1892-1949)]”.” In Women Screenwriters, edited by J. Nelmes and J. Selbo, 69–86. London: Palgrave Macmillan, 2015.
  • Lakshmi, C. S. Mirrors & Gestures: Conversations with Women Dancers. Delhi: Kali for Women, 2000.
  • Majumdar, N. Wanted Cultured Ladies Only!, Female Stardom and Cinema in India, 1930s-1950s. New Delhi: Oxford University Press, 2010.
  • Manṭo, S. Ḥ., and Ḥ. Khālid. Stars from Another Sky: The Bombay Film World in the 1940s. New Delhi: Penguin Books, 1998.
  • Manṭo, S. Ḥ., and Ḥ. Khālid. Bombay Stories. Delhi: Random House India, 2014.
  • Manṭo, S. Ḥ., and Ḥ. Khālid. My Name Is Radha. New Delhi: Penguin Books, 2015.
  • Mehta, M., and M. Mukherjee, eds. Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies. London/New York: Routledge, 2021.
  • Morcom, A. Courtesans, Bad Girls & Dancing Boys, the Illicit Worlds of Indian Dance. Gurgaon: Hachette, 2014.
  • Mukherjee, D. “Creating Cinema’s Reading Publics: The Emergence of Film Journalism in Bombay.” In No Limits: Media Studies from India, edited by R. Sundaram, 165–198. Delhi: Oxford University Press, 2013.
  • Mukherjee, M. “A Specter Haunts Bombay: Censored Itineraries of A Lost Communistic Film.” Film History 31, no. 4 (2019a): 30–60. doi:10.2979/filmhistory.31.4.02.
  • Mukherjee, D. Bombay Hustle, Making Movies in a 
colonial City. New York: Columbia University 
Press, 2020.
  • Mukherjee, M. “New Theatres Ltd.: The Emblem of Art, the Picture of Success.” Pune: National Film Archive of India, 2009.
  • Mukherjee, M. Aural Films, Oral Cultures, Essays on Cinema from the Early Sound Era. Kolkata: Jadavpur University Press, 2012a.
  • Mukherjee, M. “The Architecture of Songs and Music: Soundmarks of Bollywood, a Popular Form and Its Emergent Texts.” Screen Sound Journal 3 (2012b): 9–34. http://www.screensoundjournal.org/issues/n3/05.%20SSJ%20n3%20Mukherjee.pdf.
  • Mukherjee, M. “Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances, and the Presence/Absence of Suraiya.” In Bollywood and Its Other(s), Towards New Configurations, edited by V. Kishore, A. Sarwal, and P. Patra, 67–85. Hampshire: Palgrave Macmillan, 2014a.
  • Mukherjee, M. ““Of Bhadramohila, Blouses, and ‘Bustofine’: Re-viewing Bengali High Culture (1930s-40s) from a Low Angle”.” In Popular and Visual Culture: Design, Circulation and Consumption, edited by C. Sarmento and R. Campos, 145–165. Cambridge Scholars Publishing: Cambridge, 2014b.
  • Mukherjee, M. Voices of the Talking Stars, the Women of Indian Cinema and Beyond. New Delhi/ Kolkata: Sage/ Stree, 2017a.
  • Mukherjee, M. “Mixed Genres and Multiple Authorship: Of Hindi-melodrama and Film-noir of the 1950s.” In Stage and Screen, Representations and Self-Discoveries, edited by C. Guha and S. Bandyopadhyay, 245–272. Kolkata: Das Gupta Co. (P) Ltd, 2017b.
  • Mukherjee, M. “Rethinking Popular Cinema in Bengal (1930s– 1950s): Of Literariness, Comic Mode, Mythological and Other Avatars.” South Asian History and Culture 8, no. 2 (2017c): 122–142.
  • Mukherjee, M. “When Was the ‘Studio Era’ in Bengal: Transition, Transformations and Configurations during 1930s.” Widescreen Journal 8, no. 1 (2019b). http://widescreenjournal.org/index.php/journal/issue/view/10.
  • Mukherjee, M. “The Shadow and the Arc Light: Finding the Female Workforce in Bombay Cinema.” E-CineIndia (the quarterly film journal of Fipresci-India), (July-September 2020). http://www.fipresci-india.online/e-cineindia-july-september-2020/?fbclid=IwAR0BJbXKa9P9QAj9rGeUwZeZmxUbu-K3xJU_s8gDKFnBgbNrk8TbyOXv11M).
  • Pradhan, S., ed. Marxist Cultural Movement in India: Chronicles and Documents (1936-1947). Calcutta: NBA Pvt. Ltd, 1979.
  • Prasad, M. M. “Genre Mixing as Creative Fabrication.” BioScope: South Asian Screen Studies 2, no. 1 (2011): 69–81.
  • Rahman Niazi, S. “White Skin/ Brown Masks: The Case of ‘White’ Actresses from Silent to Early Sound Period in Bombay.” Culture Unbound 10, no. 3 (2018): 332–352. doi:10.3384/cu.2000.1525.2018103332.
  • Rajadhyaksha, A. “Reconstructing
The Indian Filmography: Sitara Devi and the Indian Filmographer.” Journal of the Moving Image 9 (2010): 13–21.
  • Rajadhyaksha, A. “The Curious Case of Bombay’s Hindi Cinema: The Career of Indigenous ‘Exhibition’ Capital.” Journal of the Moving Image 5 (2006): 36–60.
  • Rodowick, D. The Virtual Life of Film. Harvard: Harvard University Press, 2007.
  • Sahni, P. Non-Conformist, Memories of My Father Balraj Sahni. Gurgaon: Ebury Press, 2019.
  • Sawhney, R. “Writing History in the Dark: Fatma Begum in Conversation with Ms. Kitty.” Art Connect 7, no. 1 (2013): 20–41.
  • Sengupta, S., S. Roy, and S. Purakayasta. ‘Bad’ Women of Bombay Films: Studies in Desire and Anxiety. London: Palgrave Macmillan, 2019.
  • Terras, M. N., J, and E. Vanhoutte, eds. Defining Digital Humanities. A Reader. Farnham: Ashgate, 2013.
  • Thomas, R. Bombay Before Bollywood: Film City Fantasies. Albany, NY: SUNY Press, 2013.
  • Vasudevan, R. “The Melodramatic Mode and the Commercial Hindi Cinema: Notes on Film History, Narrative and Performance in the 1950s.” Screen 30, no. 3 (1989): 29–50. doi:10.1093/screen/30.3.29.
  • Vasudevan, R. “The Cultural Space of a Film Narrative: Interpreting Kismet (Bombay Talkies, 1943).” The Indian economic and Social History Review 128, no. 2 (1991): 171–185. doi:10.1177/001946469102800203.
  • Vasudevan, R. “Shifting Codes, Dissolving Identities: The Hindi Social Film of the 1950s as Popular Culture.” In Making Meaning in Indian Cinema, edited by R. Vasudevan, 99–120. New Delhi: Oxford University Press, 2002.
  • Vasudevan, R. “Film Genres, the Muslim Social, and Discourses of Identity C. 1935–1945.” BioScope: South Asian Screen Studies 6, no. 1 (2015): 27–43.
  • Vitali, V. Hindi Action Cinema: Industries, Narratives, Bodies. Oxford University Press, 2008.
  • Willemen, P. “Negotiating the Transition to Capitalism: The Case of Andaz.” In Melodrama and Asian Cinema, edited by W. Dissanayake, 56–65. New Delhi: Cambridge University Press, 1993.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.