4,464
Views
0
CrossRef citations to date
0
Altmetric
Original Article

“A new image of man”: Harun Farocki and cinema as chiro-praxis

References

  • Agamben, G. [1991] 2000. “Notes on Gesture.” In Means without End: Notes on Politics, edited by V. Binetti and C. Casarino, 48–16. Minneapolis: University of Minnesota Press.
  • Balázs, B. [1924] 2010. “Visible Man.” In Early Film Theory: Visible Man and the Spirit of Film. Translated by E. Carter and edited by R. Livingstone, 9–16. New York & Oxford: Berghahn Books.
  • Balsom, E. 2019. “Moving Bodies: Captured Life in the Late Works of Harun Farocki.” Journal of Visual Culture 18 (3 December): 358–377. doi:https://doi.org/10.1177/1470412919879475.
  • Baudrillard, J. [1968] 1996. The System of Objects. Translated by J. Benedict. London & New York: Verso.
  • Bazin, A. [1945] 1960. “The Ontology of the Photographic Image.” Translated by H. Gray. Film Quarterly 13 (4 Summer): 4–9. doi:https://doi.org/10.2307/1210183.
  • Beller, J. 2006. The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle. Lebanon, New Hampshire: University Press of England.
  • Belting, H. [2001] 2011. An Anthropology of Images: Picture, Medium, Body. Translated by T. Dunlap. Princeton & Oxford: Princeton University Press.
  • Benjamin, W. [1939] 1998. “What Is Epic Theatre?” In Understanding Brecht, edited by A. Bostock, 15–22. London & New York: Verso.
  • Benjamin, W. [1931] 1999. “Little History of Photography.” In Walter Benjamin: Selected Writings Vol. 2, Part 2, 1931–1934. Translated by R. Livingstone and edited by M. W. Jennings, H. Eiland, and G. Smith, 507–530. Cambridge & London: Belknap Press of Harvard University Press.
  • Bois, Y.-A. 1990. Painting as Model. Cambridge: MIT Press.
  • Boynik, S. 2017. “The Divorce of the Eye and the Hand: Interview with Jacques Ranciére.” Rab-Rab Journal of Political and Formal Inquires in Art 4 (1): 90–102.
  • Braun, M. 1992. Picturing Time: The Work of Etienne-Jules Marey (1830–1904). Chicago: University of Chicago Press.
  • Chandler, A. D., Jr. 1977. The Visible Hand: The Managerial Revolution in American Business. Cambridge & London: Belknap Press of Harvard University Press.
  • Deleuze, G. [1990] 1992. “Postscript on the Societies of Control.” October 59 (Winter): 3–7.
  • Deleuze, G. [1986] 2006. Foucault. Translated and edited by S. Hand. New York: Bloomsbury.
  • Didi-Huberman, G. 2016. Uprisings. Paris: Gallimard and Jeu de Paume.
  • Dziewior, Y., ed. 2011. Harun Farocki: Soft Montages. Translated by T. Axelrod. Cologne: Verlag der Buchhandlung Walther König and Kunsthaus Bregenz.
  • Eisenstein, S. 1988. Selected Works. Volume I. Writings, 1922–34. Translated and edited by R. Taylor. London: British Film Institute.
  • Ernst, W., S. Heidenreich, and U. Holl. 2003. Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven. Berlin: Kadmos.
  • Farocki, H. 1998. “Words and Game.” https://www.harunfarocki.de/films/1990s/1998/words-and-games.html
  • Farocki, H. [1980] 2001. “What an Editing Room Is.” In Imprint: Writings. Translated by L. Faasch-Ibrahim and edited by S. Gaensheimer and N. Schafhausen, 78–85. New York: Lukas & Sternberg.
  • Farocki, H. 2011. “Interviews: Harun Farocki.” Artforum, February 21. http://artforum.com/words/id=27620
  • Farocki, H. 2016. Was Getan Warden Soll. [What Ought to Be Done 1975-6]. Berlin: Harun Farocki Institut with Motto Books.
  • Farocki, H., and W. Ernst. 2004. “Towards an Archive of Visual Concepts.” In Harun Farocki: Working the Sightlines. Translated by R. Curtis and edited by T. Elsaesser, 261–286. Amsterdam: Amsterdam University Press.
  • Flusser, V. [1985] 2011. Into the Universe of Technical Images. Translated by N. A. Roth. Minneapolis & London: University of Minnesota Press.
  • Flusser, V. [1991] 2014. Gestures. Translated by N. A. Roth. Minneapolis & London: University of Minnesota Press.
  • Forster, K. W. 1999. “Introduction.” In Aby Warburg: The Renewal of Pagan Antiquity. Translated by D. Britt and edited by S. Lindberg, 1–75. Los Angeles: Getty Publications.
  • Foucault, M. 2008. The Birth of Biopolitics: Lectures at the Collège De France, 1978–1979. Translated by G. Burchell. New York: Palgrave Macmillan.
  • Gilbreth, F. B., and L. M. Gilbreth. 1917. Applied Motion Study: A Collection of Papers on the Efficient Method to Industrial Preparedness. New York: Sturgis & Walton Company.
  • Gramazio, F., and M. Kohler. 2014. The Robotic Touch – How Robots Change Architecture. Zürich: Park Books.
  • Gramsci, A. [1934] 1971. “Americanism and Fordism.” In Selections from the Prison Notebooks. Translated and edited by Q. Hoare and G. Nowell-Smith, 277–318. New York: International Publishers.
  • Halle, R. 2001. “History Is Not a Matter of Generations: Interview with Harun Farocki.” Translated by S. Czylwik. Camera Obscura 16 (1): 47–75. 56. doi:https://doi.org/10.1215/02705346-16-1_46-47.
  • Hüser, R. [2000] 2004. “Nine Minutes in the Yard: A Conversation with Harun Farocki.” In Harun Farocki: Working the Sightlines. Translated by W. Thielmann and L. Faasch-Ibrahim and edited by T. Elsaesser, 297–314. Amsterdam: Amsterdam University Press.
  • Kuleshov, L. [1929] 1974. “Art of the of Cinema.” In Kuleshov on Film: Writings of Lev Kuleshov. Translated and edited by R. Levaco, 41–124. Berkeley, Los Angeles, London: University of California Press.
  • Langlois, R. N. 2003. “The Vanishing Hand: The Changing Dynamics of Industrial Capitalism.” Industrial and Corporate Change 12 (2 April): 351–385. doi:https://doi.org/10.1093/icc/12.2.351.
  • Leroi-Gourhan, A. [1964] 1993. Gesture and Speech. Translated by A. B. Berger. Cambridge & London: MIT Press.
  • Merleau-Ponty, M. [1945] 1962. Phenomenology of Perception. Translated by C. Smith. London: Routledge and Kegan Paul.
  • Münsterberg, H. 1916. The Photoplay: A Psychological Study. New York & London: D. Appleton and Company.
  • Noble, D. F. 1984. Forces of Production: A Social History of Industrial Automation. New York: Alfred A. Knopf.
  • Pantenburg, V. [2006] 2015. Farocki/Godard: Film as Theory. Translated by M. Turnbull. Amsterdam: Amsterdam University Press.
  • Rudenski, D. 1927. Gestologie und Filmspielerei. Berlin: Im Verlag der Hoboken Presse.
  • Simondon, G. [1964] 1995. L’individu et sa genèse physico-biologique. Grenoble: Jérôme Millon.
  • Smith, A. 1776. An Inquiry into the Nature and Causes of the Wealth of Nations. London: W. Strahan and T. Cadell.
  • Talbot, W. H. F. 1844. The Pencil of Nature. London: Longman, Brown, Green and Longmans.
  • Vertov, D. [1923] 1984. “The Resolution of the Council of Three, April 10, 1923.” In Kino-Eye: The Writings of Dziga Vertov. Translated by K. O’Brian and edited by A. Michelson, 13–21. Berkeley: University of California Press.
  • Verwoert, J. 2014. “As You See.” In Harun Farocki Diagrams: Images from Ten Films, edited by B. Reichenbach, 54. Köln: Verlag der Buchhandlung Walter König.