490
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Staging division: power, violence, and theatricality in The Baby of Mâcon

ORCID Icon
Article: 2318816 | Received 01 May 2023, Accepted 09 Feb 2024, Published online: 27 Feb 2024

References

  • Abel, L. 2003. Tragedy and Metatheatre: Essays on Dramatic Form. New York and London: Holmes & Meier.
  • Arendt, H. 1958. The Human Condition. Chicago: University of Chicago Press.
  • Balsa, M. 2008. “Recourse to Action: The Renewal of Politics and Theater in Hannah Arendt, Antonin Artaud, and Augusto Boal.” Gestos 23 (46): 21–15.
  • Breckman, W. 2012. “Lefort and the Symbolic Dimension.” Constellations 19 (1): 30–36. https://doi.org/10.1111/j.1467-8675.2011.00663.x.
  • Breckman, W. 2013. Adventures of the Symbolic: Post-Marxism and Radical Democracy. New York: Columbia University Press.
  • Ciment, M. 2000. “Interview with Peter Greenaway: The Baby of Mâcon.” In Peter Greenaway: Interviews, edited by V. Gras and M. Gras, 154–165. Jackson, MS: University Press of Mississippi.
  • de Waard, M. 2022. “Peter Greenaway’s Artist-Entrepreneurs.” In Screening the Art World, edited by T. Trifonova, 287–303. Amsterdam: Amsterdam University Press. https://doi.org/10.1515/9789048553662-017.
  • Elley, D. 1993. “The Baby of Mâcon.” Variety 351 (4): 45. https://variety.com/1993/film/reviews/the-baby-of-macon-2-1200432215/.
  • Elliott, B., and A. Purdy. 1997. Peter Greenaway: Architecture and Allegory. Chichester: Academy Editions.
  • Foley, M. 1993. “Greenaway’s Baby.” The Irish Times (December 9): 12.
  • Foster, H. 1996. “Obscene, Abject, Traumatic.” October 78: 106–124. https://doi.org/10.2307/778908.
  • French, P. 1993. “Disgusted of Macon.” The Observer (September 19): 52.
  • Gras, V., and M. Gras, eds. 2000. Peter Greenaway: Interviews. Jackson, MS: University Press of Mississippi.
  • Greenaway, P. 1991. The Physical Self: A Selection by Peter Greenaway from the Collections of the Boymans-van Beuningen Museum, Rotterdam. Rotterdam: Museum Boymans-van Beuningen.
  • Greenaway, P. 1993. The Audience of Mâcon. Cardiff: Ffotogallery & Wales Film Council.
  • Greenaway, P. 1994. The Baby of Mâcon. Paris: Dis Voir.
  • Hotchkiss, L. M. 2008. “Theater, Ritual, and Materiality in Peter Greenaway’s The Baby of Mâcon.” In Peter Greenaway’s Postmodern/Poststructuralist Cinema, edited by P. Willoquet-Maricondi and M. Alemany-Galway, 223–253. revised ed. Lanham, MD: The Scarecrow Press.
  • Lacoue-Labarthe, P. 1989. “Diderot: Paradox and Mimesis.” In Typography: Mimesis, Philosophy, Politics, edited by C. Fynsk, 248–266. Stanford, CA: Stanford University Press.
  • Lacoue-Labarthe, P. 2003. “Stagings of Mimesis: An Interview.” Angelaki 8 (2): 55–72. https://doi.org/10.1080/0969725032000162576.
  • Lefort, C. 1986a. “The Image of the Body and Totalitarianism.” In The Political Forms of Modern Society: Bureaucracy, Democracy, Totalitarianism, edited by J. B. Thompson, 292–306. Cambridge, MA: MIT Press.
  • Lefort, C. 1986b. The Political Forms of Modern Society: Bureaucracy, Democracy, Totalitarianism, edited by J. B. Thompson. Cambridge, MA: MIT Press.
  • Lefort, C. 1988a. “Interpreting Revolution within the French Revolution.” In Democracy and Political Theory, edited by D. Macey, 89–114. Cambridge: Polity Press.
  • Lefort, C. 1988b. “Permanence of the Theologico-Political?” In Democracy and Political Theory, edited by D. Macey, 213–255. Cambridge: Polity Press.
  • Macnab, G. 1993. “The Baby of Mâcon.” Sight and Sound 3 (9): 40.
  • Marchart, O. 2007. Post-Foundational Political Thought: Political Difference in Nancy, Lefort, Badiou and Laclau. Edinburgh: Edinburgh University Press.
  • Mazzarella, W., E. L. Santner, and A. Schuster. 2020. Sovereignty, Inc.: Three Inquiries in Politics and Enjoyment. Chicago: Chicago University Press.
  • Mulvey, L. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16 (3): 6–18. https://doi.org/10.1093/screen/16.3.6.
  • Mulvey, L. 1996. Fetishism and Curiosity. Bloomington and Indianapolis: Indiana University Press.
  • Mulvey, L. 2006. “Cosmetics and Abjection: Cindy Sherman 1977-87.” In Cindy Sherman, edited by J. Burton, 65–82. Cambridge, MA: MIT Press.
  • Ross, A. 2007. The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue-Labarthe, and Nancy. Stanford, CA: Stanford University Press.
  • Santner, E. L. 2011. The Royal Remains: The People’s Two Bodies and the Endgames of Sovereignty. Chicago: University of Chicago Press.
  • Shulman, K. 1994. “Peter Greenaway Defends His ‘Baby.’” The New York Times (February 6): 18.
  • Steiner, W. 1995. The Scandal of Pleasure: Art in an Age of Fundamentalism. Chicago: University of Chicago Press.
  • Thompson, D. 2011. “Films by Peter Greenaway.” Sight and Sound 21 (4): 85–86.
  • van Peperstraten, F. 2005. Sublieme mimesis: kunst en politiek tussen nabootsing en gebeurtenis: Lacoue-Labarthe, Heidegger, Lyotard. Budel: Damon.
  • Walsh, M. 2006. “Allegories of Thatcherism: Peter Greenaway’s Films of the 1980s.” In Fires Were Started: British Cinema and Thatcherism, edited by L. D. Friedman, 282–300. 2nd ed. London and New York: Wallflower Press.
  • Weber, S. 2004. “Theatrocracy; Or, Surviving the Break.” In Theatricality as Medium, 31–53. New York: Fordham University Press.
  • Woods, A. 1996. Being Naked, Playing Dead: The Art of Peter Greenaway. Manchester: Manchester University Press.