193
Views
0
CrossRef citations to date
0
Altmetric
Articles

What’s Interesting? On the Ascendency of an Evaluative Term

Pages 173-184 | Received 12 Feb 2016, Accepted 06 Apr 2016, Published online: 02 Sep 2016

References

  • Arnell, Peter, and Bickford, Ted (eds.). 1985. Aldo Rossi: Buildings and Projects. New York: Rizzoli.
  • Blake, Peter. 1960. The Master Builders. London: Victor Gollancz.
  • Epstein, Mikhail. 2009. “The Interesting.” Qui Parle, 18, no. 1 (Fall/Winter): 75–88.
  • Evans, Robin. May 1984. “In Front of Lines That Leave Nothing Behind.” AA Files, 6: 89–96.
  • Glaeser, Ludwig. 1977. Ludwig Mies Van Der Rohe: Furniture and Furniture Drawings from the Design Collection and The Mies Van Der Rohe Archive, The Museum of Modern Art. New York: MOMA.
  • James, Henry. 1987. “The Art of Fiction.” In The Critical Muse: Selected Literary Criticism, edited by Roger Gard, 186–206. Harmondsworth: Penguin.
  • Jencks, Charles. 1987. Post-modernism: The New Classicism in Art and Architecture. London: Academy Editions.
  • Jencks, Charles, 1996. “Hetero-Architecture and the L.A. School.” In The City: Los Angeles and Urban Theory at the End of the Twentieth Century, edited by Allen J. Scott and Edward W. Soja, 47–75. London: University of California Press,
  • Latour, Bruno. 2004. “Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern.” Critical Inquiry 30 (Winter): 225–248.
  • Mieszkowski, Jan. 2006. Labors of Imagination: Aesthetics and Political Economy from Kant to Althusser. New York: Fordham University Press.10.5422/fso/9780823225873.001.0001
  • Ngai, Sianne. 2012. Our Aesthetic Categories: Zany, Cute, Interesting. Cambridge, MA and London: Harvard University Press.
  • Perniola, Mario. 1995. Enigmas: The Egyptian Moment in Society and Art. London and New York: Verso.
  • Schlegel, Friedrich. 2001. On the Study of Greek Poetry, translated by Stuart Barnett. Albany: State University of New York Press.
  • Venturi, Robert. 1996. “Frank Lloyd Wright Essay for the Pennsylvania Academy of Fine Arts.” 1991. In Iconography and Electronics – Upon a Generic Architecture: A View from the Drafting Room, 67–72. Cambridge, MA and London: MIT Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.