References
- Andrade, Oswald de. 1928. "Manifesto antropofago," Revista de Antropofagia 1: 3,7. Available online: https://icaadocs.mfah.org/icaadocs/THEARCHIVE/FullRecord/tabid/88/doc/771303/language/en-US/Default.aspx
- Alexandre, Michèle. 2006. “Dancehalls, Masquerades, Body Protest and the Law: The Female Body as a Redemptive Tool Against Trinidad and Tobago’s Gender-Biased Laws,” Duke Journal of Gender Law and Policy 14: 177–202.
- Bakhtin, Mikhail. 1984. Rabelais and His World. Bloomington, IN: Indiana University Press.
- Balme, Cristopher B. 2014. The Theatrical Public Sphere. Cambridge: Cambridge University Press.
- Califia, Pat. 1994. Public Sex. The Culture of Radical Sex. Pittsburgh, PA: Cleis Press.
- Crockett, Moya. 2017. “Argentinian Women Stage Naked Screaming Protest Against Femicide,” Stylist. Available online: http://www.stylist.co.uk/people/women-naked-screaming-protest-performance-argentina-buenos-aires-facc-niunamenos (accessed July 30, 2018).
- De Certeau, Michel. 1992. [1984]. The Practice of Everyday Life. Berkeley, CA: University of California Press.
- Dundjerovic, Aleksandar. 2017. “Introduction: Collaborative Theatre Practices in Brazil,” in Brazilian Collaborative Theatre, edited by Aleksandar Dundjerovic and Luis Fernando Ramos, 5–21. Jefferson, NC: McFarland Books.
- Foucault, Michel. 1976. History of Sexuality. Volume I: An Introduction. New York: Pantheon Books.
- Habermas, Jürgen. 1989. The Structural Transformation of the Public Sphere. Cambridge, MA: MIT Press.
- Hubbard, Phil. 2001. “Sex Zones: Intimacy, Citizenship and Public Space,” Sexualities 4, no. 1: 51–71.
- La Fura dels Baus. Available online: www.lafura.com
- Lefebvre, Henri. 1974. The Production of Space. Oxford: Blackwell.
- Pearson, Mike. 2010. Site-specific Performance. Basingstoke and New York: Palgrave Macmillan.
- Saumell Vergés, Mercè. 2007. “La Fura dels Baus: Scenes for the Twenty-first Century,” issue 3: Catalan Theatre 1975–2006: Politics, Identity and Performance, Contemporary Theatre Review 17: 335–45.
- Sloterdijk, Peter. 2011. Bubbles, Spheres I: Microspherology. Cambridge, MA: Semiotext(e).
- Soja, Edward. 1996. Thirdspace. Hoboken, NJ: Wiley-Blackwell.
- Teatro, Oficina. Uzona Uzyna. Available online: http://teatroficina.com.br
- Torres, Rosana. 1996. “La Fura monta el pollo,” El Pais, October 15.
- Trenas, Miguel Ángel. 1985. “‘Suz o Suz,’ Nuevo ejercicio de La Fura del Baus sobre la violencia,” La Vanguardia, September 1.
- UNICEF. “Sexual Violence as a Weapon of War.” Available online: https://www.unicef.org/sowc96pk/sexviol.htm (accessed July 30, 2018).
- Weeks, Jeffrey. 1977. Coming Out: Homosexual Politics in Britain, from the Nineteenth Century to the Present. London, Melbourne and New York: Quartet Books.
- Weitz, Rose. 1998. The Politics of Women's Bodies: Sexuality, Appearance, and Behaviour. Oxford and New York: Oxford University Press.
Video Recordings
- Macumba Antropófaga, Teatro Oficina (Brazil, 2017). Available online: https://www.youtube.com/watch?v=2OVIYNYG7wU&list=PL37F48700549FDED8 (accessed July 30, 2018).
- Die Walkure, La Fura dels Baus (Spain, 2009). Available online: https://www.youtube.com/watch?v=rp8XDtUt0q8 (accessed July 30, 2018).
- Degustación de Titus Andronicus. La Fura dels Baus (Spain, 2011). Available online: https://www.youtube.com/watch?v=wA28vXtHT98 (accessed July 30, 2018).
- Suz o suz, La Fura dels Baus (Spain, 1985). Available online: https://www.youtube.com/watch?v=ByYICOtQ8pY (accessed July 30, 2018).