37
Views
0
CrossRef citations to date
0
Altmetric
Articles

Understanding and Interpreting La Tournerie

Bibliography

  • Alcouffe, Daniel. Les Gemmes de la Couronne. Paris: Réunion des musées nationaux, 2001.
  • Amiot, Christophe, and Claude d’Anthenaise. “Peinture décorative au XVIIe siècle.” 303: Arts, recherches et créations. La revue des pays de la Loire XLVI (1995): 66–83.
  • Blanche, J. “La Chambre de Henri IV au Château de la Tournerie (Louzes).” Cahiers du Saosnois 11 (1986): 437–440.
  • Bryant, Julius. “Museum period rooms for the twenty-first century: salvaging ambition.” Museum Management and Curatorship 24, no. 1 (2009): 73–84. 10.1080/09647770902731866
  • Crelly, William R. The Painting of Simon Vouet. New Haven and London: Yale University Press, 1962.
  • De la Sicotière, Léon. “La Tournerie (Sarthe).” In Le Maine et l’Anjou historiques, archéologiques et pittoresques. Recueil des sites et des monuments…de la Sarthe, de la Mayenne et de Maine-et-Loire, edited by J.-B.H.O baron de Wismes. Nantes: Vincent Forest et Émile Grimaud and Paris: August Bry,1861.
  • Fleury, Gabriel. La chambre de Henri IV au château de la Tournerie. Mamers: Fleury and Dangin, 1900.
  • Girouard, Mark. Life in the French Country House. London: Cassell, 2000.
  • Griffiths, Antony. The Print Before Photography: An Introduction to European Printmaking, 1550–1820. London: British Museum Press, 2016.
  • Harris, John. Moving Rooms: the trade in architectural salvages. London and New Haven: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2007.
  • Lothe, José. L’oeuvre gravé de François et Nicolas de Poilly d’Abbeville, graveurs parisiens du XVIIe siècle. Catalogue général. Paris: Commission des travaux historiques de la Ville de Paris: Eds des Musées de la Ville de Paris, 1994.
  • Malvasia, Carlo Cesare. Felsina pittrice: vite de’ pittori bolognesi alla maesta christianissima di Luigi XIIII. Bologna: Erede di D. Barbieri, 1678.
  • Medlam, Sarah. “The Period Rooms.” In Creating the British Galleries at the V&A: a study in museology, edited by Christopher Wilk and Nick Humphrey, 165–205. London: V&A Publications and Milan: Goppion, 2004.
  • Pepper, D. Stephen. Guido Reni: A Complete Catalogue of His Works with an Introductory Text. Oxford: Phaidon, 1984.
  • Pesche, J. R. “Louze”. In Dictionnaire topographique, historique et statistique de la Sarthe. II, 652–656. Le Mans: Monnoyer and Paris: Bachelier, 1829.
  • Pilgrim, David. “Inherited from the Past: The American Period Room.” The American Art Journal 10, no. 1 (1978): 4–23.10.2307/1594106
  • Préaud, Maxime. Inventaire du fonds français: graveurs du XVIIe siècle. Tome 12: Jean Lepautre (deuxième partie). Paris: Bibliothèque nationale de France, 1999.
  • Saumarez Smith, Charles. “Museums, Artefacts, and Meanings.” In The New Museology, edited by Peter Vergo, 6–21. London: Reaktion Books, 1989.
  • Walpole, Horace. Aedes Walpolianae: or, a description of the collection of pictures at Houghton-Hall in Norfolk, seat of the Right Honourable Sir Robert Walpole, Earl of Orford. London: Dodsley, 1752.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.