Publication Cover
Sound Studies
An Interdisciplinary Journal
Volume 1, 2015 - Issue 1
14,159
Views
89
CrossRef citations to date
0
Altmetric
Articles

Sound studies without auditory culture: a critique of the ontological turn

References

  • Bull, Michael, ed. Sound Studies: Critical Concepts in Media and Cultural Studies. 4 vols. New York, NY: Routledge, 2013.
  • Bull, Michael, and Les Back. Auditory Culture Reader. Oxford, UK: Berg, 2003.
  • Chateaubriand, Oswaldo. “Quine and Ontology.” Principia 7, no. 1–2 (2003): 41–74.
  • Cox, Christoph. “Sound Art and the Sonic Unconscious.” Organised Sound 14, no. 1 (2009): 19–26.10.1017/S1355771809000041
  • Cox, Christoph. “Beyond Representation and Signification: Toward a Sonic Materialism.” Journal of Visual Culture 10, no. 2 (2011): 145–161.10.1177/1470412911402880
  • Cox, Christoph. “The Alien Voice: Alvin Lucier’s North American Time Capsule 1967.” In Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts, edited by Hannah Higgins and Douglas Kahn, 170–186. Berkeley, CA: University of California Press, 2012.
  • Erlmann, Veit. Hearing Cultures. Essays on Sound, Listening and Modernity. Oxford, New York: Berg, 2004.
  • Davis, Whitney. A General Theory of Visual Culture. Princeton, NJ: Princeton University Press, 2011.
  • Deleuze, Gilles. Difference and Repetition. Translated by P. Patton. New York, NY: Columbia University Press, 1968.
  • Deleuze, Gilles. Spinoza: Practical Philosophy. Translated by R. Hurley. San Francisco, CA: City Lights Books, 1988.
  • Deleuze, Gilles. Expressionism in Philosophy: Spinoza. Translated by M. Joughin. New York, NY: Zone Books, 1990.
  • Fried, Michael. Art and Objecthood: Essays and Reviews. Chicago, IL: University of Chicago Press, 1998.
  • Goodman, Nelson. Fact, Fiction, and Forecast. Indianapolis, IN: Bobbs-Merrill, 1965.
  • Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. Indianapolis, IN: Bobbs-Merrill, 1968.
  • Goodman, Nelson. Ways of Worldmaking. Indianapolis, IN: Hackett, 1978.
  • Goodman, Nelson, and Catherine Z. Elgin. Reconceptions in Philosophy and Other Arts and Sciences. Indianapolis, IN: Hackett, 1988.
  • Goodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, MA: MIT Press, 2009.
  • Greenberg, Clement. Modernism with a Vengeance 1957–1969, Vol. 4, the Collected Essays and Criticism, edited by John O’Brian. Chicago, IL: University of Chicago Press, 1993.
  • Hainge, Greg. Noise Matters: Towards an Ontology of Noise. New York, NY: Bloomsbury Academic, 2013.
  • Hilmes, Michele. “Is There a Field Called Sound Culture Studies? And Does It Matter?” American Quarterly 57, no. 1 (2005): 249–259.10.1353/aq.2005.0006
  • Kafka, Franz. The Complete Stories. Edited by Nahum N. Glatzer. New York, NY: Schocken Books, 1971.
  • Kane, Brian. “Musicophobia, or Sound Art and the Demands of Art Theory.” Nonsite 8 (2012). http://nonsite.org/article/musicophobia-or-sound-art-and-the-demands-of-art-theory.
  • Kane, Brian. Sound Unseen: Acousmatic Sound in Theory and Practice. New York, NY: Oxford University Press, 2014.10.1093/acprof:oso/9780199347841.001.0001
  • Kierkegaard, Jacob. Four Rooms. London: Touch Tones Music, 2006.
  • Kittler, Friedrich A. Gramophone, Film, Typewriter. Translated by Geoffrey Winthrop-Young and Michael Wutz. Stanford, CA: Stanford University Press, 1999.
  • Kripke, Saul A. Reference and Existence: The John Locke Lectures. New York, NY: Oxford University Press, 2013.10.1093/acprof:oso/9780199928385.001.0001
  • Kromhout, Melle. “‘Sound Studies: A Discipline?’: Sound Signatures Winter School, Amsterdam, January 2014.” http://soundstudiesblog.com/2014/08/11/sound-studies-a-discipline-afterthoughts-on-the-sound-signatures-winter-school-amsterdam-january-2014/
  • Latour, Bruno. An Inquiry into Modes of Existence: An Anthropology of the Moderns. Translated by Catherine Porter. Cambridge, MA: Harvard University Press, 2013.
  • Leys, Ruth. “The Turn to Affect: A Critique.” Critical Inquiry 37, no. 3 (2011): 434–472.10.1086/659353
  • Lucier, Alvin. "North American Time Capsule." On Extended Voices: New Pieces for Chorus and for Synthesizers and Vocoder. New York, NY: Odyssey, LP, 1968.
  • Lucier, Alvin. “I am Sitting in a Room.” New York, NY: Lovely Music, LCD 1013 (1981).
  • Lynch, Michael. “Ontography: Investigating the Production of Things, Deflating Ontology.” Social Studies of Science 43, no. 3 (2013): 444–462.10.1177/0306312713475925
  • Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press, 2002.10.1215/9780822383574
  • Pinch, Trevor, and Karin Bijsterveld. The Oxford Handbook of Sound Studies. New York, NY: Oxford University Press, 2012.
  • Quine, W. V. O. From a Logical Point of View: Nine Logico-Philosophical Essays. Cambridge, MA: Harvard University Press, 1961.
  • Sartre, Jean-Paul. Nausea. New York, NY: New Directions, 1964.
  • Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press, 2003.10.1215/9780822384250
  • Sterne, Jonathan. The Sound Studies Reader. New York, NY: Routledge, 2012.
  • Thomasson, Amie L. Fiction and Metaphysics. Cambridge, UK: Cambridge University Press, 1999.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.