Bibliography
- Altman, R. Sound Theory/Sound Practice. New York: Taylor and Francis, 1992.
- Anderson, B. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso, 2006.
- Attali, J. Noise: The Political Economy of Music. Manchester: Manchester University Press, 1985.
- Baldwin, D. “Black Empires White Desires: The Spatial Politics of Identity in the Age of Hip Hop.” Black Renaissance/Renaissance Noire. Vol. 2–2. (Summer 1999): 139–159.
- Baraka, A. The Autobiography of LeRoi Jones. Chicago: Chicago Review Press, 2012.
- Baraka, A. It’s Nation Time: African Visionary Music. Black Forum / Motown: LP, 1972.
- Baraka, A. Real Song. CD. Germany: Enja, 1995.
- Baraka, A. Wise, Why’s, Y’s. Chicago: Third World Press, 1995.
- Baraka, I. A. Black Music. W. Morrow, 1967.
- Baraka, I. A. Four Black Revolutionary Plays: All Praises to the Black Man. New York: Bobbs-Merrill, 1969.
- Baraka, I. A. It’s Nation Time. Chicago: Third World Press, 1970.
- Baraka, I. A. Spirit Reach. Newark: Jihad Productions, 1972.
- Barry, E. D. “High-Fidelity Sound as Spectacle and Sublime, 1950–1961.” In Sound in the Age of Mechanical Reproduction, edited by D. Suisman and S. Strasser, 115–140. Philadelphia: University of Pennsylvania Press, 2011.
- Baudrillard, J. Simulacra and Simulation. Translated by Shelia Faria Glaser. Ann Arbor: University of Michigan Press, 1995 [1981].
- Benjamin, W. The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media. Cambridge: Belknap Press of Harvard University Press, 2008.
- “The Black Panther Party’s Platform 1966.” University of Virginia “The Sixties Project.” Accessed October 10, 2015. http://www2.iath.virginia.edu/sixties/HTML_docs/Resources/Primary/Manifestos/Panther_platform.html
- Blesser, B., and L. R. Salter. Spaces Speak, Are You Listening? Cambridge: MIT Press, 2007.
- Boone, A. R. “Mickey Mouse Goes Classical.” Popular Science, January 1941, 66.
- Collins, L. G., and M. Crawford, eds. New Thoughts on the Black Arts Movement. New Brunswick: Rutgers University Press, 2006.
- Damaske, P. Acoustics and Hearing. New York: Springer, 2008.
- Du Bois, W. E. B. The Souls of Black Folk: Authoritative Text, Contexts, Criticism. New York: W.W. Norton, 1999 [ 1903].
- Eisenberg, E. The Recording Angel: Music, Records and Culture from Aristotle to Zappa. 2nd ed. New Haven: Yale University Press, 2005.
- Enock, J. “Stereophonic Reproduction.” Gramophone, 1956.
- Gilroy, P. The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard University Press, 1993.
- Gilroy, P. “‘Between the Blues and the Blues Dance: Some Soundscapes of the Black Atlantic.’” In Audio Culture: Readings in Modern Music, edited by Michael Bull and Les Back, 381–397. New York: Bloomsbury Academic, 2003.
- Ginsberg, A. Howl and Other Poems: Pocket Poets Number 4. City Lights Pocket Poets. San Francisco: City Lights Publishers, 1956.
- Goldstein, E. B. Sensation and Perception. Belmont: Wadsworth Cengage Learning, 2010.
- Harris, W. J. The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic. Columbia: University of Missouri Press, 1985.
- Henriques, J. “Dread Bodies: Doubles, Echoes, and the Skins of Sound.” Small Axe 18, no. 2 44 (2014): 191–201.10.1215/07990537-2739956
- Hughes, L. Ask Your Mama: 12 Moods for Jazz. New York: Alfred A. Knopf, 2009 [ 1961].
- Jaji, T. E. Africa in Stereo. New York: OUP, 2014.10.1093/acprof:oso/9780199936373.001.0001
- Jones, M. D. E. “Politics, Process & (Jazz) Performance: Amiri Baraka’s ‘It’s Nation Time.’” African American Review 37, no. 2–3 (Summer 2003): 245–252.10.2307/1512310
- Kalamu ya Salaam. “Amiri Baraka Analyzes How He Writes.” African American Review 37, no. 2–3 (Summer 2003): 211–236.
- Mackey, N. “The Changing Same: Black Music in the Poetry of Amiri Baraka.” Boundary 2: A Journal of Postmodern Literature and Culture 6, no. 2 (1978): 355–386.10.2307/302328
- Milner, G. Perfecting Sound Forever: An Aural History of Recorded Music. New York: Faber & Faber, 2009.
- Monson, I. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press, 1997.10.7208/chicago/9780226534794.001.0001
- Morton, D. L. Sound Recording: The Life Story of a Technology. Baltimore: Johns Hopkins University Press, 2006.
- Moten, F. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press, 2003.
- Nyong’o, T. “Afro-Philo-Sonic Fictions: Black Sound Studies after the Millennium.” Small Axe 18, no. 2 44 (2014): 173–179.10.1215/07990537-2739938
- Olson, C. “Projective Verse.” The Poetry Foundation, 1950. Accessed September 15, 2015. http://www.poetryfoundation.org/learning/essay/237880?page=5
- Reed, I. “Ishmael Reed on the Life and Death of Amiri Baraka.” Wall Street Journal. January 12, 2014, online ed., sec. Arts & Entertainment. http://blogs.wsj.com/speakeasy/2014/01/12/ishmael-reed-on-the-life-and-death-of-amiri-baraka/.
- Schafer, R. M. The Soundscape: Our Sonic Environment and the Tuning of the World. Vermont: Destiny Books, 1977.
- Smethurst, J. The Black Arts Movement: Literary Nationalism in the 1960s and 1970s. Chapel Hill: University of North Carolina Press, 2005.
- Sterne, J. “The Stereophonic Spaces of Soundscape.” In Living Stereo: Histories and Cultures of Multichannel Sound, edited by P. Théberge, K. Devine, and T. Everrett, 65–84. New York: Bloomsbury, 2015.
- Ra, Sun. Space is the Place. LP. Blue Thumb Records, 1973.
- Szwed, J. F. Space is the Place: The Lives and Times of Sun Ra. New York: Pantheon Books, 1997.
- Théberge, P., K. Devine, and T. Everrett, eds. Living Stereo: Histories and Cultures of Multichannel Sound. New York: Bloomsbury, 2015.
- Thomas, L. “‘Neon Griot: The Functional Role of Poetry Readings in the Black Arts Movement’.” In Close Listening, edited by C. Bernstein, 300–320. New York: Oxford University Press, 1998.10.1093/acprof:oso/9780195109924.001.0001
- Thomas, P. Listen, Whitey! The Sounds of Black Power 1965–1975. Seattle: Fantagraphics Books, 2012.
- Wald, G. “Soul Vibrations: Black Music and Black Freedom in Sound and Space.” American Quarterly 63, no. 3 (September 2011): 673–696.10.1353/aq.2011.0048
- Weheliye, A. G. Phonographies: Grooves in Sonic Afro-Modernity. Durham: Duke University Press, 2005.10.1215/9780822386933
- Weheliye, A. G. “Engendering Phonographies: Sonic Technologies of Blackness.” Small Axe 18, no. 2 44 (2014): 180–190.10.1215/07990537-2739947
- Woodard, K. A Nation within a Nation. Chapel Hill: University of North Carolina Press, 1999.10.5149/uncp/9780807847619
- Yost, W. A. Fundamentals of Hearing: An Introduction. San Diego: Academic Press, 2007.
- Youngquist, P. “The Space Machine: Baraka and Science Fiction.” African American Review 37, nos. 2–3 (Summer 2003): 333–343.10.2307/1512318