Publication Cover
Sound Studies
An Interdisciplinary Journal
Volume 1, 2015 - Issue 1
1,718
Views
3
CrossRef citations to date
0
Altmetric
Articles

Securing the aural border: fieldwork and interference in post-war BBC audio nationalism

References

  • Adorno, Theodor. “A Social Critique of Radio Music.” The Kenyon Review 7, no. 2 (1945): 208–217.
  • Anderson, Benedict. Imagined Communities. London: Verso, 1991.
  • Arnheim, Rudolf. Radio. London: Faber and Faber, 1933.
  • “As I Roved Out.” English Dance and Song 18, no. 3 (1953/54): 75.
  • Baade, Christina. Victory through Harmony: The BBC and Popular Music in World War II. Oxford: Oxford University Press, 2012.
  • Badenoch, Alexander, Andreas Fickers, and Christian Henrich-Franke, eds. Airy Curtains in the European Ether: Broadcasting and the Cold War. Nomos: Baden-Baden, 2013.
  • Benjamin, Walter. “Reflections on Radio”, 1931 In The Work of Art in the Age of its Technological Reproducibility and Other Writings on Media, edited by Michael Jennings, Brigid Doherty, and Thomas Levin, 391–392. Cambridge, MA: Harvard University Press, 2008.
  • Bhabha, Homi. The Location of Culture. New York: Routledge, 2010.
  • Bijsterveld, Karin. “Introduction.” In Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage, edited by Karin Bijsterveld, 11–28. Bielefeld: Transcript, 2013.10.14361/transcript.9783839421796
  • Birdsall, Carolyn. Nazi Soundscapes: Sound, Technology and Urban Space in Germany, 1933–1945. Amsterdam: Amsterdam University Press, 2012.
  • Birdsall, Carolyn. “Sonic Artefacts: Reality Codes of Urbanity in Early German Radio Documentary.” In Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage, edited by Karin Bijsterveld, 129–168. Bielefeld: Transcript, 2013.
  • Bohlman, Philip V. Music, Nationalism, and the Making of the New Europe. New York: Routledge, 2011
  • Bohlman, Philip V. “Analysing Aporia.” Twentieth-Century Music 8, no. 2 (2011): 133–151. doi:10.1017/S1478572212000059.
  • Born, Georgina. “On Musical Mediation: Ontology, Technology and Creativity.” Twentieth-Century Music 2, no. 1 (2005): 7–36. doi:10.1017/S147857220500023X.
  • Born, Georgina. “The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production.” Cultural Sociology 4, no. 2 (2010): 1–38. doi:10.1177/1749975510368471.
  • Born, Georgina. “For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn.” Journal of the Royal Musical Association 135, no. 2 (2010): 205–243. doi:10.1080/02690403.2010.506265.
  • “Both Sides of the Microphone: Folk Songs and Singers”. 1953. Radio Times, September 25: 7
  • Briggs, Asa. The History of Broadcasting in the United Kingdom, vol. IV: Sound and Vision. Oxford: Oxford University Press, 1979.
  • Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, MA: Harvard University Press, 1988.
  • Cundell, Edric. 1952. “Listening to Music,” Radio Times, January 18: 5.
  • Dolan, Josephine. “The Voice that Cannot be Heard: Radio/Broadcasting and ‘the Archive’.” The Radio Journal 1, no. 1 (2003): 63–72. doi:10.1386/rajo.1.1.63/0.
  • Duesenberry, Peggy. Fiddle Tunes on Air: A Study of Gatekeeping and Traditional Music at the BBC in Scotland, 1923–1957. PhD diss.: University of California, Berkeley, 2000.
  • Fanon, Frantz. “This is the Voice of Algeria.” 1965 In The Sound Studies Reader, edited by Jonathan Sterne, 329–335. New York: Routledge, 2012.
  • Fickers, Andreas. “Visibly Audible: The Radio Dial as Mediating Interface.” In The Oxford Handbook of Sound Studies, edited by Trevor Pinch and Karin Bijsterveld, 411–439. Oxford: Oxford University Press, 2012.
  • Frith, Simon. “Pleasures of the Hearth – The Making of BBC Light Entertainment.” In Music for Pleasure: Essays on the Sociology of Pop, 24–44. Oxford: Polity, 1988.
  • Gregory, E. David. “Roving Out: Peter Kennedy and the BBC Folk Music and Dialect Recording Scheme, 1952-57.” In Folk Song: Tradition, Revival, and Re-creation, edited by Ian Russell and David Atkinson, 218–240. Aberdeen, SD: The Elphinstone Institute, 2004.
  • Hajkowski, Thomas. The BBC and National Identity in Britain, 1922–53. Manchester, UK: Manchester University Press, 2010.10.7228/manchester/9780719079443.001.0001
  • Hilmes, Michele. Radio Voices: American Broadcasting 1922 to 1952. Minneapolis, MN: University of Minnesota Press, 1997.
  • Hilmes, Michele. “Foreword: Transnational Radio in the Global Age.” Journal of Radio Studies 11, no. 1 (2004): iii–vi. doi: 10.1207/s15506843jrs1101_1
  • Hilmes, Michele. Network Nations: A Transnational History of British and American Broadcasting. New York: Routledge, 2011.
  • Hunter, Alan. 1952. “How You Can Improve Reception this Winter,” Radio Times, October 10: 5–6.
  • Hunter, Alan. 1953. “If Everyone Kept to the Plan,” Radio Times, October 30: 5.
  • Huxley, Julian. UNESCO: Its Philosophy and Purpose. Paris: UNESCO, 1946.
  • IFMC. “General Report.” Journal of the International Folk Music Council 5 (1953): 9–35.
  • IFMC. “Resolutions: Definition of Folk Music.” Journal of the International Folk Music Council 7 (1955): 23.
  • IFMC. “Report of the Radio Commission.” Journal of the International Folk Music Council 8 (1956): 51–56.
  • Jones, Andrew. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, NC: Duke University Press, 2001.10.1215/9780822380436
  • Karathanasopoulou, Evi, and Andrew Crisell. “Radio Documentary and the Formation of Urban Aesthetics.” In Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage, edited by Karin Bijsterveld, 169–178. Bielefeld: Transcript, 2013.
  • Kennedy, Douglas .“The Director Writes: In the Raw.” English Dance and Song 18, no. 3 (1953/54): 77–78.
  • Kun, Josh. “The Aural Border.” Theatre Journal 52 (2000): 1–21.10.1353/tj.2000.0016
  • Kynaston, David. Family Britain, 1951–57. London: Bloomsbury, 2009.
  • Lacey, Kate. “Radio in the Great Depression: Promotional Culture, Public Service, and Propaganda.” In Radio Reader: Essays in the Cultural History of Radio, edited by Michele Hilmes and Jason Loviglio, 21–40. New York: Routledge, 2002.
  • Lefebvre, Henri. Rhythmanalysis: Space, Time and Everyday Life. Translated by Stuart Elden. London: Bloomsbury, 2013.
  • Lommers, Suzanne. Europe – On Air: Interwar Projects for Radio Broadcasting. Amsterdam: Amsterdam University Press, 2012.
  • McLanachan, W. 1952. “How to Get the Best from Your Set,” Radio Times, October 24: 11.
  • Newman, Ernest “The Impact of Radio on Music.” In BBC Yearbook 1952, 142–143. Suffolk: BBC, 1952.
  • Nicholas, Siân. The Echo of War: Home Front Propaganda and the Wartime BBC, 1939–45. Manchester, UK: Manchester University Press, 1996.
  • Ochoa Gautier, Ana María. “Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America.” Social Identities: Journal for the Study of Race, Nation and Culture 12, no. 6 (2006): 803–825. doi:10.1080/13504630601031022.
  • Picker, John. Victorian Soundscapes. Oxford: Oxford University Press, 2003.10.1093/acprof:oso/9780195151916.001.0001
  • Piekut, Benjamin. “Actor-Networks in Music History: Clarifications and Critiques.” Twentieth-Century Music 11, no. 2 (2014): 191–215. doi:10.1017/S147857221400005X.
  • Pinney, Christopher. “Things Happen: Or, From Which Moment Does That Thing Come?” In Materiality, edited by Daniel Miller, 256–272. Durham, NC: Duke University Press, 2005.10.1215/9780822386711
  • Porter, James. “Europe.” In Ethnomusicology: Historical and Regional Studies, edited by Helen Myers, 215–239. London: Macmillan, 1993.
  • Revill, George. “Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space.” Environment and Planning D: Society and Space 18 (2000): 597–613. doi:10.1068/d224t.
  • Rothenbueler, Eric W, and John Durham Peters. “Defining Phonography: An Experiment in Theory.” Musical Quarterly 81, no. 2 (1997): 242–264.10.1093/mq/81.2.242
  • Scannell, Paddy. “‘The Stuff of Radio’: Developments in Radio Features and Documentaries before the War.” In Documentary and the Mass Media, edited by John Corner, 1–26. London: Edward Arnold, 1986.
  • Scannell, Paddy. “Public Service Broadcasting and Modern Public Life.” Media, Culture, and Society 11, no. 2 (1989): 135–166.10.1177/016344389011002002
  • Scannell, Paddy, and David Cardiff. A Social History of British Broadcasting, Volume One 1922–1939: Serving the Nation. Oxford: Blackwell, 1991.
  • Sharp, Cecil. English Folk Song: Some Conclusions. Taunton: Barnicott and Pearce, 1907.
  • Sieveking, Lance. The Stuff of Radio. London: Cassell & Co, 1934.
  • Slocombe, Marie. “Round Britain with a Recording Machine: The BBC as Collector.” English Dance and Song 17, no. 1 (1952): 12–13.
  • Slocombe, Marie. “Radio Report.” Journal of the International Folk Music Council 5 (1953): 25–26.
  • Slocombe, Marie. “British Broadcasting Corporation, London.” Journal of the International Folk Music Council 7 (1955): 60–61.
  • Spohrer, Jennifer. “Threat or Beacon? Recasting International Broadcasting in Europe after World War II.” In Airy Curtains in the European Ether: Broadcasting and the Cold War, edited by Alexander Badenoch, Andreas Fickers and Christian Henrich-Franke, 29–50. Baden-Baden: Nomos, 2013.
  • Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press, 2003.10.1215/9780822384250
  • Sterne, Jonathan, ed. The Sound Studies Reader. New York: Routledge, 2012.
  • Tunbridge, Laura. “Singing Translations: The Politics of Listening Between the Wars.” Representations 123, no. 1 (2013): 53–86. doi:10.1525/rep.2013.123.3.53.
  • Western, Tom. “‘The Age of the Golden Ear’: The Columbia World Library and Sounding out Post-war Field Recording.” Twentieth-Century Music 11, no. 2 (2014): 275–300. doi:10.1017/S1478572214000103.
  • Winner, Langdon. ““Do Artifacts Have Politics?” In The Social Shaping of Technology, edited by Donald MacKenzie and Judy Wajcman, 28–40. Maidenhead: Open University Press, 1999 [1980].

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.