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Sound Studies
An Interdisciplinary Journal
Volume 3, 2017 - Issue 2
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Sound Reviews

Live (archival) volumes

A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s

References

  • Corrin, Lisa G., and Corinne Granof, eds. 2016. A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s. Evanston, Illinois: Northwestern University Press.
  • Corrin, Lisa G., and Carolee Schneemann. 2016. “Noise Bodies and Noisy Women: A Conversation with Carolee Schneemann.” In A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s, edited by Lisa G. Corrin and Corinne Granof, 108–121. Evanston, Illinois: Northwestern University Press.
  • Dohoney, Ryan. 2016. “Charlotte Moorman’s Experimental Performance Practice.” In A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s, edited by Lisa G. Corrin and Corinne Granof, 18–27. Evanston, Illinois: Northwestern University Press.
  • Krafft, Scott. 2016. “‘Don’t Throw Anything Out’: Charlotte Moorman’s Archive.” In A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s, edited by Lisa G. Corrin and Corinne Granof, 184–195. Evanston, Illinois: Northwestern University Press.
  • Piekut, Benjamin. 2011. Experimentalism Otherwise: The New York Avant-Garde and Its Limits. Berkley, California: University of California Press.
  • Proctor, Jacob. 2016. “A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s.” Artforum, May 2016.
  • Rogers, Holly. 2013. Sounding the Gallery. Oxford: Oxford University Press.10.1093/acprof:oso/9780199861408.001.0001
  • Rothfuss, Joan. 2014. Topless Cellist: The Improbable Life of Charlotte Moorman. Cambridge, Massachusetts: The MIT Press.
  • Voegelin, Salomé. 2016. “Curating Volumes: Hearing Architecture, Light and Words.” Keynote talk presented at On Sound and Space seminar, Tate Britain, London, October 27.

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