829
Views
4
CrossRef citations to date
0
Altmetric
Articles

“Law for Whom?”: responding to sonic illegality in Brazil’s funk carioca

Pages 22-36 | Received 23 Apr 2018, Accepted 26 Dec 2018, Published online: 15 Feb 2019

References

  • Associação dos Profissionais e Amigos do Funk, Movimento Direito Para Quem? 2009. Liberta o Pancadão! Manual de Defesa do Artista do Funk: Os Direitos do MC.
  • Brown, M. 2003. Who Owns Native Culture? Cambridge: Harvard University Press.
  • Cardoso, L. 2017. “The Politics of Noise Control in São Paulo.” Journal of Latin American Studies 49: 917–945. doi:10.1017/S0022216X16001978.
  • Collins, J. F. 2015. Revolt of the Saints: Memory and Redemption in the Twilight of Brazilian Racial Democracy. Durham: Duke University Press.
  • Dent, A. S. 2016a. “Policing the Unstable Materialities of Digital-Media Piracy in Brazil.” American Ethnologist 43 (3): 424–436. doi:10.1111/amet.12336.
  • Dent, A. S. 2016b. “Intellectual Property, Piracy, and Counterfeiting.” Annual Review of Anthropology 45 (1): 17–31. doi:10.1146/annurev-anthro-102215-100127.
  • Drybread, K. 2009. “Rights-Bearing Street Kids: Icons of Hope and Despair in Brazil’s Burgeoning Neoliberal State.” Law & Policy 31 (3): 330–350. doi:10.1111/j.1467-9930.2009.00304.x.
  • Facina, A. 2016. “Cultura como crime, cultura como direito: a luta contra a resolução 013 no Rio de Janeiro.” In: João Fortunato Soares de Quadros Júnior. (Org.). Discussões epistemológicas: as Ciências Humanas sob uma ótica interdisciplinar. 1ed. São Luís: EDUFMA, 87-111.
  • Facina, A., and C. Palombini. 2017. “O Patrão e a Padroeira: Momentos de Perigo na Penha, Rio de Janeiro.” Mana 23 (2): 341–370. doi:10.1590/1678-49442017v23n2p341.
  • Fernandes, E. 2007. “Constructing the `Right to the City’ in Brazil.” Social & Legal Studies 16: 201–219. doi:10.1177/0964663907076529.
  • Fischer, B. 2008. A Poverty of Rights: Citizenship and Inequality in Twentieth-Century Rio De Janeiro. Palo Alto: Stanford University Press.
  • Frith, S., and L. Marshall. 2004. “Making Sense of Copyright.” In Music and Copyright, edited by S. Frith and L. Marshall, 1–20. New York: Routledge.
  • García Canclini, N. 2002. Latinoamericanos buscando lugar en este siglo. Buenos Aires, Barcelona, Mexico: Paidos. doi:10.1044/1059-0889(2002/er01).
  • Geismar, H. 2013. Treasured Possessions: Indigenous Interventions into Cultural and Intellectual Property. Durham: Duke University Press.
  • Gracyk, T. 1996. Rhythm and Noise: An Aesthetics Of Rock. Durham, NC: Duke University Press.
  • Guilbault, J. 2007. Governing Sound: The Cultural Politics of Trinidad’s Carnival Musics. Chicago: University of Chicago Press.
  • Henriques, J. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing. New York: Continuum.
  • Hertzman, M. A. 2013. Making Samba: A New History of Race and Music in Brazil. Durham: Duke University Press.
  • Holston, J. 2008. Insurgent Citizenship: Disjunctions of Democracy and Modernity in Brazil. Princeton: Princeton University Press.
  • Lopes, A. C. 2011. Funk-Se Quiem Quiser: No Batidão Negra Na Cidade Carioca. Rio de Janeiro: FAPERJ.
  • Luker, M. 2016. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: University of Chicago Press.
  • McLeod, K., and D. Peter. 2011. Creative License: The Law and Culture of Digital Sampling. Durham, NC: Duke University Press.
  • Ochoa Gautier, A.M. 2006. “Sonic Transculturation, Epistemologies Of Purification and The Aural Public Sphere in Latin America.” Social Identities: Journal for The Study Of Race, Nation and Culture 12 (6): 803–825. doi: 10.1080/13504630601031022.
  • Palombini, C. 2013. “Proibidão em tempo de pacificação armada.” In Patrimônio Musical Na Atualidade: Tradição, Memória, Discurso e Poder, edited by M. Alice Volpe,  215–236. Rio de Janeiro: Universidade Federal do Rio de Janeiro.
  • Rosenblatt, V., and C. Palombini. 2014. “Vincent Na Chatuba”. Proibidao.org. http://www.proibidao.org/vincent-na-chatuba/
  • Seeger, A. 2004. “The Selective Protection of Musical Ideas: The ‘Creations’ and the Dispossed.” In Property in Question, edited by K. Verdery and C. Humphreys, 69–84. Oxford: Berg.
  • Strathern, M. 2005. Kinship, Law and the Unexpected: Relatives are Always a Surprise. Cambridge: Cambridge University Press.
  • Sunder, M. 2012. From Goods to a Good Life: Intellectual Property and Global Justice. New Haven: Yale University Press.
  • Vianna, H. 1988. O Mundo Funk Carioca. Rio de Janeiro: Jorge Zahar.
  • Washburne, C. 2008. Sounding Salsa: Performing Latin Music in New York City. Philadelphia: Temple University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.