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Sound Studies
An Interdisciplinary Journal
Volume 5, 2019 - Issue 2
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Sound Reviews

Cult Sound Studies: hand claps, orchestra hits, and the production of popular music

Pages 213-216 | Received 13 Jul 2019, Accepted 23 Jul 2019, Published online: 28 Aug 2019

References

  • Bates, E. 2013. “Popular Music Studies and the Problems of Sound, Society, and Method.” IASPM@Journal 3 (2): 15–32. doi:10.5429/2079-3871.
  • Brockhaus, I. 2017. Kultsounds: Die prägendsten Klänge der Popmusik 1960-2014. Bielefeld: Transcript.
  • Fink, R. 2005. “The Story of ORCH5, Or, the Classical Ghost in the Hip-Hop Machine.” Popular Music 24 (3): 339–356. doi:10.1017/S0261143005000553.
  • McClary, S., and R. Walser. [1988] 1990. “Start Making Sense! Musicology Wrestles with Rock.” In On Record: Rock, Pop, and the Written Word, edited by S. Frith and A. Goodwin, 277–292. London: Routledge.
  • Rossi Rognoni, G. 2017. “Organology and the Others: A Political Perspective.” Discussion paper prepared for The Galpin Society and American Musical Instrument Society joint conference, Edinburgh, June 1–4.
  • Rossi Rognoni, G., et al. Forthcoming. “Organology and Other Organology.” Journal of the American Musical Instrument Society 45.
  • Tresch, J., and E. I. Dolan. 2013. “Toward a New Organology: Instruments of Music and Science.” Osiris 28 (1): 278–298. doi:10.1086/671381.

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