https://orcid.org/0000-0001-7764-091X
References
- Mathes, C. 2015. Imagine the Sound: Experimental African American Literature after Civil Rights. Minneapolis: University of Minnesota Press.
- Moten, F. 2003. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press.
- Stoever, J. L. 2016. The Sonic Color Line: Race and the Cultural Politics of Listening. New York: New York University Press.
- Vasquez, A. T. 2013. Listening in Detail: Performances of Cuban Music. Durham: Duke University Press.
- Weheliye, A. G. 2005. Phonographies: Grooves in Sonic Afro-Modernity. Durham: Duke University Press.