Publication Cover
Sound Studies
An Interdisciplinary Journal
Volume 6, 2020 - Issue 1
404
Views
0
CrossRef citations to date
0
Altmetric
Articles

On vibrations: cosmographs

ORCID Icon
Pages 14-28 | Received 02 Oct 2019, Accepted 07 Jan 2020, Published online: 23 Mar 2020

References

  • Atlman, R. 2012. “Four and a Half Film Fallacies.” In The Sound Studies Reader, edited by J. Sterne, 225–233. New York: Routledge. (Reprinted from Altman, R. 1992. "Introduction: Four and a Half Film Fallacies." In Sound Theory, Sound Practice, edited by R. Altman, 35–45. New York: Routledge.).
  • Bachelard, G. [1934] 1984. “Matter and Radiation.” In The New Scientific Spirit, 61–84. Translated by Arthur Goldhammer. Boston: Beacon Press.
  • Bachelard, G. 1988. Air and Dreams: An Essay on the Imagination of Movement (1943). Dallas, TX:Dallas Institute Publications. doi:10.3168/jds.S0022-0302(88)79586-7.
  • Bachelard, G. [1936] 2016. The Dialectic of Duration, Translated by M. M. Jones. London: Rowman & Littlefield.
  • Barthes, R. 2000. “The Plates of the Encyclopedia.” In A Barthes Reader, edited by S. Sontag, 218–250. London: Vintage.
  • Benjamin, W. 1979. “The Writer’s Technique in Thirteen Theses.” In One-Way Street and Other Wiritings. Translated by Edmund Jephcott and Kingsley Shorter. London: New Left Books.
  • Benjamin, W. 1996. “One-Way Street.” In Selected Writings, Vol. 1 (1913–1926), 486–487. Edited by Marcus Bullock and Michael W. Jennings. Cambridge, MA: Harvard University Press.
  • Bunn, J. H. 2002. Wave Forms: A Natural Syntax for Rhythmic Languages. Stanford, CA: Stanford University Press.
  • Cage, J. 1981. For the Birds: In Conversation with Daniel Charles. Boston: Marion Boyars.
  • Cendrars, B. 1966. “Crépitements.” In Selected Writings of Blaise Cendrars, edited by Walter Albert, 72. New York: New Directions.
  • Cheng, J.-X., and X. Sunney Xie. 2015. “Vibrational Spectroscopic Imaging of Living Systems: An Emerging Platform for Biology and Medicine.” Science 350 (6264). November 27. doi:10.1126/science.aaa8870.
  • Cox, C. C. 2018. “Sonic Realism and Auditory Culture: A Reply to Marie Thompson and Annie Goh.” Parallax 24 (2): 234–242. doi:10.1080/13534645.2018.1452448.
  • Crookes, W. 1897. “Address by the President,” at Westminster Town Hall. Proceedings of the General Meeting of the Society for Psychical Research, vol. 12. 335–337.
  • Deleuze, G., and F. Guattari. 1987. “A Thousand Plateaus: Capitalism and Schizophrenia.” Translated by B. Massumi. Minneapolis: University of Minnesota Press.
  • Eidsheim, N. S. 2015. Sensing Sound: Singing and Listening as Vibrational Practice. Berkeley, CA: University of California Press.
  • Enna, A., and S. Trower, eds. 2013. Vibratory Modernism. New York: Palgrave MacMillian.
  • Feld, S. 1994. “From Schizophonia to Schismogenesis: On the Discourses and Practices of World Music and World Beat.” In Music Grooves, edited by C. Keil and S. Feld, 257–289. Chicago, IL: University of Chicago Press.
  • Foster, R., and L. Kreitzman. 2004. Rhythms of Life: The Biological Clocks that Control the Daily Lives of Every Living Thing. New Haven, CT: Yale University Press.
  • Gagliano, M., S. Mancuso, and D. Robert. 2012. “Towards Understanding Plant Bioacoustics.” Trends in Plant Science 17 (6). doi:10.1016/j.tplants.2012.03.002.
  • Gallope, M. 2017. Deep Refrains: Music, Philosophy, and the Ineffable. Chicago, IL: University of Chicago Press.
  • Gerhardt, H. C., and F. Huber. 2002. Acoustic Communication in Insects and Anurans: Common Problems and Diverse Solutions. Chicago, IL: University of Chicago Press.
  • Goh, A. 2017. “Sounding Situated Knowledges: Echo in Archaeoacoustics.” Parallax 23 (3): 283–304. doi:10.1080/13534645.2017.1339968.
  • Goodman, S. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge: MIT Press.
  • Graves, M. 2019. “Book of Tono-Rhythmology.” In Energies in the Arts, edited by D. Kahn, 332–350. Cambridge, MA: MIT Press.
  • Grosz, E. 2008. Chaos, Territory, Art: Deleuze and the Framing of the Earth. New York: Columbia University Press.
  • Hartley, D. 1749. Observations on Man: His Frame, His Duty, and His Expectations. London: Samuel Richardson for James Leake and William Frederick Booksellers.
  • Henderson, L. D. 1983. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press.
  • Henderson, L. D. 2002. “Vibratory Modernism: Boccioni, Kupka, and the Ether of Space.” In From Energy to Information: Representation in Science, Art and Literature, edited by B. Clarke and L. D. Henderson, 126–149. Stanford, CA: Stanford University Press.
  • Heninger, S. K. 1977. The Cosmographical Glass: Renaissance Diagrams of the Universe. San Marino, CA: Huntington Library.
  • Henriques, J. 2003. “Sonic Dominance and the Reggae Sound System Session.” In The Auditory Culture Reader, edited by M. Bull and L. Back, 451–480. New York: Berg.
  • Henriques, J. 2010. “The Vibrations of Affect and Their Propagation on a Night Out on Kingston’s Dancehall Scene.” Body & Society 16 (1): 57–89. doi:10.1177/1357034X09354768.
  • Henriques, J. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing. New York: Continuum.
  • Hill, P. S. M. 2008. Vibrational Communication in Animals. Cambridge, MA: Harvard University Press.
  • Jasen, P. 2016. Low End Theory: Bass, Bodies and the Materiality of Sonic Experience. New York: Bloomsbury.
  • Kahn, D. 2004. “Ether Ore: Mining Vibrations in Modernist American Music.” In Hearing Cultures: Essays on Sound, Listening and Modernity, edited by V. Erlmann, 107–130. Oxford; New York: Berg.
  • Kahn, D. 2013. Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts. Berkeley, CA: University of California Press.
  • Kane, B. 2015. “Sound Studies without Auditory Culture: A Critique of the Ontological Turn.” Sound Studies 1 (1): 2–21. doi:10.1080/20551940.2015.1079063.
  • Lefebvre, H. 2013. Rhythmanalysis: Space, Time and Everyday Life. Translated by Stuart Elden and Gerald Moore. New York: Bloomsbury.
  • Leys, R. 2011. “The Turn to Affect: A Critique.” Critical Inquiry 37 (3): 434–472. doi:10.1086/659353.
  • McDonald, H., E. Grosz, and P. Rothfield. 2006. “Art and Deleuze: A Round Table Interview with Elizabeth Grosz.” Australian and New Zealand Journal of Art 7 (2): 4–22. doi:10.1080/14434318.2006.11432772.
  • Muehsam, D., and C. Ventura. 2014. “Life Rhythm as a Symphony of Oscillatory Patterns: Electromagnetic Energy and Sound Vibration Modulates Gene Expression for Biological Signaling and Healing.” Global Advances in Health and Medicine 3 (2): 40–55. doi:10.7453/gahmj.2014.008.
  • Roosth, S. 2018. “Nineteen Hertz and Below: An Infrasonic History of the Twentieth Century.” Resilience: A Journal of the Environmental Humanities 5 (3): 109–124.
  • Rouget, G. 1985. Music and Trance: A Theory of the Relations between Music and Possession, Translated by B. Biebuyck. Chicago, IL: University of Chicago Press.
  • Schmidt, T. M., S.-K. Chen, and S. Hattar. 2011. “Intrinsically Photosensitive Retinal Ganglion Cells: Many Subtypes, Diverse Functions.” Trends in Neurosciences 34 (11): 572–580. doi:10.1016/j.tins.2011.07.001.
  • Smith, Z. 2014. “Elegy for a Country’s Seasons.” The New York Review of Books, April 3. https://www.nybooks.com/articles/2014/04/03/elegy-countrys-seasons.
  • Staley, R. 2005. “On the Co-creation of Classical and Modern Physics.” Isis 96 (4): 530–558. doi:10.1086/498592.
  • Sterne, J. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.
  • Sterne, J. 2011. “The Theology of Sound: A Critique of Orality.” Canadian Journal of Communication 36: 207–225. doi:10.22230/cjc.2011v36n2a2223.
  • Sterne, J. 2012. “Sonic Imaginations.” In Introduction to the Sound Studies Reader, edited by J. Sterne, 1–18. New York: Routledge.
  • Thompson, M. 2017. “Whiteness and the Ontological Turn in Sound Studies.” Parallax 23 (3): 266–282. doi:10.1080/13534645.2017.1339967.
  • Tresch, J. 2007. “Technological World-Pictures: Cosmic Things and Cosmograms.” Isis 98 (1): 84–99. doi:10.1086/512833.
  • Trower, S. 2012. Senses of Vibration: A History of the Pleasure and Pain of Sound. New York: Continuum.
  • Ventura, C., D. Gullà, A. Milford Graves, R. T. Bergonzoni, and J. von Stietencron. 2017. “Cell Melodies: When Sound Speaks to Stem Cells.” CellR4: Repair, Replacement, Regneration and Reprogramming 5 (2): e2321.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.