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Book Reviews

The sonic episteme: acoustic resonance, neoliberalism, and biopolitics

by Robin James. Duke University Press: Durham and London, 2019, 245 pages. $26.95(PB), 978-1-4780-0664-0

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References

  • Attali, Jacques. 1985. Noise: The Political Economy of Music (Theory and History of Literature Vol. 16). Translated by Brian Massumi. Minneapolis: University of Minnesota Press.
  • James, Robin. 2015. Resilience and Melancholy. London: Zero Books.
  • Kittler, Friedrich. 1999. Gramophone, Film, Typewriter. Translated by Geoffrey Winthrop-Young and Michael Wurtz. Stanford: Stanford University Press.
  • Russel, Legacy. 2013. “Elsewhere, After the Flood: Glitch Feminism and the Genesis of Glitch Body Politics.” Rhizome [Online], March 12, 2013.
  • Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press
  • Sundén, Jenny. 2015. “On trans-, glitch, and gender as a machinery of failure.” First Monday: Peer Reviewed Journal of the Internet [Online], Volume 20, Number 4–6.
  • Weheliye, Alexander. 2005. Phonographies: Grooves in Sonic-Afro Modernity. Durham: Duke University Press.

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