Publication Cover
Sound Studies
An Interdisciplinary Journal
Volume 7, 2021 - Issue 1
361
Views
0
CrossRef citations to date
0
Altmetric
Articles

“Things begin to speak by themselves”: Pierre Schaeffer’s myth of the seashell and the epistemology of sound

ORCID Icon
Pages 100-118 | Received 27 Apr 2020, Accepted 30 Sep 2020, Published online: 12 Oct 2020

References

  • Alloa, E., F. Chouraqui, and R. Kaushik. 2019. “Merleau-Ponty and Contemporary Philosophy: An Introduction.” In Merleau-Ponty and Contemporary Philosophy, edited by E. Alloa, F. Chouraqui, and R. Kaushik, 1–14. Albany: State University of New York Press.
  • Bachelard, G. 1966. Le Rationalisme Appliqué. 3rd ed. Paris: Presses Universitaires de France.
  • Bachelard, G. 1969. The Poetics of Space. Translated by M. Jolas. Boston: Beacon Press.
  • Bachelard, G. 1984. The New Scientific Spirit. Translated by A. Goldhammer. Boston: Beacon Press.
  • Bachelard, G. 2016. The Dialectic of Duration. Translated by M. McAllester Jones. London: Rowman & Littlefield.
  • Bell, J. A. 1998. The Problem of Difference: Phenomenology and Poststructuralism. Toronto: University of Toronto Press.
  • Bonnet, F. J. 2016. The Order of Sounds: A Sonorous Archipelago. Translated by R. Mackay. Falmouth: Urbanomic.
  • Bouveresse, J. 1995. “Philosophy from an Antiphilosopher: Paul Valéry.” Critical Inquiry 21 (2): 354–381. doi:10.1086/448756.
  • Cage, J. 1961. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press.
  • Carson, R. 1955. The Edge of the Sea. Boston: Houghton Mifflin.
  • Chinn, L. 2020. “The Aporia of the Veil: The Influence of Walter Benjamin’s Aura in Contemporary Sound Studies.” Sound Studies 6 (1): 2–13. doi:10.1080/20551940.2019.1709015.
  • Chion, M. 1983. Guide des objets sonores: Pierre Schaeffer et la recherche musicale. Paris: Institut national de l’audiovisuel & Éditions Buchet/Chastel.
  • Chion, M. 2016. Sound: An Acoulogical Treatise. Translated by J. A. Steintrager. Durham: Duke University Press.
  • Chion, M. 2019. “Reflections on the Sound Object and Reduced Listening.” In Sound Objects, edited by J. A. Steintrager and R. Chow, 23–32. Durham: Duke University Press.
  • Chow, R. 2019. “Listening after ‘Acousmaticity’: Notes on a Transdisciplinary Problematic.” In Sound Objects, edited by J. A. Steintrager and R. Chow, 113–129. Durham: Duke University Press.
  • Chukwu, P. 2009. Competing Interpretations of Husserl’s Noema: Gurwitsch versus Smith and McIntyre. New York: Peter Lang.
  • Code, L. 2006. Ecological Thinking: The Politics of Epistemic Location. Oxford: Oxford University Press.
  • Dack, J. 1994. “Pierre Schaeffer and the Significance of Radiophonic Art.” Contemporary Music Review 10 (2): 3–11. doi:10.1080/07494469400640251.
  • Dack, J. 2017. “Pierre Schaeffer’s Treatise on Musical Objects and Music Theory.” In P. Schaeffer, Treatise on Musical Objects: An Essay across Disciplines. translated by C. North and J. Dack, xxix–xxxiv. Oakland: University of California Press.
  • Delalande, F. 2009. “Schaeffer and Research.” In Polychrome Portraits No. 14: Pierre Schaeffer, edited by É. Gayou, 103–107. Paris: Institut national de l’audiovisuel.
  • Deleuze, G. 1990. The Logic of Sense. Translated by M. Lester with C. Stivale. New York: Columbia University Press.
  • Deleuze, G. 1994. Difference and Repetition. Translated by P. Patton. New York: Columbia University Press.
  • Deleuze, G. 1997. Essays Critical and Clinical. Translated by D. W. Smith and M. A. Greco. Minneapolis:University of Minnesota Press.
  • Deleuze, G. 2004. “Desert Islands.” In Desert Islands and Other Texts 1953-1974, edited by D. Lapoujade and translated by M. Taormina, 9–14. Los Angeles: Semiotext(e).
  • Dosse, F. 1997. History of Structuralism, Volume 2: The Sign Sets, 1967-Present. Translated by D. Glassman. Minneapolis: University of Minnesota Press.
  • Doucet, A. 2018. “Shorelines, Seashells, and Seeds: Feminist Epistemologies, Ecological Thinking, and Relational Ontologies.” In The Palgrave Handbook of Relational Sociology, edited by F. Dépelteau, 375–391. London: Macmillan.
  • Drever, J. L. 2019. “‘Primacy of the Ear’ – But Whose Ear?: The Case for Auraldiversity in Sonic Arts Practice and Discourse.” Organised Sound 24 (1): 85–95. doi:10.1017/S1355771819000086.
  • Dreyfus, H. 2014. “The Perceptual Noema: Gurwitsch’s Crucial Contribution.” In Skillful Coping: Essays on Everyday Perception and Action, edited by M. A. Wrathall, 47–75. Oxford: Oxford University Press.
  • Gayou, É. 2007. “The GRM: Landmarks on a Historic Route.” Organised Sound 12 (3): 203–211. doi:10.1017/S1355771807001938.
  • Gurwitsch, A. 1966. Studies in Phenomenology and Psychology. Evanston: Northwestern University Press.
  • Helmreich, S. 2012-13. “Seashell Sound.” Cabinet, 48. http://www.cabinetmagazine.org/issues/48/helmreich.php
  • Hodgkinson, T. 2001. “An Interview with Pierre Schaeffer.” In The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts, edited by D. Rothenberg and M. Ulvaeus, 34–44. Middletown, CT: Wesleyan University Press.
  • Husserl, E. 1965. Phenomenology and the Crisis of Philosophy. Translated by Q. Lauer. New York:Harper & Row.
  • Husserl, E. 1998. Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy: First Book. Translated by F. Kersten. Dordrecht: Kluwer Academic Publishers.
  • Kahn, D. 1990. “Track Organology.” October 55: 67–78. doi:10.2307/778938.
  • Kahn, D. 1999. Noise, Water, Meat: A History of Sound in the Arts. Cambridge, MA: MIT Press.
  • Kaltenecker, M. 2010. “Résonances théologiques de l’écoute chez Pierre Schaeffer.” Droits de Cité, 4. http://droitdecites.org/2010/10/15/kaltenecker
  • Kane, B. 2014. Sound Unseen: Acousmatic Sound in Theory and Practice. Oxford: Oxford University Press.
  • Kane, B. 2014. “The Fluctuating Sound Object.” In Sound Objects, edited by J. A. Steintrager and R. Chow, 57. Durham: Duke University Press.
  • Kane, B. 2015. “Sound Studies without Auditory Culture: A Critique of the Ontological Turn.” Sound Studies 1 (1): 2–21. doi:10.1080/20551940.2015.1079063.
  • Kant, I. 2000. Critique of the Power of Judgement. Translated by P. Guyer and E. Matthews. Cambridge: Cambridge University Press.
  • Kim-Cohen, S. 2009. In the Blink of an Ear: Toward a Non-Cochlear Sound Art. New York: Continuum.
  • Matherne, S. 2018. “Merleau-Ponty on Abstract Thought in Mathematics and Natural Science.” European Journal of Philosophy 26: 780–797. doi:10.1111/ejop.12315.
  • Merleau-Ponty, M. 2007. “Eye and Mind.” In The Merleau-Ponty Reader, edited by T. Toadvine and L. Lawlor. translated by G. Johnson and M. Smith, 351–378. Evanston: Northwestern University Press.
  • Nadrigy, P. 2013. “La Musique Expérimentale Selon Pierre Schaeffer, L’expérience Phénoménologique À L’épreuve Du laboratoire/Experimental Music according to Pierre Schaeffer: Phenomenology Laboratory Conditions.” Tacet 2: 22–57.
  • O’Sullivan, S. 2016. “Myth-Science and the Fictioning of Reality.” Paragrana 25 (2): 80–93. doi:10.1515/para-2016-0030.
  • Osborne, P. 2015. “Problematizing Transdisciplinarity, Transdisciplinary Problematics.” Theory, Culture & Society 325–6: 3–35. doi:10.1177/0263276415592245.
  • Palombini, C. 1993a. “Pierre Schaeffer, 1953: Towards an Experimental Music.” Music and Letters 74 (4): 542–557. doi:10.1093/ml/74.4.542.
  • Palombini, C. 1993b. “Pierre Schaeffer’s Typo-Morphology of Sonic Objects.” PhD dissertation., Durham University. http://etheses.dur.ac.uk/1191/
  • Pierret, M. 1969. Entretiens avec Pierre Schaeffer. Paris: P. Belfond.
  • Rheinberger, H.-J. 2010. On Historicizing Epistemology: An Essay. Translated D. Fernbach. Stanford: Stanford University Press.
  • Robinson-Valéry, J. 1999. “The Fascination of Science.” In Reading Paul Valéry: Universe in Mind, edited by P. Gifford and B. Stimpson, 70–84. Cambridge: Cambridge University Press.
  • Ryder, R. 2007. “Walter Benjamin’s Shell-shock: Sounding the Acoustical Unconscious.” New Review of Film and Television Studies 5 (2): 135–155. doi:10.1080/17400300701432811.
  • Schaeffer, J., and É. Gayou. 2009. “Living with a Tireless Thinker.” In Polychrome Portraits No. 14: Pierre Schaeffer, edited by É. Gayou, 77–81. Paris: Institut national de l’audiovisuel.
  • Schaeffer, P. 1966. Traité des objets musicaux: Essai interdisciplines. Paris: Éditions du Seuil.
  • Schaeffer, P. 1970. Machines à communiquer 1. Genèse des simulacres. Paris: Éditions du Seuil.
  • Schaeffer, P. 2012. Search of a Concrete Music. Translated by C. North and J. Dack. Berkeley: University of California Press.
  • Schaeffer, P. 2017. Treatise on Musical Objects: An Essay across Disciplines. Translated by C. North and J. Dack. Oakland: University of California Press.
  • Smith, D. W. 2007. Husserl. London: Routledge.
  • Solomos, M. 2008. “Bruits « entonnés » et sons « convenables »: Russolo et Schaeffer ou la domestication des bruits.” Filigrane. Musique, esthétique, sciences, société 7, Musique et bruit 133–157.
  • Steintrager, J. A., and R. Chow. 2019. “Sound Objects: An Introduction.” In Sound Objects, edited by J. A. Steintrager and R. Chow, 1–19. Durham: Duke University Press.
  • Teruggi, D. 2007. “Technology and Musique Concrète: The Technical Developments of the Groupe De Recherches Musicales and Their Implication in Musical Composition.” Organised Sound 12 (3): 213–331. doi:10.1017/S1355771807001914.
  • Teruggi, D. 2017. “The Treatise on Musical Objects and the GRM.” In P. Schaeffer Treatise on Musical Objects: An Essay across Disciplines. Translated by C. North and J. Dack, xv–xix. Oakland: University of California Press.
  • Valéry, P. 1977. Paul Valéry: An Anthology. Translated by J. Mathews and edited J. R. Lawler. London:Routledge & Kegan Paul.
  • Valiquet, P. 2017. “Hearing the Music of Others: Pierre Schaeffer’s Humanist Interdiscipline.” Music & Letters 98 (2): 255–280. doi:10.1093/ml/gcx052.
  • Zahavi, D. 2017. Husserl’s Legacy: Phenomenology, Metaphysics, and Transcendental Philosophy. Oxford: Oxford University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.