https://orcid.org/0000-0002-5788-2089
References
- Bates, Eliot. 2012. “The Social Life of Musical Instruments.” Ethnomusicology 56 (3): 363–395. doi:10.5406/ethnomusicology.56.3.0363.
- Bijker, Wiebe E., Thomas P. Hughes, Trevor Pinch, and Deborah G. Douglas, eds. 2012. The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology. 2nd ed. Cambridge, MA: MIT Press.
- Chude-Sokei, Louis. 2015. The Sound of Culture: Diaspora and Black Technopoetics. Middletown, CT: Wesleyan University Press.
- Devine, Kyle. 2019. Decomposed: The Political Ecology of Music. Cambridge, MA: MIT Press.
- Hiller, James. 1992. “Sneakernet: Getting a Grip on the Security Problems in the World’s Largest Network.” EDPACS 19 (11): 1–15. doi:10.1080/07366989209451296.
- Hughes, Thomas. 1983. Networks of Power: Electrification in Western Society, 1880–1930. Baltimore, MD: Johns Hopkins University Press.
- Nakamura, Lisa. 2014. “Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture.” American Quarterly 66 (4): 919–941. doi:10.1353/aq.2014.0070.
- Pinch, Trevor, and Frank Trocco. 2004. Analog Days: The Invention and Impact of the Moog Synthesizer. Cambridge, MA: Harvard University Press.
- Sterne, Jonathan. 2012. MP3: The Meaning of a Format. Durham, NC: Duke University Press.
- Straw, Will. 2012. ““Music and Material Culture.” In The Cultural Study of Music: A Critical Introduction, edited by Martin Clayton, Trevor Herbert, and Richard Middleton, 227–36. New York, NY: Routledge.
- Vagnerova, Lucie. 2017. “Nimble Fingers in Electronic Music: Rethinking Sound through Neo- Colonial Labour.” Organised Sound 22 (2): 250–258. doi:10.1017/S1355771817000152.
- Waksman, Steve. 1999. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, MA: Harvard University Press.
- Weheliye, Alexander G. 2005. Phonographies: Grooves in Sonic Afro-Modernity. Durham, NC: Duke University Press.