Publication Cover
Sound Studies
An Interdisciplinary Journal
Volume 8, 2022 - Issue 2
357
Views
0
CrossRef citations to date
0
Altmetric
Articles

Virgin Forest and the “Intrusion” of Gaïa: ecomusicological questions, relational listening, and the music of Lionel Loueke of Benin

Pages 196-218 | Received 22 Jan 2022, Accepted 27 Jun 2022, Published online: 17 Jul 2022

References

  • Adegbite, Ademola. 1991. “The Concept of Sound in Traditional African Religious Music.” Journal of Black Studies 22 (1): 45–54. doi:10.1177/002193479102200105.
  • Allen, Aaron S. 2011. “Prospects and Problems for Ecomusicology in Confronting a Crisis of Culture.” Journal of the American Musicological Society 64 (2): 414–419. doi:10.1525/jams.2011.64.2.414.
  • Allen, Aaron S. 2016. “Ecomusicology between Poetic and Practical”. In Handbook for Ecocriticism and Cultural Ecology, edited by Hubert Zapf, 644–663. Berlin: De Gruyter.
  • Allen, Aaron S., and Kevin Dawe. 2015. “Ecomusicologies.” In Current Directions in Ecomusicology: Music, Culture, Nature, edited by Allen and Dawe, 1–16. New York: Routledge.
  • The Bee Gees. 1977. How Deep is Your Love.” In Saturday Night Fever. London: RSO. LP.
  • Bijisterveld, Karin. 2019. Sonic Skills: Listening for Knowledge in Science, Medicine, and Engineering (1920s-Present). London: Palgrave Macmillan.
  • Born, Georgina. 2010. “For a Relational Musicology: Music and Interdisciplinarity beyond the Practice Turn.” Journal of the Royal Musical Association 135 (2): 205–243. doi:10.1080/02690403.2010.506265.
  • Born, Georgina. 2012. “Digital Music, Relational Ontologies and Social Forms.” In Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity, edited by Deniz Peters, et al., 163–180. New York: Taylor & Francis.
  • Britton, Celia. 1999. Edouard Glissant and Postcolonial Theory: Strategies of Language and Resistance. Richmond: University of Virginia Press.
  • Browning, Joseph. 2017. “Mimesis Stories: Composing New Nature Music for the Shakuhachi.” Ethnomusicology Forum 26 (2): 171–192. doi:10.1080/17411912.2017.1350113.
  • Callicott, J. Baird, and James McRae, eds. 2014. Environmental Philosophy in Asian Traditions of Thought. Albany: State University of New York Press.
  • Chen, Pi-yen. 2001. “Sound and Emptiness: Music, Philosophy, and the Monastic Practice of Buddhist Doctrine.” History of Religions 41 (1): 24–48. doi:10.1086/463658.
  • Cook, Nicholas. 2012. “Anatomy of the Encounter: Intercultural Analysis as Relational Musicology.” In Critical Musicological Reflections: Essays in Honour of Derek B. Scott, edited by Stan Hawkins, 193–208. New York: Taylor & Francis.
  • Curtin, Deane. 2014. “Dogen, Deep Ecology, and the Environmental Self.” In Environmental Philosophy in Asian Traditions of Thought, edited by J. Baird Callicott and James McRae, 267–289. Albany: State University of New York Press.
  • Darlington, Susan M. 2017. “Contemporary Buddhism and Ecology.” In The Oxford Handbook of Contemporary Buddhism, edited by Michael Jerryson, 487–503. New York: Oxford University Press.
  • de Castro, Eduardo Vivieros. 2014. Cannibal Metaphysics: For a Poststructural Anthropology, edited by Peter Skafish, Minneapolis: Univocal.
  • Dessi, Ugo. 2013. “‘Greening Dharma’: Contemporary Japanese Buddhism and Ecology.” Journal for the Study of Religion, Nature and Culture 7 (3): 334–355. doi:10.1558/jsrnc.v7i3.334.
  • Dirksen, Rebecca. 2018. “Haiti, Singing for the Land, Sea, and Sky: Cultivating Ecological Metaphysics and Environmental Awareness through Music.” MUSICultures 45 (1–2): 112–135.
  • Edwards, James Rhys. 2016. “Critical Theory in Ecomusicology.” In Current Directions in Ecomusicology: Music, Culture, Nature, edited by Aaron S. Allen and Kevin Dawe, 109–121. New York: Routledge.
  • English, Lawrence. 2017. “Relational Listening: A Politics of Perception.” Contemporary Music Review 36 (3): 127–142. doi:10.1080/07494467.2017.1395141.
  • Feld, Steven. 1996. “Pygmy POP: A Genealogy of Schizophonic Mimesis.” Yearbook for Traditional Music 28: 1–35. doi:10.2307/767805.
  • Feld, Steven. 2015. “Acoustemology.” In Keywords in Sound, edited by David Novak and Matt Sakakeeny, 11–21. Durham: Duke University Press.
  • Glissant, Edouard. 1997 [1990]. Poetics of Relation. Trans. Betsy Wing. Ann Arbor: University of Michigan Press
  • Hagood, Mack. 2019. Hush: Media and Sonic Self-Control. Durham: Duke University Press.
  • Hancock, Herbie, Daisaku Ikeda, and Wayne Shorter. 2017. Reaching Beyond: Improvisations on Jazz, Buddhism, and a Joyful Life. Santa Monica, Calif: World Tribune Press.
  • Haraway, Donna. 2016. Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press.
  • Huron, David. 2008. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Mass: MIT Press.
  • Ikeda, Daisaku. 2002. “The Challenge of Global Empowerment: Education for a Sustainable Future.” http://www.sgi.org/sgi-president/proposals/environmental-proposal.html
  • Impey, Angela. 2013. “Songs of Mobility and Belonging: Gender, Spatiality, and the Local in Southern Africa’s Transfrontier Conservation Development.” Interventions 15 (2): 255–271. doi:10.1080/1369801X.2013.798475.
  • Impey, Angela 2018. Song Walking: Women, Music, and Environmental Justice in an African Borderland. Chicago: University of Chicago Press.
  • Jackson, David C. 2017. “The Sonic Anthropocene: Dark Ecological Soundscapes in Chris Watson’s ‘Vatnajökull’.” Evental Aesthetics 43: 43–62.
  • Kassabian, Anahid. 2013. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. Berkeley: University of California Press.
  • Koudjo, Bienvenu. 1988. “Parole et Musique Chez les Fon et les Guns du Benin: Pour Une Nouvelle Taxonomie de la Parole Litteraire.” Journal des Africanistes 58 (2): 73–97. doi:10.3406/jafr.1988.2262.
  • Loueke, Lionel. 2006. Virgin Forest. New York: ObliqSound. iTunes album includes behind-the-scenes video footage.
  • Loueke, Lionel. 2015. Gaïa. New York: Blue Note. Compact disc.
  • Lovelock, J. E., and L. Margulis. 1974. ”Atmospheric Homeostasis by and for the Biosphere: The Gaia Hypothesis“ Tellus. Series A. 26 (1–2): 2–10. Stockholm: International Meteorological Institute.
  • Mabbett, Ian W. [1993] 1994. “Buddhism and Music.” Asian Music 25 (1/2): 9–28. doi:10.2307/834188.Mackenzie, Adrian. 2002. Transductions: Bodies and Machines at Speed. London: Continuum.
  • Mark, Andrew. 2016. “Don’t Organize, Mourn: Environmental Loss and Musicking.” Ethics and the Environment 21 (2): 51–77. doi:10.2979/ethicsenviro.21.2.03.
  • Mediohouan, Guy Ossito. 1993. “Vodun et Littérature au Benin.” Canadian Journal of African Studies 27 (2): 245–258.
  • Monson, Ingrid. 2018. “In Praise of Eclecticism: Relational Thinking and Theoretical Assemblage.” Current Musicology 102: 191–207.
  • Morton, Timothy. 2007. Ecology Without Nature: Rethinking Environmental Aesthetics. Cambridge: Harvard University Press.
  • Morton, Timothy. 2016. Dark Ecology: For a Logic of Future Coexistence. New York: Columbia University Press.
  • Moten, Fred. 2017. Black and Blur. Durham: Duke University Press.
  • Norton, Ben. 2019. “Thin Green Line: Environmental Politics and Punk Music.” Ecomusicology Review 7. https://ecomusicology.info/thin-green-line-environmental-politics-and-punk-music/
  • Novak, David, and Matt Sakakeeny, eds. 2015. Keywords in Sound. Durham: Duke University Press.
  • Ochoa Gautier, Ana Maria. 2016. “Acoustic Multinaturalism, the Value of Nature, and the Nature of Music in Ecomusicology.” Boundary 2 43 (1): 107–141. doi:10.1215/01903659-3340661.
  • Odin, Steve. 2014. “The Japanese Concept of Nature in Relation to the Environmental Ethics and Conservation Aesthetics of Aldo Leopold.” In Environmental Philosophy in Asian Traditions of Thought, edited by J. Baird Callicott and James McRae, 345–360. Albany: State University of New York Press.
  • Oliveros, Pauline. 2005. Deep Listening: A Composer’s Sound Practice. New York: iUniverse.
  • Pedelty, Mark. 2016. Ecomusicology: Rock, Folk, and the Environment. Philadelphia: Temple University Press.
  • Politz, Sarah. 2018. “‘People of Allada, This is Our Return’: Indexicality, Multiple Temporalities, and Resonance in the Music of the Gangbe Brass Band of Benin.” Ethnomusicology 62 (1): 28–57.
  • Rehding, Alexander. 2011. “Ecomusicology between Apocalypse and Nostalgia.” Journal of the American Musicological Society 64 (2): 409–414. doi:10.1525/jams.2011.64.2.409.
  • Riedel, Friedlind and Juha Torvinen. 2020. Music as Atmosphere: Collective Feelings and Affective Sounds. New York: Routledge.
  • Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press.
  • Rothenberg, David. 2002. Sudden Music: Improvisation, Sound, Nature. Athens: University of Georgia Press.
  • Rush, Dana. 2017. Vodun in Coastal Benin: Unfinished, Open-Ended, Global. Nashville: Vanderbilt University Press.
  • Ryan, Robin Ann. 2020. “Integrating the Musical, the Natural, and the Improvised: David Rothenberg and Multispecies Musicking.” Jazz Education in Research and Practice 1 (1): 167–184. doi:10.2979/jazzeducrese.1.1.12.
  • Savage, John, William Gibson, Gee Vaucher, Linder Sterling, and Johan Kugelberg. 2012. Punk: An Aesthetic. New York: Rizzoli.
  • Seeger, Anthony. 2016. ”Natural Species, Sounds, and Humans in Lowland South America: The Kĩsêdjê/suyá, Their World, and the Nature of Their Musical Experience.” In Current Directions in Ecomusicology, edited by Aaron S. Allen and Kevin Dawe. New York: Routledge.
  • Soka Gakkai. 2021. “Dependent Origination.” The Soka Gakkai Dictionary of Buddhism. https://www.nichirenlibrary.org/en/dic/Content/D/29
  • Stengers, Isabelle. 2015. In Catastrophic Times: Resisting the Coming Barbarism. Translated by Andrew Goffey. London: Open Humanities Press. First published in French in 2009 as Au temps des catastrophes: Resister à la barbarie qui vient. http://openhumanitiespress.org/books/titles/in-catastrophic-times
  • Suzuki, Shunryu. [1970] 2002. Zen Mind, Beginner’s Mind. Fifth Printing. New York & Tokyo: Weatherhill, .
  • Sykes, Jim. 2019. “Sound Studies, Difference, and Global Contact History.” In Remapping Sound Studies, eds. Gavin Steingo and Sykes. Durham: Duke University Press.
  • Titus, Olusegun. 2019. “Ecomusicology, Indigenous Knowledge and Environmental Degradation in Ibadan, Nigeria.” African Music 11 (1): 72–90. doi:10.21504/amj.v11i1.2293.
  • Titus, Olusegun, and Rachel Titus. 2017. “Jimi Solanke and Ebenezer Obey’s Music on Environmental Degradation and Flood Disaster in Ibadan, Nigeria.” Polymath: An Interdisciplinary Arts and Sciences Journal 7 (2): 111–130.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.