Listening to interruptions: sonic dominance and sonic norms

References

• Alex G. 2022. Alex G - Blessing (Official Video). https://www.youtube.com/watch?v=PElHOpvqRK4
   Google Scholar
• Althusser, Louis. [1970] 2006. “Ideology and Ideological State Apparatuses (Notes Towards an Investigation).” In The Anthropology of the State: A Reader, edited by Aradhana Sharma and Aradhana Sharma, 86–111. Malden, MA: Blackwell.
   Google Scholar
• Anderson, Ben. 2009. “Affective Atmospheres.” Emotion, Space and Society 2 (2): 77–81. doi:10.1016/j.emospa.2009.08.005.
   Google Scholar
• Attali, Jacques. [1977] 2009. Noise: The Political Economy of Music. Translated by Brian Massumi. Minneapolis: University of Minnesota Press.
   Google Scholar
• Bennett, Jessica. 2015. “How Not to Be ‘Manterrupted’ in Meetings.” Time, 20 January 2015. https://time.com/3666135/sheryl-sandberg-talking-while-female-manterruptions/
   Google Scholar
• Bentham, Jeremy. 1791. Panopticon; Or, the Inspection House. London: T. Payne. http://archive.org/details/panopticonorins00bentgoog
   Google Scholar
• Bourdieu, Pierre. [1980] 1990. The Logic of Practice. Translated by Richard Nice. Stanford: Stanford University Press.
   Google Scholar
• Bourdieu, Pierre. 1987. “The Force of Law: Toward a Sociology of the Juridical Field.” The Hastings Law Journal 38 (5): 49.
   Web of Science ®Google Scholar
• Chung, Andrew J. 2021. “Music as Sexual Violence? Investigating the Case of Bar/Club-Based Sex Trafficking and Sonic Harm.” Sound Studies 7 (1): 3–23. doi:10.1080/20551940.2020.1746545.
   Google Scholar
• Clarke, John, Stuart Hall, Tony Jefferson, and Brian Roberts. [1975] 2006. “Subcultures, Cultures and Class.” In Resistance through Rituals: Youth Subcultures in Post-War Britain, edited by Stuart Hall and Tony Jefferson, 2nd ed., 3–59. London: Routledge.
   Google Scholar
• Cloonan, Martin, and Bruce Johnson. 2002. “Killing Me Softly with His Song: An Initial Investigation into the Use of Popular Music as a Tool of Oppression.” Popular Music 21 (1): 27–39. doi:10.1017/S0261143002002027.
   Google Scholar
• Coleman, Elizabeth Burns, Shen-yi Liao, Erich Hatala Matthes, Alexus McLeod, Olúfẹ́mi O. Táíwò Matthew Strohl, and James O. Young. 2018. “Artworld Roundtable: Is Cultural Appropriation Ever Okay?” Aesthetics for Birds (blog). 22 August 2018. https://aestheticsforbirds.com/2018/08/22/artworld-roundtable-is-cultural-appropriation-ever-okay/
   Google Scholar
• Constantine, Madonna G., Rebecca M. Redington Laura Smith, and Delila Owens. 2008. “Racial Microaggressions against Black Counseling and Counseling Psychology Faculty: A Central Challenge in the Multicultural Counseling Movement.” Journal of Counseling & Development 86 (3): 348–355. doi:10.1002/j.1556-6678.2008.tb00519.x.
   Web of Science ®Google Scholar
• Cusick, Suzanne. 2006. “Music as Torture/Music as Weapon.” Transcultural Music Review 10. https://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon
   Google Scholar
• Cusick, Suzanne. 2008. “‘You are in a Place that Is Out of the World’: Music in the Detention Camps of the ‘Global War on Terror’.” Journal of the Society for American Music 2 (1): 1–26. doi:10.1017/S1752196308080012.
   Web of Science ®Google Scholar
• Dewey, John, and James Hayden Tufts. 1909. Ethics. New York: Henry Holt and Company. https://www.gutenberg.org/ebooks/39551
   Google Scholar
• Durkheim, Emile. [1912] 1968. The Elementary Forms of the Religious Life. Translated by Joseph Ward Swain. London: George Allen & Unwin.
   Google Scholar
• Dyson, Frances. 1994. “The Genealogy of the Radio Voice.” In Radio Rethink: Art, Sound, and Transmission, edited by Daina Augaitis and Dan Lander, 167–186. Banff: Banff Centre Press.
   Google Scholar
• Eilish, Billie. 2019. Billie Eilish - Bury a Friend. https://www.youtube.com/watch?v=HUHC9tYz8ik
   Google Scholar
• Erlmann, Veit. 2017. “Unsound.” In A Companion to Critical and Cultural Theory, edited by Imre Szeman, Sarah Blacker, and Justin Sully, 1st ed., 357–369.Oxford:John Wiley & Sons, . doi:10.1002/9781118472262.ch22.
   Google Scholar
• Foucault, Michel. [1978] 2007. Security, Territory, Population: Lectures at the Collège de France, 1977-78, edited by Michel Senellart, François Ewald, and Alessandro Fontana. New York: Palgrave Macmillan.
   Google Scholar
• Freire, Paulo. [1968] 2014. Pedagogy of the Oppressed. 30th anniversary ed. New York: Bloomsbury Publishing USA.
   Google Scholar
• Gendler, Tamar Szabó. 2000. “The Puzzle of Imaginative Resistance.” The Journal of Philosophy 97 (2): 55–81. doi:10.2307/2678446.
   Web of Science ®Google Scholar
• Goffman, Erving. [1974] 1986. Frame Analysis: An Essay on the Organization of Experience. Boston: Northeastern University Press.
   Google Scholar
• Gonzalez, Jordi Roquer. 2018. “Sound Hyperreality in Popular Music: On the Influence of Audio Production in Our Sound Expectations.” In Sound in Motion: Cinema, Videogames, Technology and Audiences, edited by Enrique Encabo, 16–39. Newcastle upon Tyne: Cambridge Scholars Publishing.
   Google Scholar
• Goodman, Steve. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, MA: MIT Press.
   Google Scholar
• Gordon, Edwin. 2007. Learning Sequences in Music: A Contemporary Music Learning Theory. Chicago: GIA Publications.
   Google Scholar
• Guattari, Félix. [1964] 2015. “Transversality.” In Psychoanalysis and Transversality: Texts and Interviews 1955–1971, edited by Ames Hodges, 102–120. Semiotext(e)/Foreign Agents. Cambridge, MA: Semiotext(e).
   Google Scholar
• Helbing, Dirk. 1991. “A Mathematical Model for the Behavior of Pedestrians.” Behavioral Science 36 (4): 298–310. doi:10.1002/bs.3830360405.
   Google Scholar
• Hendrix, Jimi. [1969] 2013. Jimi Hendrix - Star Spangled Banner (Denver Pop 1969) (Pseudo Video). https://www.youtube.com/watch?v=HwbYmcuuLJk
   Google Scholar
• Henriques, Julian. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing. New York: Continuum.
   Google Scholar
• Hobbes, Thomas. 1651. 1909. Hobbes’s Leviathan, edited by William George Pogson Smith. Oxford: Clarendon. http://archive.org/details/hobbessleviathan00hobbuoft
   Google Scholar
• Johnstone, Keith. [1979] 1987. Impro: Improvisation and the Theatre. 1st ed. New York: Routledge.
   Google Scholar
• Kahn, Douglas. 1997. “John Cage: Silence and Silencing.” The Musical Quarterly 81 (4): 556–598. doi:10.1093/mq/81.4.556.
   Web of Science ®Google Scholar
• Kislov, V. V., and I. V. Taranov. 1991. “Electromagnetic Ecology and Waves in Nonlinear Electromagnetics.” In Environmental and Space Electromagnetics, edited by Hiroshi Kikuchi, 367–372. Tokyo: Springer Japan. https://doi.org/10.1007/978-4-431-68162-5_37
   Google Scholar
• Kraugerud, Emil. 2020. “Come Closer: Acousmatic Intimacy in Popular Music Sound.” PhD Dissertation, Oslo: University of Oslo. https://www.duo.uio.no/handle/10852/83699
   Google Scholar
• Krause, Bernard L. 1993. “The Niche Hypothesis: A Virtual Symphony of Animal Sounds, the Origins of Musical Expression and the Health of Habitats.” The Soundscape Newsletter 6: 6–10. https://www.researchgate.net/publication/295609070_The_niche_hypothesis
   Google Scholar
• Lalonde, Dianne. 2021. “Does Cultural Appropriation Cause Harm?” Politics, Groups, and Identities 9 (2): 329–346. doi:10.1080/21565503.2019.1674160.
   Web of Science ®Google Scholar
• Levitin, Daniel J. 2006. This Is Your Brain on Music. New York: Dutton.
   Google Scholar
• Marine, Joe 2015. “How the Filmmakers behind Sundance Hit ‘Tangerine’ Shot on an IPhone & Got Cinematic Results.” No Film School (blog). 23 July 2015. https://nofilmschool.com/2015/07/tangerine-sundance-iphone-5s-sean-baker-radium-cheung-interview
   Google Scholar
• Mauss, Marcel, and W. D. Halls. [1950] 2002. The Gift: The Form and Reason for Exchange in Archaic Societies. London: Routledge.
   Google Scholar
• McCartney, Andra. 2016. “Ethical Questions about Working with Soundscapes.” Organised Sound 21 (2): 160–165. doi:10.1017/S135577181600008X.
   Web of Science ®Google Scholar
• Milliman, Ronald E. 1982. “Using Background Music to Affect the Behavior of Supermarket Shoppers”. Journal of Marketing 46 (3): 86–91. doi:10.1177/002224298204600313.
   Web of Science ®Google Scholar
• Mulvey, Laura. [1975] 2014. “Visual Pleasure and Narrative Cinema (UK, 1975)”. In Film Manifestos and Global Cinema Cultures: A Critical Anthology, edited by MacKenzie Scott, 359–370. Berkeley and Los Angeles: University of California Press.
   Google Scholar
• Newen, Albert, De Bruin Leon, and Shaun Gallagher. 2018. ““4E Cognition: Historical Roots, Key Concepts, and Central Issues”. Edited by Albert Newen, Leon de Bruin, and Shaun Gallagher.” The Oxford Handbook of 4E Cognition 1: 3–15.
   Google Scholar
• O’Callaghan, James. 2018. “Spectral Music and the Appeal to Nature.” Twentieth-Century Music 15 (1): 57–73. doi:10.1017/S1478572218000063.
   Web of Science ®Google Scholar
• Patton, Dana, and Joseph L Smith. 2017. “Lawyer, Interrupted: Gender Bias in Oral Arguments at the US Supreme Court.” Journal of Law and Courts 5 (2): 337–361. doi:10.1086/692611.
   Web of Science ®Google Scholar
• Pierce, Chester M. 1970. “Offensive Mechanisms.” In The Black Seventies, edited by Floyd B. Barbour, 265–282. Boston: P. Sargent. https://archive.org/details/blackseventies00barb/page/n1/mode/2up
   Google Scholar
• Priest, Eldritch. 2018. “Earworms, Daydreams and Cognitive Capitalism.” Theory, Culture & Society 35 (1): 141–162. doi:10.1177/0263276416667200.
   Web of Science ®Google Scholar
• Radigue, Eliane. [1969–70] 2012. Feedback Works. https://elianeradigue.bandcamp.com/album/feedback-works-1969-1970
   Google Scholar
• Schafer, R. Murray. [1977] 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books.
   Google Scholar
• Shepherd, John, and Peter Wicke. 1997. Music and Cultural Theory. Cambridge: Polity.
   Google Scholar
• Signal, Federal. 2022. “Rumbler® Low-Frequency Siren for Police Vehicles.” Product Site. Federal Signal. 2022. https://www.fedsig.com/product/rumbler
   Google Scholar
• Smalley, Denis. 1986. “Spectro-Morphology and Structuring Processes.” In The Language of Electroacoustic Music, edited by Simon Emmerson, pp. 61–93. Houndmills: Palgrave Macmillan.
   Google Scholar
• Spivak, Gayatri Chakravorty. 1999. A Critique of Postcolonial Reason: Toward a History of the Vanishing Present. Cambridge, MA: Harvard University Press.
   Google Scholar
• Strauss, Eli D., James P. Curley, Daizaburo Shizuka, and Elizabeth A. Hobson. 2022. “The Centennial of the Pecking Order: Current State and Future Prospects for the Study of Dominance Hierarchies.” Philosophical Transactions of the Royal Society B: Biological Sciences 377 (1845): 20200432. doi:10.1098/rstb.2020.0432.
   PubMed Web of Science ®Google Scholar
• System of a Down. [2001] 2014. Prison Song. https://www.youtube.com/watch?v=s7ZsYe5Uwg0
   Google Scholar
• Turner, Victor. 1974. “Liminal to Liminoid, in Play, Flow, and Ritual: An Essay in Comparative Symbology.” Rice Institute Pamphlet-Rice University Studies 60: 3.
   Google Scholar