References
- Abe, M. 2018. Resonances of Chindon-Ya: Sounding Space and Sociality in Contemporary Japan. Middletown, CT: Wesleyan University Press.
- Cardoso, L. 2019. Sound-Politics in São-Paulo. Oxford: Oxford University Press.
- Chávez, A. E. 2017. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham, NC: Duke University Press.
- Eidsheim, N. S. 2018. The Race of Sound: Listening, Timbre, and Vocality in African American Music. Durham, NC: Duke University Press.
- Erlmann, V. 2010. Reason and Resonance: A History of Modern Aurality. New York: Zone Books.
- Fisher, D. 2016. The Voice and Its Double: Music and Media in Northern Australia. Durham, NC: Duke University Press.
- Ochoa Gautier, A. M. 2014. Aurality: Listening and Knowledge in Nineteenth-Century Colombia. Durham, NC: Duke University Press.
- Peterson, M. 2021. Atmospheric Noise: The Indefinite Urbanism of Los Angeles. Durham, NC: Duke University Press.
- Sterne, J. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.
- Stoever, J. L. 2016. The Sonic Color Line: Race and the Cultural Politics of Listening. New York: New York University Press.