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Book Reviews

Forensic listening in the artwork of Lawrence Abu Hamdan

Lawrence Abu Hamdan: dirty evidence, edited by Fabian Schoneich, Stockholm, Bonniers Konsthall & Lenz Press, 2021, HC, 256 pp., 19 x 25 cm, ISBN 979-12-80579-08-9

References

  • Bois, Yve-Alain, Feher Michel, Foster Hal, and Eyal Weizman. 2016. “On Forensic Architecture: A Conversation with Eyal Weizman.” October 156 (156): 116–140. https://doi.org/10.1162/OCTO_a_00254.
  • Douglas, Mary. (1966) 2022. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London: Routledge.
  • Finchett-Maddock, Lucy. 2019. “Forming the Legal Avant-Garde: A Theory of Art/Law.” Law, Culture and the Humanities 1–32. https://doi.org/10.2139/ssrn.3298417.
  • Kelly, Caleb. 2023. “Dirt(y) Media: Dirt in Ecological Media Art Practices.” European Journal of Cultural Studies 26 (1): 31–46. https://doi.org/10.1177/13675494211036964.
  • Packer, James, and Joel Stern. 2019. “Eavesdropping.” In Eavesdropping: A Reader, edited by James Packer and Joel Stern. Wellington, NZ: City Gallery Wellington.
  • Parker, James E. K. 2021. “Listening About Law in the Sonic Arts: John Cage’s 4’33” and Lawrence Abu Hamdan’s Saydnaya (The Missing 19dB).” In Routledge Handbook of International Law and the Humanities, edited by Shane Chalmers and Sundhya Pahuja, 104–118. New York: Routledge.
  • Parsley, Connal. 2022. “Contemporary Art in the Aftermath of Legal Positivism: The ‘Other’ Contract Art as Material Jurisprudence.” Pólemos 16 (2): 247–270. https://doi.org/10.1515/pol-2022-2016.

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