References
- Batchen, Geoffrey. 2006. ‘Art Since 1900: Review.’ The Art Bulletin 88 (2): 376–367.
- Bourriaud, Nicolas. 2009. ‘Altermodernism.’ In Tate Triennial, edited by Nicolas Bourriaud, 1–14. London: Tate Publishing.
- Burn, Ian, and Nigel Lendon. 1984. ‘Purity, Style, Amnesia.’ In Dialogue: Writings in Art History, 94–100. Sydney: Allen & Unwin, 1991.
- Burn, Ian, Nigel Lendon, Charles Merewether, and Ann Stephen. 1988. ‘The Provincialism Debates.’ In The Necessity of Australian Art: An Essay about Interpretation, 104–126. Sydney: Power Publications.
- Burn, Ian. 1984. ‘Sidney Nolan: Landscape and Modern Life.’ In Dialogue: Writings in Art History, edited by. Sydney: Allen & Unwin, 1991.
- Butler, Rex, and A.D.S. Donaldson. 2009. ‘Outside In: Against a History of Reception.’ Art and Australia 46 (3): 433–437.
- Butler, Rex, and A.D.S. Donaldson. 2013. ‘Bernard Smith's Real Choice: Surrealism or Abstraction 1930–1950.’ Eyeline 78/79: 64–71.
- Butler, Rex. 2013. ‘“Introduction: Bernard Smith and ‘The Myth of Isolation.”’ Eyeline 78/79: 50–51.
- Enwezor, Okwui. 2009. Response to Questionnaire on ‘The Contemporary.’ October, 130: 33–39.
- Foster, Hal, Rosalind Krauss, Yve-Alain Bois, and Benjamin H.D. Buchloh. 2005. Art Since 1900: Modernism, Antimodernism, Postmodernism. London: Thames & Hudson.
- McLean, Ian. 2011. ‘Reverse Perspective: Bernard Smith's Worldview and the Cosmopolitan Imagination.’ Journal of Art Historiography 4: 1–17.
- Smith, Terry. 1974. ‘The Provincialism Problem.’ Artforum 13 (1): 54–59.
- Smith, Terry. 2011. ‘Inside Out, Outside In: Changing Perspectives in Australian Art Historiography.’ Journal of Art Historiography 4: 1–13.
- Stephen, Ann, Andrew McNamara, and Philip Goad, eds. 2006. Modernism and Australia: Documents on Art, Design and Architecture 1917–1967. Melbourne: The Miegunyah Press.
![Supercharge Your Next Research Paper: Research and write your next paper with Jenni AI.]({"type":"image" , "src" : "/sda/112441/MPU-humanities-jenniai.png"})