Posthistorical traditions in art, design, and architecture in 1950s Japan

References

• Hara Hiroshi, Tsuji Yasutaka, and Ken Tadashi Oshima. 2012. Oral history interview with Hara Hiroshi, conducted by Tsuji Yasutaka and Ken Tadashi Oshima, 9 August 2012. Oral History Archives of Japanese Art, http://www.oralarthistory.org], accessed 30 May 2015.
   Google Scholar
• Hariu Ichirō, Sawaragi Noi, Kuraya Mika, Kawata Akihisa, Hirase Reita and Ōtani Shōgo, eds. 2007. Sensō to bijutsu 1937–1945 [Art in wartime Japan 1937–1945]. Tokyo: Kokusho Kankōkai.
   Google Scholar
• Hasegawa Saburō. 1940. Koten wa wareware no mono dearu [Classics are ours]. Jiyū Bijutsu 2: 1.
   Google Scholar
• Hobsbawm, Eric, and Terence Ranger, eds. 1983. The Invention of Tradition. Cambridge: Cambridge University Press.
   Google Scholar
• Horiguchi Sutemi. 1978. Kenchiku ni okeru Nihon teki na mono [Japaneseness in architecture]. In Kenchiku ronsō [Collected essays on architecture], 235–49. Tokyo: Kashima Shuppan Kai.
   Google Scholar
• Isozaki Arata. 2011. Japan-ness in Architecture, translated by Sabu Kohso and edited by David B. Stewart. Cambridge, MA: MIT Press.
   Google Scholar
• Itō Chūta. 1909. Kenchiku shinka no gensoku yori mitari wagakuni kenchiku no zento [The future of our country's architecture seen from the principle of evolution in architecture]. Kenchiku Zasshi 23(265): 4–32. Reprinted in 1973 as an excerpt in Nihon kenchiku sengen bunshū [Collected Japanese architectural manifestos], edited by Fujii Shoichirō and Yamaguchi Hiroshi, 22–31. Tokyo: Shōkokusha.
   Google Scholar
• Iwata Tomoo [Kawazoe Noboru] [1955]. 2012. The Japanese Character of Tange Kenzō. In From Postwar to Postmodern, Art in Japan 1945–1989: Primary Documents, edited by Doryun Chong, Michio Hayashi, Kenji Kajiya and Fumihiko Sumitomo, 69–73. New York: Museum of Modern Art.
   Google Scholar
• Kamei Katsuichirō and Okamoto Tarō. 1956. Dentō ronsō [Tradition debate]. Geijutsu Shinchō 7(11): 90–104.
   Google Scholar
• Kawakami Tetsutarō and Takeuchi Yoshimi. 1979. Kindai no chōkoku [Overcoming Modernity]. Tokyo: Fuzanbō.
   Google Scholar
• Kawata Akihisa. 2015. ‘Bijutsu no tatakai: Shōwa zenki no bijutsu’ [Battles in art: art in the early Shōwa period]. In Sensō to Bijutsu: Senzen, Senchū [War and Art: Before and During the War], 170–83. Vol. 18 of Nihon bijutsu zenshū [Japanese art: the complete works], edited by Tsuji Nobuo, Izumi Takeo, Yamashita Yūji and Itakura Masaaki. Tokyo: Shōgakukan.
   Google Scholar
• Kawazoe Noboru. 1960. Busshitsu to ningen [Material and man]. In Metabolism, 45–47. Tokyo: Bijutsu Shuppansha.
   Google Scholar
• Kenmochi Isamu. 1954. Japanīzu modan ka japonika sutairu ka: Yushutsu kōgei no futatsu no michi [Japanese modern and japonica style: two ways to make Japanese industrial arts into a foreign export]. Kōgei Nyūsu 22(9): 2–7.
   Google Scholar
• Kinoshita Nagahiro. 2005. Okakura Tenshin: Mono ni kanzureba tsui ni ware nashi [Okakura Tenshin: in meditating on the object, finally there is no I]. Kyoto: Mineruva Shobō.
   Google Scholar
• Kitazawa Noriaki. 1993. Nihon kaiki toiu dekadansu: Geijutsu kara no ridatsu [The decadence of the return to Japan: departing from art]. In Kishida Ryūsei to Taishō avangyarudo [Kishida Ryūsei and the avant-garde in the Taishō period], 184–206. Tokyo: Iwanami Shoten.
   Google Scholar
• Kitazawa Noriaki. 2007. Dentō ronsō: 60 nendai avangyarudo eno airo [The tradition debate: the narrow path to the avant-garde in the 1960s]. In Bijutsu hihyō to sengo bijutsu [Art criticism and postwar art], edited by Bijutsu Hyōronka Renmei, 103–122. Tokyo: Buryukke.
   Google Scholar
• Kondō Fumito. 2002. Fujita Tsuguharu: Ihōjin no shōgai [Fujita Tsuguharu: the life of a stranger]. Tokyo: Kōdansha.
   Google Scholar
• Maekawa Kunio. 1942. Oboe gaki kenchiku no dentō to sōzō ni tsuite [On tradition and creation in architecture]. Kenchiku Zasshi 56(693): 920–924.
   Google Scholar
• Matsumoto Shunsuke. [1946] 2012. A proposal to the artists of Japan. In From Postwar to Postmodern, Art in Japan 1945–1989: Primary Documents, edited by Doryun Chong, Michio Hayashi, Kenji Kajiya and Fumihiko Sumitomo, 27–30. New York: Museum of Modern Art.
   Google Scholar
• Matsumoto Tetsuo, Saiga Eijirō, and Tsuji Yasutaka. 2010. Oral history interview with Matsumoto Tetsuo, conducted by Saiga Eijirō and Tsuji Yasutaka, 25 October 2010. Oral History Archives of Japanese Art, [http://www.oralarthistory.org], accessed 30 May 2015.
   Google Scholar
• Nagao Shigetake. 1972. Kindai Nihon kenchiku ni okeru dentō ninshiki no sho mondai: 1. Sengo no dentō rensō [Problems of the perception of tradition in modern Japanese architecture: 1. The postwar tradition debate]. Taikai gakujutsu kōen kōgai shū: Keikaku kei 47: 1391–1392.
   Google Scholar
• Nihon Kenchiku Gakusei Kaigi [Japanese association of architectural students]. 1954. Gendai kenchiku to kokumin teki dentō: Kokusai kenchiku gakusei kaigi hōkoku sho [Contemporary architecture and the national tradition: report on the International Conference of Architectural Students]. Kenchiku Zasshi 69(813): 41–46.
   Google Scholar
• Nishiyama Uzō. 1953. Jūtaku keikaku ni okeru minzoku teki dentō to kokumin teki kadai [Ethnic tradition and national issues in house planning]. Shinkenchiku 28(11): 63–71.
   Google Scholar
• Nishiyama Uzō. 1955. Minzoku teki dentō to kokumin teki kenchiku [Ethnic tradition and national architecture]. Kenchiku to Shakai 36(1): 15–20.
   Google Scholar
• Ogura Tomoo [Isozaki Arata]. 1954. Henkaku no ishiki kara jissen e: ‘Modanizumu to kokumin teki dentō o megutte’ [From the consciousness of change to its practice: on ‘modernism and national tradition’]. Kaku 1.
   Google Scholar
• Okakura Tenshin. 2001. Nihon bijutsi shi [Japanese art history]. Tokyo: Heibonsha.
   Google Scholar
• Okamoto Tarō. 1952. Jōmon doki ron [On Jōmon pottery]. Mizue 558: 3–10.
   Google Scholar
• Révai, József. [1952] 1953. Kenchiku no dentō to kindai shugi [The tradition of architecture and modernism], translated by Hariu Ichirō. Bijutsu Hihyō 22: 32–9. Originally published as “Fragen der Architektur,” Aufbau 8 (1952): 103–113.
   Google Scholar
• Sand, Jordan. 2003. House and Home in Modern Japan: Architecture, Domestic Space, and Bourgeois Culture, 1880–1930. Cambridge, MA: Harvard University Asia Center.
   Google Scholar
• Sekino Tadashi, Nagano Uheiji, Sano Toshikata, Okada Shinichirō and Yokogawa Tamisuke. 1973. Wagakuni shōrai no kenchiku yōshiki wo ikani subeki ya [The future of our country's architectural style]. In Nihon kenchiku sengen bunshū [Collected Japanese architectural manifestos], edited by Fujii Shoichirō and Yamaguchi Hiroshi, 33–48. Tokyo: Shōkokusha.
   Google Scholar
• Shimada Yasuhiro. 1997. Yorozu Tetsugorō no nanga [Ink-wash paintings by Yorozu Tetsugorō]. In Yorozu Tetsugorō ten [Yorozu Tetsugorō Retrospective], 31–38. Tokyo: Tokyo Kokuritsu Kindai Bijutsukan.
   Google Scholar
• Shin Nihon Kenchikuka Shūdan Kyōdai Daigakuin Gurūpu (NAUK). 1955. ‘Henkaku no ishiki kara jissen e’ o megutte [On ‘from the consciousness of change to its practice’]. Kaku 2: 22–26.
   Google Scholar
• Shirai Seiichi. 1956. Jōmon teki na mono [Jōmon-ness]. Shinkenchiku 31(8): 4–8.
   Google Scholar
• Tange Kenzō and Fujimori Terunobu. 2002. Tange Kenzō. Tokyo: Shinkenchikusha.
   Google Scholar
• Tange Kenzō. 1955. Gendai Nihon ni oite kindai kenchiku wo ikani rikai suru ka: Dentō no sōzō no tame ni [How to understand modern architecture in Japan today: for the creation of tradition]. Shinkenchiku 30(1): 15–18.
   Google Scholar
• Tange Kenzō. 1956. Gendai kenchiku no sōzō to Nihon kenchiku no dentō [The creation of modern architecture and the tradition of Japanese architecture]. Shinkenchiku 31(6): 29–37.
   Google Scholar
• Tange Kenzō. 1960. Katsura: Tradition and Creation in Japanese Architecture. New Haven, CT: Yale University Press.
   Google Scholar
• Yoshimatsu Hideki. 1997. Kawazoe Noboru no Metaborizumu gensō [Kawazoe Noboru's dream of metabolism]. Chapter 3 in Metaborizum: 1960 nendai, Nihon no kenchiku avangyarudo [Metabolism: the Japanese architectural avant-garde in the 1960s], edited by Yatsuka Hajime and Yoshimatsu Hideki, 27–34. Tokyo: INAX Shuppan.
   Google Scholar
• Yoshizaka Takamasa. 1954. Japonika zehi ron [Japonica, yes or no?]. Asahi Shimbun, 25 April, 5.
   Google Scholar