395
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Portraits Against Amnesia: archival recuperation in the work of Hulleah J. Tsinhnahjinnie

References

  • Bauerkemper, Joseph. 2011. Videographic sovereignty: Hulleah J. Tsinhnahjinnie's aboriginal world view. In Visualities: Perspectives on Contemporary American Indian Film and Art, edited by Denise K. Cummings, 131–7. East Lansing: Michigan State University Press.
  • Curtis, Edward S. 1907–1930. The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States, and Alaska. Cambridge, MA: Cambridge University Press.
  • Edwards, Elizabeth. 2002. Material beings: Objecthood and ethnographic photographs. Visual Studies 17(1): 67–75. doi: 10.1080/14725860220137336
  • Fleming, Paula Richardson, and Judith Luskey. 1988. The North American Indians in Early Photographs. Oxford: Phaidon.
  • Fowler, Cynthia. 2007. Hybridity as a strategy for self-determination in contemporary American Indian art. Social Justice 34(1): 63–79.
  • Fowler, Cynthia. 2011. Aboriginal beauty and self-determination: Hulleah Tsinhnahjinnie's photographic projects. In Visualities: Perspectives on Contemporary American Indian Film and Art, edited by Denise K. Cummings, 189–206. East Lansing: Michigan State University Press.
  • Harlan, Theresa. 1993. A curator's perspective: Native photographers creating a visual Native American history. Exposure 29(2): 12–22.
  • Harlan, Theresa. 1995. As in her vision: Native American women photographers. In Reframings: New American Feminist Photographies, edited by Diane Neumaier, 114–24. Philadelphia, PA: Temple University Press.
  • Hirsch, Marianne. 2013. The generation of postmemory. In On Writing with Photography, edited by Liliane Weissberg and Karen Redrobe Beckman, 202–30. Minneapolis: University of Minnesota Press.
  • Jackson, William Henry. 1877. Descriptive Catalogue of Photographs of North American Indians. Washington, DC: Government Printing Office.
  • Lalonde, Christine. 2013. Introduction: At the crossroads of indigeneity, globalization and contemporary art. In Sakahàn: International Indigenous Art, edited by Greg A. Hill, Candice Hopkins, and Christine Lalonde, 13–21. Ottawa: National Gallery of Canada.
  • Lidchi, Henrietta, and Hulleah J. Tsinhnahjinnie. 2009. Introduction. In Visual Currencies: Reflections on Native Photography, edited by Henrietta Lidchi and Hulleah J. Tsinhnahjinnie, xi–xxvii. Edinburgh: National Museums Scotland.
  • Lippard, Lucy. 1991. Doubletake: The diary of a relationship with an image. Third Text 5: 135–44. doi: 10.1080/09528829108576330
  • Lippard, Lucy. 2006. All six legs. In [Re]inventing the Wheel: Advancing the Dialogue on Contemporary American Indian Art, edited by Nancy J. Blomberg, 126–44. Denver, CO: Denver Art Museum.
  • Mithlo, Nancy Marie. 2006. A Realist View of Image Politics: Reclamation of the ‘Every Indian.’ In [Re]inventing the Wheel: Advancing the Dialogue on Contemporary American Indian Art, edited by Nancy J. Blomberg, 105–25. Denver, CO: Denver Art Museum.
  • Mooney, James. 1896. The Ghost-Dance Religion and the Sioux Outbreak of 1890. Washington, DC: Government Printing Office.
  • Passalacqua, Veronica. 2003. Hulleah Tsinhnahjinnie. In Path Breakers: the Eiteljorg Fellowship for Native American Fine Art, edited by Lucy Lippard, 81–99. Indianapolis and Seattle: Eiteljorg Museum and University of Washington Press.
  • Passalacqua, Veronica. 2009. Finding sovereignty through relocation: Considering photographic consumption. In Visual Currencies: Reflections on Native Photography, edited by Henrietta Lidchi and Hulleah J. Tsinhnahjinnie, 19–35. Edinburgh: National Museums Scotland.
  • Passalacqua, Veronica. 2011. ‘Archival Encounters.’ Paper presented at The Norman and Jane Geske Lectureship in the History of the Arts, University of Nebraska-Lincoln, January 31.
  • Payne, Carol, and Jeffrey Thomas. 2002. Aboriginal interventions into the photographic archives: A dialogue between Carol Payne and Jeffrey Thomas. Visual Resources 18(2): 109–25. doi: 10.1080/01973760290011789
  • Rickard, Jolene. 2013. The emergence of global indigenous art. In Sakahàn: International Indigenous Art, edited by Greg A. Hill, Candice Hopkins, and Christine Lalonde, 53–61. Ottawa: National Gallery of Canada.
  • Tremblay, Gail. 1992. Reflections on Mattie Looks for Steve Biko, a photograph by Hulleah Tsinhnahjinnie. In Partial Recall, edited by Lucy Lippard, 112–9. New York: New York Press.
  • Tsinhnahjinnie, Hulleah J. 2003. When is a photograph worth a thousand words? In Photography's Other Histories, edited by Christopher Pinney and Nicolas Peterson, 40–52. Durham, NC: Duke University Press.
  • Tsinhnahjinnie, Hulleah J. 2006. Preface. In Our People, Our Land, Our Images: International Indigenous Photography, edited by Hulleah J. Tsinhnahjinnie and Veronica Passalacqua, vii–xi. Berkeley, CA: C.N. Gorman Museum and Heyday Books.
  • Tsinhnahjinnie, Hulleah J. 2007. Visual sovereignty: A continuous Aboriginal/Indigenous landscape. In Diversity and Dialogue: The Eiteljorg Fellowship for Native American Fine Art 2007, edited by James H. Nottage, 15–23. Seattle: University of Washington Press.
  • Tsinhnahjinnie, Hulleah J. 2009. Dragonfly's home. In Visual Currencies: Reflections on Native Photography, edited by Henrietta Lidchi and Hulleah J. Tsinhnahjinnie, 3–18. Edinburgh: National Museums Scotland.
  • Wilbur, Matika. 2013. “Project 562: A photo project by Matika Wilbur,” [http://www.project562.com], accessed 26 January 2015.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.