403
Views
1
CrossRef citations to date
0
Altmetric
Research Article

Archiving the First World Festival of Negro Arts (Dakar 1966): recuperation, nostalgia and utopianism

References

  • Apter, Andrew. 2005. The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria. Chicago: University of Chicago Press.
  • Boukari-Yabara, Amzat. 2014. Africa Unite! Une histoire du panafricanisme. Paris: La Découverte.
  • De Jong, Ferdinand, and Brian Quinn. 2014. Ruines d’utopies: L’Ecole William Ponty et L’Université du Futur Africain. Politique Africaine 135: 71–93. doi: 10.3917/polaf.135.0071
  • De Jong, Ferdinand, and Vincent Foucher. 2010. La tragédie du roi Abdoulaye? Néomodernisme et renaissance africaine dans le Sénégal contemporain. Politique africaine 118: 187–204. doi: 10.3917/polaf.118.0187
  • Derrida, Jacques. 1996. Archive Fever: A Freudian Impression. Chicago: University of Chicago Press.
  • Dovey, Lindiwe. 2015. Curating Africa in the Age of Film Festivals. London: Palgrave Macmillan.
  • Du Bellay, Joachim. 2015 [1549]. Défense et illustration de la langue française. Paris: Editions FB.
  • Ekpo, Denis. 2008. FESTAC 77 et le projet de modernité africaine: Des méfaits d’un nationalisme culturel excessif. Africultures 74: 26–34. doi: 10.3917/afcul.073.0026
  • Ellington, Duke. 1973. Music Is My Mistress. Garden City, NY: Doubleday.
  • Flather, Newell. 1966. Impressions of the Dakar Festival. Africa Report (May): 57–60.
  • Gonzales, Sérigne Ndiaye. 2010. Ce festival est celui de la honte. La Sentinelle, 15–16 December, 4–5.
  • Jaji, Tsitsi Ella. 2014. Africa in Stereo: Modernism, Music, and Pan-African Solidarity. Oxford: Oxford University Press.
  • Jaji, Tsitsi Ella. Forthcoming. ‘The next best thing to being there’: Covering the 1966 Dakar Festival and its legacy in black popular magazines. In The First World Festival of Negro Arts, Dakar 1966, edited by David Murphy. Liverpool: Liverpool University Press.
  • Joachim, Paulin. 1966a. La Négritude, connais pas. Bingo 161: 11.
  • Joachim, Paulin. 1966b. Où va la culture négro-africaine? Bingo 161: 13–15.
  • Malaquais, Dominique, and Cédric Vincent. Forthcoming. PANAFEST: A festival complex revisited. In The First World Festival of Negro Arts, Dakar 1966, edited by David Murphy. Liverpool: Liverpool University Press.
  • Murphy, David, ed. Forthcoming. The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies. Liverpool: Liverpool University Press.
  • Murphy, David. 2009. Léopold Sédar Senghor: Race, language, empire. In Postcolonial Thought in the French-Speaking World, edited by Charles Forsdick and David Murphy, pp. 157–70. Liverpool: Liverpool University Press.
  • Murphy, David. 2011. Renaissance men? Behind the scenes at the Festival Mondial des Arts Nègres (Dakar, 10–31 December 2010). Bulletin of Francophone Postcolonial Studies 2 (1): 2–6.
  • Murphy, David. 2014. Sport, culture and the media at the Festival Mondial des Arts Nègres de Dakar (2010): Sport and the democratization of culture, or sport as populism? French Cultural Studies 25(1): 10–22. doi: 10.1177/0957155813510691
  • Murphy, David. 2015. Culture, development, and the African Renaissance: Ousmane Sembène and Léopold Senghor at the World Festival of Negro Arts (Dakar 1966). In Ousmane Sembène and the Politics of Culture, edited by Amadou T. Fofana and Vetinde Lifongo, pp. 1–16. Lanham, MD: Lexington.
  • Neveu Kringelbach, Hélène. Forthcoming. Dance at the First World Festival of Negro Arts: Of ‘fabulous dancers’ and negritude undermined. In The First World Festival of Negro Arts, Dakar 1966, edited by David Murphy. Liverpool: Liverpool University Press.
  • Pool, Hannah. 2011. World Festival of Negro Arts: A once in a decade event. The Guardian, 3 January. http://www.theguardian.com/stage/2011/jan/03/world-festival-of-black-arts-kwei-armah
  • Premier festival mondial des arts nègres [festival programme]. 1966. Paris: André Rousseau.
  • Premier festival mondial des arts nègres [livre d’or du festival]. 1967. Paris: Bouchet-Lakara.
  • Rous, Jean. 1967. Léopold Sédar Senghor: La vie d’un président de l’Afrique nouvelle. Paris: J. Didier.
  • Shepperson, George. 1962. ‘Pan-Africanism’ and ‘pan-Africanism’: Some Historical Notes. Phylon, 23(4): 346–58..
  • Sylla, Abdou. 2007. La tumultueuse histoire du Musée dynamique de Dakar. Africultures 70: 89. doi: 10.3917/afcul.070.0089
  • Wilder, Gary. 2015: Freedom Time: Negritude, Decolonization and the Future of the World. Durham, NC: Duke University Press.
  • Wofford, Tobias. 2009. Exhibiting a global blackness: The First World Festival of Negro Arts’ In New World Coming: The Sixties and the Shaping of Global Consciousness, edited by Karen Dubinsky, Catherine Krull, Susan Lord, Sean Mills, and Scott Rutherford, 179–86. Toronto: Between the Lines.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.