References
- Atkins, Jacqueline M. 2012. “Wearing Novelty.” In The Brittle Decade: Visualizing Japan in the 1930s, edited by John W. Dower, Anna Nishimura Morse, Jacqueline M. Atkins and Frederic A. Sharf, 91–143. Boston: Museum of Fine Arts.
- Barthes, Roland. 1972. “The Metaphor of the Eye.” In Critical Essays, translated by Richard Howard, 239–247. Evanston: Northwestern University Press.
- Benedict, Ruth. 1946. The Chrysanthemum and the Sword: Patterns of Japanese Culture. Boston: Houghton Mifflin Company.
- Benjamin, Walter. 2009. “The Work of Art in the Age of Mechanical Reproduction.” In One-way Street and Other Writings, translated by J. A. Underwood, 228–259. London: Penguin Books.
- Bharucha, Rustom. 2007. Another Asia: Rabindranath Tagore and Okakura Tenshin. New Delhi: Oxford University Press.
- Carroll, David. 1987. Paraesthetics: Foucault, Lyotard, Derrida. New York: Methuen.
- Chaiklin, Martha. 2005. “Nagasaki-e.” In The Hoeti Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 225–228. Amsterdam: Hotei Publishing.
- Chatterjee, Partha. 1993. Nationalist Thought and the Colonial World: A Derivative Discourse. Delhi: Oxford University Press.
- de Duve, Thierry. 2008. “Do Artists Speak on Behalf of All of Us?” In The Life and Death of Images, edited by Diarmid Costello and Dominic Willsdon, 139–156. London: Tate Publishing.
- de Duve, Thierry. 2015. “Aesthetics as the Transcendental Ground of Democracy.” Critical Inquiry 42 (Autumn): 149–165. doi: 10.1086/682999
- Deveraux, Mary. 1998. “Beauty and Evil: The Case of Leni Riefenstahl’s Triumph of the Will.” In Aesthetics and Ethics: Essays at the Intersection, edited by Jerrold Levinson, 227–255. Cambridge: Cambridge University Press.
- Devji, Faisal. 2008. The Terrorist in Search of Humanity: Militant Islam and Global Politics. London: Hurst.
- Dirks, Nicholas B. 1993. “The Home and the World: The Invention of Modernity in Colonial India.” Visual Anthropology Review 9: 19–31. doi: 10.1525/var.1993.9.2.19
- Dower, John W. 2012. “Modernity and Militarism.” In The Brittle Decade: Visualizing Japan in the 1930s, edited by John W. Dower, Anna Nishimura Morse, Jacqueline M. Atkins and Frederic A. Sharf, 9–49. Boston: Museum of Fine Arts.
- Guha-Thakurta, Tapati. 1992. The Making of a New ‘Indian Art’: Artists, Aesthetics and Nationalism c. 1850–1920. Cambridge: Cambridge University Press.
- Hanson, Karen. 1998. “How Bad Can Good Art Be?” In Aesthetics and Ethics: Essays at the Intersection, edited by Jerrold Levinson, 204–226. Cambridge: Cambridge University Press.
- Hunter, Jack. 2013. Massacres in Manchuria: Sino-Japanese War Prints 1894–1895. Tokyo: Ukiyo-E Master Series, Shinbaku.
- Jain, Kajri. 2007. Gods in the Bazaar: The Economies of Indian Calendar Art. Durham, NC: Duke University Press.
- Lummis, C. Douglas. 2007. “Ruth Benedict’s Obituary for Japanese Culture.” Japan Focus: The Asia Pacific Journal 5 (7). http://apjjf.org/-C.-Douglas-Lummis/2474/article.html.
- Merrit, Helene and Oikawa Shigeru. 2005. “Yokohama-e”. In The Hoeti Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 266–268. Amsterdam: Hotei Publishing.
- Morse, Anne Nishimura. 2005. “Exploiting a New Visuality: The Origins of Russo-Japanese War Imagery.” In A Much Recorded War: The Russo-Japanese War in History and Imagery, edited by Frederic A. Sharf, Anne Nishimura Morse, and Sebastian Dobson, 32–51. Boston: Museum of Fine Arts.
- Nandy, Ashis. 1994. The Illegitimacy of Nationalism: Rabindranath Tagore and the Politics of the Self. Delhi: Oxford University Press.
- Norris, Christopher. 1988. Paul de Man: Deconstruction and the Critique of Aesthetic Ideology. New York: Routledge.
- Ohnuki-Tierney, Emiko. 2002. Kamikaze, Cherry Blossoms, and Nationalisms: The Militarization of Aesthetics in Japanese History. Chicago: University of Chicago Press.
- Pantucci, Raffaello. 2015. We Love Death as you Love Life: Britain's Suburban Terrorists. London: Hurst.
- Pinney, Christopher. 2009. “Iatrogenic Religion and Culture.” In Censorship in South Asia: Cultural Regulation from Sedition to Seduction, edited by Raminder Kaur and William Mazzarella, 29–62. Bloomington, IN: Indiana University Press.
- Put, Max. 2005. “Japanese Prints in Europe, 1860–1930.” In The Hoeti Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 387–398. Amsterdam: Hotei Publishing.
- Rancière, Jacques. 2004. The Politics of Aesthetics: The Distribution of the Sensible. Translated by Gabrield Rockhill. London: Continuum.
- Ryang, Sonia. 2002. “Chrysanthemum’s Strange Life: Ruth Benedict in Postwar Japan.” Asian Anthropology 1: 87–116. doi: 10.1080/1683478X.2002.10552522
- Screech, Timon. 2002. The Lens within the Heart: The Western Scientific Gaze and Popular Imagery in Later Edo Japan. Honolulu: University of Hawai’i Press.
- Sharf, Frederic A., Anne Nishimura Morse, and Sebastian Dobson, eds. 2005. A Much Recorded War: The Russo-Japanese War in History and Imagery. Boston: Museum of Fine Arts.
- Sontag, Susan. 1975. Fascinating Fascism. New York Review of Books. 6 Feb. http://www.nybooks.com/articles/1975/02/06/fascinating-fascism/
- Thompson, Sarah E. 2005. “Censorship and Ukiyo-e Prints.” In The Hotei Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 318–322. Amsterdam: Hotei Publishing.
- Till, Barry. 2008. Japan Awakens: Woodblock Prints of the Meiji Period (1868–1912). Petaluma: Pomegranate Communications.
- van Rappard-Boon, Charlotte, Willem van Gulik, and Keiko van Bremen-Ito. 2006. Collection of Japanese Prints in the Van Gogh Museum’s Collection. Amsterdam: Van Gogh Museum/Zwolle.
- Virgin, Louise E., ed. 2001. Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 1868–1912. Boston: Museum of Fine Arts.
- Virgin, Louise. 2005. “Woodblock Prints as a Medium of Reportage: The Sino-Japanese and Russo-Japanese Wars.” In The Hotei Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 273–276. Amsterdam: Hotei Publishing.