From silence to speech: witnessing and trauma of the anti-communist mass killings in Indonesian contemporary art

References

• Aidit, Sobron. 1999. Cerita Dari Tanah Pengasingan [Stories from Land of Exile]. Jakarta: Pustaka Pena.
   Google Scholar
• Baronian, Marie-Aude, Stephan Besser, and Yolande Jansen. 2006. “Introduction.” In Diaspora and Memory: Figures of Displacement in Contemporary Literature, Arts and Politics, edited by Marie-Aude Baronian, Stephan Besser, and Yolande Jansen, 9–16. Amsterdam: Thamyris/Intersecting, Rodopi.
   Google Scholar
• Bennett, Jill. 2005. Empathic Vision: Affect, Trauma and Contemporary Art. Palo Alto: Stanford University Press.
   Google Scholar
• Best, Susan. 2016. Reparative Aesthetics: Witnessing in Contemporary Art Photography. London: Bloomsbury.
   Google Scholar
• Blocker, Jane. 2009. Seeing Witness: Visuality and the Ethics of Testimony. Minneapolis: University of Minnesota Press.
   Google Scholar
• Brown, Tom. 2012. Breaking the Fourth Wall: Direct Address in the Cinema. Edinburgh: Edinburgh University Press.
   Google Scholar
• Caruth, Cathy, ed. 1995. “Recapturing the Past: Introduction.” In Trauma: Explorations in Memory, 151–157. Baltimore: John Hopkins University Press.
   Google Scholar
• Caruth, Cathy. 1996. “Introduction: The Wound and the Voice.” In Unclaimed Experience: Trauma, Narrative and History, 1–9. London: John Hopkins University Press.
   Google Scholar
• Chenery, Susan. 2015. “Dadang Christanto’s Blood Relations.” The Saturday Paper, November 28. Accessed December 14, 2019. https://www.thesaturdaypaper.com.au/culture/art/2015/11/30/dadang-christantos-blood-relations/14486292002675.
   Google Scholar
• Clark, John. 1998. “The Contemporary.” In Modern Asian Art, 283–301. Honolulu: University of Hawai’i Press.
   Google Scholar
• Clark, Christine. 2005. “Recovering Footprints: The Art of Dadang Christanto.” Dadang Christanto: Heads and Trees. Sherman Galleries, May 5–28.
   Google Scholar
• Coppel, Charles. 2002. Studying Ethnic Chinese in Indonesia. Singapore: Singapore Association of Asian Studies.
   Google Scholar
• Cribb, Robert, and Charles Coppel. 2009. “A Genocide That Never Was: Explaining the Myth of Anti-Chinese Massacres in Indonesia, 1965–66.” Journal of Genocide Research 11 (4): 447–465. doi: 10.1080/14623520903309503
   Google Scholar
• Dim, Herry. 1994. “Bienniale Seni Rupa dengan sebuah Ide Besar.” [Biennial of Art with a Big Idea]. Kompas, January 13.
   Google Scholar
• Dirgantoro, Wulan. 2018. “Aesthetics of Silence: Exploring Trauma and Indonesian Paintings After 1965.” In Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990, edited by Stephen A. Whiteman, Yvonne Low, Sarena Abdullah, and Phoebe Scott, 199–224. Singapore: Power Publications and National Gallery of Singapore.
   Google Scholar
• Dirgantoro, Wulan, and Barbara Hatley. 2020. “Memory on Stage: Affect, Gender and Theatre in 1965–66 Women Survivor Testimonies.” In Gender, Violence and Power: Indonesia Across Time and Space, edited by Katharine McGregor, Ana Draglojovic, and Hannah Lonney, 101–118. London: Routledge/ASAA Women in Asia Series.
   Google Scholar
• Dwyer, Leslie K. 2014. “Picturing Violence: Anti-Politics and the Act of Killing.” Critical Asian Studies 46 (1): 183–188. doi: 10.1080/14672715.2014.863591
   Web of Science ®Google Scholar
• Dwyer, Leslie K., and Degung Santikarma. 2009. “Posttraumatic Politics: Violence, Memory and Biomedical Discourse in Bali.” In Understanding Trauma: Integrating Biological, Clinical, and Cultural Perspectives, edited by Laurence J. Kirmayer, Robert Lemelson, and Mark Barad, 403–432. Cambridge: Cambridge University Press.
   Google Scholar
• George, Kenneth M. 1997. “Some Things That Have Happened to the Sun After September 1965: Politics and the Interpretation of an Indonesian Painting 1997.” Comparative Studies in Society and History 39 (4): 603–634. doi: 10.1017/S001041750002082X
   Web of Science ®Google Scholar
• Gray, Allison Patricia. 2008. “From Cultural Activism to Counter Memorial: The Artwork of Dadang Christanto 1975–2005.” Unpublished MA Thesis. Darwin: Charles Darwin University.
   Google Scholar
• Heryanto, Ariel. 2014. Identity and Pleasure: The Politics of Indonesian Screen Culture. Singapore: NUS Press.
   Google Scholar
• Hill, David T. 2009. “Knowing Indonesia From Afar: Indonesian Exiles and Australian Academics.” RIMA: Review of Indonesian and Malaysian Affairs 43 (1): 147–164.
   Google Scholar
• Hirsch, Marianne. 2012. The Generation of Postmemory: Writing and Visual Culture After the Holocaust. New York: Columbia University Press.
   Google Scholar
• Hujatnikajennong, Agung. 2001. “Perdebatan Posmodernism dan Biennale Seni Rupa Jakarta IX (1993–1994).” [The Debate of Postmodernism and the 9th Jakarta Biennale (1993–1994)]. BA thesis. Bandung: Fakultas Seni Rupa dan Desain ITB.
   Google Scholar
• Kozol, Wendy. 2014. Distant Wars Visible: The Ambivalence of Witnessing. Minneapolis: University of Minnesota Press.
   Google Scholar
• LaCapra, Dominick. 2014. Writing History, Writing Trauma. Baltimore: John Hopkins University Press.
   Google Scholar
• Lindsey, Tim, and Helen Pausacker, eds. 2005. Chinese Indonesians: Remembering, Distorting, Forgetting. Singapore: Institute of Southeast Asian Studies.
   Google Scholar
• Lort, Robert. 2018. Nineteen Sixty-Five: Dadang Christanto. Brisbane: Eyeline Publishing. Issue 85. Accessed 8 August 2010. https://www.eyelinepublishing.com/eyeline-85/review/nineteen-sixty-five-dadang-christanto.
   Google Scholar
• McGregor, Katharine. 2018. “Heads From the North: Transcultural Memorialization of the 1965 Indonesian Killings at the National Gallery of Australia.” In The Indonesian Genocide of 1965: Causes, Dynamics and Legacies, edited by Katharine McGregor, Jess Melvin, and Annie Pohlman, 235–252. Cham: Palgrave Macmillan.
   Google Scholar
• McGregor, Katharine, Jess Melvin, and Annie Pohlman, eds. 2018. The Indonesian Genocide of 1965: Causes, Dynamics and Legacies. Cham: Palgrave Macmillan.
   Google Scholar
• Miller, Stephen. 2018. “Zombie Anti-Communism? Democratization and the Demons of Suharto-Era Politics in Contemporary Indonesia.” In The Indonesian Genocide of 1965: Causes, Dynamics and Legacies, edited by Katharine McGregor, Jess Melvin, and Annie Pohlman, 287–310. Cham: Palgrave Macmillan.
   Google Scholar
• Mulyadi, Efix. 2008. Semangat Kemanusiaan Semsar [The Spirit of Semsar’s Humanity]. Accessed January 12, 2020. https://cemara6galeri.wordpress.com/event-2008/mengenang-semsar/.
   Google Scholar
• Paramaditha, Intan. 2013. “Tracing Frictions in the Act of Killing.” Film Quarterly 67 (2): 44–49. doi: 10.1525/fq.2014.67.2.44
   Web of Science ®Google Scholar
• Permana, Sukma Indah. 2017. Pameran Seni tentang Wiji Thukul di Yogya Dibubarkan Massa Ormas [Art Exhibition on Wiji Thukul Disbanded by Mass Organisations in Yogya]. Accessed January 4, 2020. https://news.detik.com/berita-jawa-tengah.
   Google Scholar
• Purdey, Jemma. 2006. Anti-Chinese Violence in Indonesia, 1996–1999. Singapore: ASAA SEA Press and Singapore University Press.
   Google Scholar
• Purdey, Jemma, Antje Missbach, and Dave McRae. 2020. Indonesia: State and Society in Transition. Boulder: Lynne Rienner Publishers.
   Google Scholar
• Roosa, John. 2020. Buried Histories: The Anti-Communist Massacres of 1965–1966 in Indonesia. Madison: University of Wisconsin Press.
   Google Scholar
• Sai, S. M., and C. Y. Hoon, eds. 2012. Chinese Indonesians Reassessed: History, Religion and Belonging. New York: Routledge.
   Google Scholar
• Saltzman, Lisa, and Eric Rosenberg, eds. 2006. Trauma and Visuality in Modernity. Hanover: Dartmouth University Press.
   Google Scholar
• Saroh, Mutaya. 2016. Display Lukisan Galam Zulkifli Tidak Utuh [The Display of Galam Zulkifli”s Painting is Incomplete]. Accessed March 4, 2019. https://tirto.id/display-lukisan-galam-zulkifli-tidak-utuh-bGHf.
   Google Scholar
• Scarry, Elaine. 1985. The Body in Pain: The Making and Unmaking the World. London: Oxford University Press.
   Google Scholar
• Setiawan, Ken. 2016. “The Politics of Compromise.” Inside Indonesia. Accessed July 14, 2020. https://www.insideindonesia.org/the-politics-of-compromise-2.
   Google Scholar
• Setijadi, Charlotte. 2014. “Memories, Spaces, Identities: An Ethnographic Study of Young Ethnic Chinese in Post-Suharto Indonesia.” PhD Diss. School of Humanities and Social Sciences, La Trobe University.
   Google Scholar
• Supangkat, Jim. 1993. “Seni Rupa ‘80: Pengantar Untuk Bienniale Seni Rupa Jakarta IX, 1993.” [Visual Arts of the 80s: A Foreword for 9th Jakarta Biennale, 1993]. In Bienniale Seni Rupa Jakarta IX, edited by Goenawan Mohammad, 12–27. Jakarta: Dewan Kesenian Jakarta.
   Google Scholar
• Turner, Caroline, and Glen Barclay. 2010. “Wounds in Our Heart. Exhibition Catalogue.” In Wounds in Our Heart, edited by Caroline Turner and Nancy Sever, 13–20. Canberra: ANU Drill Hall Gallery.
   Google Scholar
• Turner, Caroline, and Glen Barclay. 2013. “Recovering Lives Through Art: Hidden Histories and Commemoration in the Works of Katsushige Nakahashi and Dadang Christanto.” In International Life Writing: Memory and Identity in Global Context, edited by Paul Longley Arthur, 107–125. New York: Routledge.
   Google Scholar
• van Alphen, Ernst. 1997. Caught by History: Holocaust Effects in Contemporary Art, Literature and Theory. California: Stanford University Press.
   Google Scholar
• van der Kolk, Bessel. 2015. The Body Keeps the Score: Mind, Brain and the Body in the Transformation of Trauma. London: Penguin Books.
   Google Scholar
• Vickers, Adrian. 2010. “Where are the Bodies: The Haunting of Indonesia.” The Public Historian 32 (1): 45–58. doi: 10.1525/tph.2010.32.1.45
   PubMed Web of Science ®Google Scholar
• Violi, Patrizia. 2017. Landscapes of Memory: Trauma, Space, History. London: Peter Lang.
   Google Scholar
• Wake, Caroline. 2013. “Regarding the Recording: The Viewer of Video Testimony, the Complexity of Copresence and the Possibility of Tertiary Witnessing.” History and Memory: Studies in Representations of the Past 25 (1): 111–144. doi: 10.2979/histmemo.25.1.111
   Web of Science ®Google Scholar
• Wiyanto, Hendro. 2002. “Memberi Makna Pada Ingatan.” [Giving Meaning to Memory]. In Kengerian Tak Terucapkan/The Unspeakable Horror, Exhibition Catalogue, 4–14, Jakarta: Bentara Budaya.
   Google Scholar
• Wulia, Tintin. 2008. “The Name Game.” Inside Indonesia. Accessed June 23, 2020. http://www.insideindonesia.org/the-name-game.
   Google Scholar