The gaze on ‘primitive’ others in Japanese modern art: ethnography, art, and curatorial perspectives

References

• Aoki, Kanae. 2023a. “Shaku-do-sha to Sono Comyunithi: Ueyama Tokio to Hikoyama Teikichi no Hanga wo Kitento shite.” [Shaku-do-sha and Its Community: Starting with Print of Tokio Ueyama and Teikichi Hikoyama].” In Toransuboda: Wakayama to Amerika wo Meguru Imin to Bijutsu [Transbordering: Migraiton and Art Across Wakayama and the U.S.A], edited by Kanae Aoki, and Ichiro Okumura, 176–184. Wakayama: The Museum of Modern Art, Wakayama.
   Google Scholar
• Aoki, Kanae. 2023b. “Ueyama Tokio to Shaku-do-sha” [Tokio Ueyama and the Shaku-do-sha].” In Toransuboda: Wakayama to Amerika wo Meguru Imin to Bijutsu [Transbordering: Migration and Art Across Wakayama and the U.S.A], edited by Kanae Aoki, and Ichiro Okumura, 64–66. Wakayama: The Museum of Modern Art, Wakayama.
   Google Scholar
• Clark, John. 1998. Modern Asian Art. Honolulu: University of Hawai’i Press.
   Google Scholar
• Department of Education ed. 1936. Monbusho Bijutsutenrankai Zuroku Dai 2 Bu [Catalogue of the Exhibition of Fine Arts held by the Department of Education 1936: Part II, Painting European]. Tokyo: Shinbishoin.
   Google Scholar
• Endo, Mitsuru. 1999. “Hyosho no Tatakai: Mikuroneshia, Parao wo Meguru Orientarizumu.” In Oseania Orientarizumu, edited by Naoki Kasuga, 83–103. Tokyo: Sekaishisosha.
   Google Scholar
• Furutani, Yoshiyuki. 2009. “Seiyobijutsu Juyo ni okeru ‘Shirakaba’ no Hatashita Yakuwari.” In Shirakabaha no Aishita Bijutsu: Shirakaba Tanjo 100nen [“Shirakaba”: Pilots of Art in Modern], edited by Museum of Kyoto, Utsunomiya Museum of Art, Hiroshima Museum of Art, Museum of Modern art, Kmakura & Hayama, and Yomiuri Shimbun Osaka, 150–153. Osaka: Yomiuri Shimbun Osaka.
   Google Scholar
• Hagiwara, Hiroko, 2023. “Sekaitekishiten de Fukusu no Modanizumu wo Ronjirukoto no Igito Konnan: Kobena Mercer, ed., Cosmopolitan Modernisms (London: inIVA, 2005)" [The Significance and Difficulties of Discussing Multiple Modernisms from a Global Perspective: Kobena Mercer, ed., Cosmopolitan Modernisms (London: inIVA, 2005)]. Kyoto Seika Daigaku Kiyo [Journal of Kyoto Seika University] 56: 319–325.
   Google Scholar
• Hagiwara, Hiroko. 1994. “Tasha wo Ichizukeru Shisen.” In Bijutsushi wo Tokihanatsu, edited by Tomiyama, Taeko, Kazuko Hamada, and Hiroko Hagiwara, 139–230 Tokyo: Jijitsushin.
   Google Scholar
• Hijikata, Hisakatsu. (1943) 1992. Ryuboku. Hijikata Hisakatsu Chosakushu, vol.7. Tokyo: San-Ichi Shobo Publishing Inc.
   Google Scholar
• Hijikata, Hisakatsu. 1955. “Shiryo Parao ni Nokoru Jinmenseki.” Totem 10: 5–6.
   Google Scholar
• Hijikata, Hisakatsu. 1958. “Noroma to Kinaga.” Bijutsutecho 148: 36–37.
   Google Scholar
• Hijikata, Hisakatsu. (1959) 1991. “Nanpo Domin Chokoku ni Ikinuku.” Hijikata Hisakatsu Chosakushu, edited by San-Ichi Shobo Publishing Inc., vol.6, 386–391. Tokyo: San-Ichi Shobo Publishing Inc.
   Google Scholar
• Hijikata, Hisakatsu. 1960. “Purimitibu Ato.” Sansai 129: 11–23.
   Google Scholar
• Hijikata, Hisakatsu. (1961) 1991. “Genshi Geijutsu no Minamoto.” Hijikata Hisakatsu Chosakushu, edited by San-Ichi Shobo Publishing Inc., vol. 6, 433–447. Tokyo: San-Ichi Shobo Publishing Inc.
   Google Scholar
• Hijikata, Hisakatsu. (1968) 1991. “Waga Seishun no Toki.” Hijikata Hisakatsu Chosakushu, edited by San-Ichi Shobo Publishing Inc., vol. 6, 172–236. Tokyo: San-Ichi Shobo Publishing Inc.
   Google Scholar
• Hijikata, Hisakatsu. 1968. “Aotokage no Yume.” In Waga Seisyun no Toki: Jiden to Kaiso, edited by Kenichi Tanigawa, 6–33. Tokyo: San-Ichi Shobo Publishing Inc.
   Google Scholar
• Hijikata, Hisakatsu. 2010. Hijikata Hisakatsu Nikki II. Edited by Kenichi Sudo and Hisao Shimizu. Osaka: NIHU National Museum of Ethnology. https://doi.org/10.15021/00001015.
   Google Scholar
• Hijikata, Hisakatsu. 2011. Hijikata Hisakatsu Nikki III. Edited by Kenichi Sudo and Hisao Shimizu. Osaka: NIHU National Museum of Ethnology. https://doi.org/10.15021/00000972.
   Google Scholar
• Inaba, Naomichi, and Takayoshi Segawa. 1932. Kotosho. Tokyo: Ikimono Shumi no Kai.
   Google Scholar
• Kagioka, Masanori. 2001. “Hijikata no Hito to Shigoto.” In Hijikata Hisakatsu: Nihon + Nanyo no Hyogen, edited by Terunobu Kaji, 6–17. Kochi: Kochikenritsubijutsukan.
   Google Scholar
• Kaji, Terunobu. 2001. “Hijikata Hisakatsu no Hyogen.” In Hijikata Hisakatsu: Nihon + Nanyo no Hyogen, edited by Terunobu Kaji, 18–31. Kochi: Kochikenritsubijutsukan.
   Google Scholar
• Kawaguchi, Yukiya. 2011. “Chinkiningyo kara Genshibijustu he: Hiseiyo no Zoukei ni Utsutta Sengonihon no Jikozo.” Kokuritsu Minzokugaku Kenkyu Hokoku [Bulletin of the National Museum of Ethnology] 36 (1): 1–34.
   Google Scholar
• Kikuchi, Yuko. 2004. Japanese Modernization and Mingei Theory: Cultural Nationalism and Oriental Orientalism. London: Routledge.
   Google Scholar
• Kikuchi, Yuko. 2007. “Refracted Colonial Modernity: Vernacularism in the Development of Modern Taiwanese Crafts.” In Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, edited by Yuko Kikuchi, 217–247. Honolulu: University of Hawai’i Press.
   Google Scholar
• Kikuchi, Yuko. 2023. “‘Kogei’ kara ‘Konokuni’ no ‘Nihonbijutsushi’ wo Datsuteikokushugikasuru: Gendar, Dento, Sustainability.” In Konokuni (Kindainihon) no Geijutsu: ‘Nihonbijutsushi’ wo Datsuteikokushugikasuru, edited by Nodoka Odawara, and Hiroki Yamamoto, 101–132. Tokyo: Getsuyosha.
   Google Scholar
• Kojima, Kaoru. 2007. “The Changing Representation of Women in Modern Japanese Paintings.” In Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, edited by Yuko Kikuchi, 111–132. Honolulu: University of Hawai’i Press.
   Google Scholar
• Kojima, Kaoru. 2019. Joseizo ga Utsusu Nihon: Awasekagami no Naka no Jigazo. Tokyo: Bruke.
   Google Scholar
• Kojima, Yasunori. 2017. “Yanagi Soetsu no Chosen heno Manazashi: Sono Ninshiki no Kontei ni Arumono” [The Intellectual Foundation of Yanagi Soetsu’s View of Korea].” Ajia Bunka Kenkyu [Asian Cultural Studies] 43: 31–48.
   Google Scholar
• Kotani, Hiroyuki. 2019. “Nakajima Atsushi/Hijikata Hisakatsu to Ponape tou Jokaaji Hanran.” Tosho 859: 18–22.
   Google Scholar
• Kurata, Yoji, Yumiyo Morokawa, Akira Anzai, Hisako Maruki, and Yukinori Okamura. 2020. The South Sea Islands Portrayed by Toshiko Akamatsu. Yokohama: Nihonbare.
   Google Scholar
• Maruki, Toshi. (1977) 2013. Onnaekaki no Tanjo. Tokyo: Asahi Shimbun Publications.
   Google Scholar
• Mita, Maki. 2011. “Hijikata Hisakatsu ha Bunka no Hate ni Nani wo Mitanoka.” In Nihon no Jinruigaku: Shokuminchishugi, Ibunkakenkyu, Gakujutsuchosa no Rekishi, edited by Katsuhiko Yamaji, 253–297. Hyogo: Kansei Gakuin University Press.
   Google Scholar
• Miyatake, Tatsuo. (1929) 1930. Alaska ni Genshigeijutsu wo Saguru. 4th edition. Tokyo: Banrikakushobou.
   Google Scholar
• Miyatake, Tatsuo. 1936a. “Bunten Yogabu Sozoro Aruki (Shinjinten).” Bijutsu to Shumi 1 (2): 17.
   Google Scholar
• Miyatake, Tatsuo. 1936b. “Koutousho Shashinkikou.” Umi 6 (6): 5–6.
   Google Scholar
• Miyatake, Tatsuo. 1937. “Bali Tou no Kaiki Dozoku: Chibusa no Shima.” Ato to Shumi 2 (9): 14–17.
   Google Scholar
• Miyatake, Tastuo. 1940. Sekai Genshi Mingei Zushu: Miyatake Tatsuo Shushu, Separate vol. 1. Osaka: Sekai Genshi Mingei Zushu Kankokai. NDL Digital Collections, https://dl.ndl.go.jp/pid/1015492.
   Google Scholar
• Miyatake, Tatsuo. 1941a. “Nangoku no Haru (E to Bun).” Yuben 32 (2): 63–64.
   Google Scholar
• Miyatake, Tatsuo. 1941b. Sekai Genshi Mingei Zushu: Miyatake Tatsuo Shushu, Separate vol. 9. Osaka: Sekai Genshi Mingei Zushu Kankokai. NDL Digital Collections, https://dl.ndl.go.jp/pid/1015545.
   Google Scholar
• Miyatake, Tatsuo. 1941c. Sekai Genshi Mingei Zushu: Miyatake Tatsuo Shushu, Separate vol. 12. Osaka: Sekai Genshi Mingei Zushu Kankokai. NDL Digital Collections, https://dl.ndl.go.jp/pid/1015567.
   Google Scholar
• Miyatake, Tatsuo. 1943a. Firrippin Genjuminzoku no Dozoku to Geijutsu. Tokyo: Hanedashoten. NDL Digital Collections. https://dl.ndl.go.jp/pid/1878106.
   Google Scholar
• Miyatake, Tatsuo. 1943b. Higashi-indo Genjuminzoku no Dozoku to Geijutsu. Tokyo: Shunyodo.
   Google Scholar
• Miyatake, Tatsuo. 1950. “Koutousho Yamizoku Kitan.” Tabi 24 (1): 16–20.
   Google Scholar
• Miyatake, Tatsuo. (1954) 1978. Yoji no E ha Seikatsushiteiru. Tokyo: Bunkashobohakbunsha.
   Google Scholar
• Moriguchi, Tari. 1939. Bijutsu 50nenshi. Tokyo: Masushobo.
   Google Scholar
• Moriguchi, Tari. 1954. Bijutsu 80nenshi. Tokyo: Masushobo.
   Google Scholar
• Nagaya, Mitsue. 2014. “Imeji no Chikara: Bijutsukan karano Shiten” [The Power of Images: From the Art Museum’s Viewpoint].” In The Power of Images: The National Museum of Ethnology Collection, edited by Organizing Committee of “The Power of Images”, 26–31. Osaka: The National Museum of Ethnology.
   Google Scholar
• Nakamura, Motoe. 1975. “Hijikata Hisakatsu Cho Ryuboku ni Yosete.” Mirai 108: 24–29.
   Google Scholar
• Nishimura, Yukiko. 2022. “Miyatake Tatsuo niyoru “Mingei: Genshigeijutsu” Katsudo no Saihyoka nimuketa Kenkyu: Taiwanshiryo ni kansuru Kisotekikenkyuhoukoku.” Kenkyuhokokusho 59: 1–6.
   Google Scholar
• Odawara, Nodoka. 2023. “Hajimeni.” In Konokuni (Kindainihon) no Geijutsu: ‘Nihonbijutsushi’ wo Datsuteikokushugikasuru, edited by Nodoka Odawara, and Hiroki Yamamoto, 3–10. Tokyo: Getsuyosha.
   Google Scholar
• Okada, Fumihide. 1943. “Jo.” In Miyatake Tatsuo, Higashi-indo Genjuminzoku no Dozoku to Geijutsu, 1–2. Tokyo: Shunyodo.
   Google Scholar
• Okamoto, Kenjiro. 1955. “Sakuhinshokai.” Bijutsutecho 97: 97.
   Google Scholar
• Okaya, Koji. 1997. “Nankai Hyoto: Sugiura Sasuke no Sei to Shi.” Shincho 94 (6): 276–319.
   Google Scholar
• Okaya, Koji. 2007. “Hijikata Hisakatsu to Paul Gauguin.” In Parao Futatsu no Jinsei: Kisai Nakajima Atsushi to Nihon no Gauguin Hijikata Hisakatsu Ten” [Two Lives in Palau: Literary Genius Atsushi Nakajima and Japan's Gauguin Hisakatsu Hijikata], edited by Yoshiya Hashimoto, and Naotoshi Noda, 16–22. Tokyo: Setagaya Art Museum.
   Google Scholar
• Okaya, Koji. 2008. “‘Nanyo Gunto’ Sandai no Keifu: Hijikata Hisakatsu, Sugiura Sasuke, Gima Hiroshi.” In Bijutsukatachi no Nanyo Gunto [The South Sea Islands and Japanese Artists: 1910-41], edited by Machida City Museum of Graphic Art and The Tokyo Shimbun, 6–11. Tokyo: The Tokyo Shimbun.
   Google Scholar
• Okubo, Kyoko. 2022. “‘Primitivism’ no Genzai: Bijutsushigaku no Houhouron wo Megutte” [‘Primitivism’ in the Present and Methods of Art History].” arts/ : Journal of the Society for Arts and Anthropology 38: 30–39.
   Google Scholar
• Osuga, Takako. 2023. Kodomoshutai no Zoukeihyougen heno Henkaku: Miyatake Tatsuo no ‘Ikimono’ Shiso wo Dodai toshita Houhouron ‘Zenshin no Scrible’ to Jissen. Hiroshima: Keisuisha.
   Google Scholar
• Otani, Keiko. 1990. “Miyatake Tatsuo Sono Hito to Bijutsukyoiku: Dainijisekaitaisengo no Wagakuni no Bijutsukyouku wo Chusintoshite.” Shoei Tanki Daigaku Kenkyu Kiyo [Shoei Junior College Annual Reports of Studies] 22: 71–105.
   Google Scholar
• Otani, Shogo. 2016. “Tairiku Nanpo.” In Senso to Bijutsu: 1937-1945 [Art in Wartime Japan: 1937–1945], revised edition, edited by Ichiro Hanyu, Noi Sawaragi, Mika Kuraya, Akihisa Kawata, Reita Hirase, and Shogo Otani, 104–105. Tokyo: Kokushokan.
   Google Scholar
• Rawanchaikul, Toshiko. 2010. “‘Junzentaru Nihonga’: Taiwan Toyoga no Baai.” [‘Pure Nihonga’: the Case of East Asian Painting in Taiwan] Bijutsu Forum 21: 57–63.
   Google Scholar
• Rawanchaikul, Toshiko. 2013. “Nihontochika no Shokuminchi no Bijutsukatsudo.” In Asia no Joseishintai ha Ikani Egakaretaka: Shikakuhyosho to Senso no Kioku, edited by Megumi Kitahara, 129–150. Tokyo: Seikyusha.
   Google Scholar
• Rawanchaikul, Toshiko. 2014. “Kanten no Jidai.” In Kanten ni Miru Kindaibijutsu: Tokyo, Souru, Taipei, Choshun [Toward the Modernity: Images of Self & Other in East Asian Art Competitions], edited by Toshiko Rawanchaikul, Rina Igarashi, Saori Kashio, and Kazuyo Kondo, 178–183. Fukuoka: Fukuoka Asia Bijutsukan.
   Google Scholar
• Sakano, Toru. 2005. Teikokunihon to Jinruigakusha: 1884–1952. Tokyo: Keisoshobo.
   Google Scholar
• Sakano, Toru. 2019. Shima no Kagakusha: Palau Nettaiseibutsukenkyujo to Teikokunihon no Nanyokenkyu. Tokyo: Keisoshobo.
   Google Scholar
• Shimizu, Hisao. 2010. “Hijikata Hisakatsu no Zoukeishikou: Sono Hyogenshugitekiseikou wo Megutte.” Kokuritsu Minzokugaku Hakubutsukan Chosa Hokoku [Senri Ethnological Reports] 94: 439–468.
   Google Scholar
• Shimizu, Hisao. 2017. Hijikata Hisakatsu Seiden: Nihon no Gauguin to Yobareta Otoko. Tokyo: Tousenshuppan.
   Google Scholar
• Shinohara, Hanako. 2020. “Nihonbijutsu ni okeru ‘Primitive’ na Mono heno Shiko: Dainijisekaitaisen wo Bunsuirei tosuru Gensetsu no Tenkai.” Tsukuba: PhD dissertation, University of Tsukuba. http://hdl.handle.net/2241/00160415.
   Google Scholar
• Sudo, Kenichi. 1991. “Minzokushika Hijikata Hisakatsu no Micronesia Kenkyu” [The Micronesian Studies of Hisakatsu Hijikata, Ethnographer]. In The Hisakatsu Hijikata Exhibition Catalogue, edited by Setagaya Art Museum, 28–35. Tokyo: Setagata Art Museum.
   Google Scholar
• Sudo, Kenichi. 2022. “Minzokushika toshiteno Hijikata Hisakatsu.” Kikan Minzokugaku [Ethnographical Quarterly] 173: 16–25.
   Google Scholar
• Sunami, Soichiro. 2015. “Miyatake Tatsuo no Shushu to Taiwan Genjuminzoku.” Kyoudohakutsushin 6: 8–11.
   Google Scholar
• Takamura, Kotaro. 1953. “Gendaika shita Genshibi.” Asahi Shimbun, January 12, 1953.
   Google Scholar
• Takizawa, Kyoji. 2008. “Bijutsuka to ‘Nanyogunto’ to Nihonkindaibijutsu to” [The South Sea Islands and Japanese Artists].” In Bijutsukatachi no Nanyo Gunto [The South Sea Islands and Japanese Artists: 1910-41], edited by Machida City Museum of Graphic Arts and The Tokyo Shimbun, 16–24. Tokyo: The Tokyo Shimbun.
   Google Scholar
• The Society for Arts and Anthropology. 2021. Dai 37Kai Taikai Annai, published on April 11, 2021, https://mg-gakkai.org/wp-content/uploads/2021/04/2104-taikai37-youshi.pdf.
   Google Scholar
• The Society for Arts and Anthropology. 2022. arts/ : Journal of the Society for Arts and Anthropology. Proceedings of the Symposium “‘Primitivism’ Saiko” [Rethinking ‘Primitivism’] of Minzoku Geijutsu Gakkai Dai 37 Kai Taikai, edited by Kamei, Tetsuya, and Okada, Hironari. (38): 7–74.
   Google Scholar
• University Museum of International Cultures, Kyoto University of Foreign Studies. 2020, January 28. “Miyatake Tatsuo Collection: Sekaigenshimingeizushu kara Chushi no Oshirase.” Kyoto University of Foreign Studies, Kyoto Junior College of Foreign Language. https://www.kufs.ac.jp/news/detail.html?id = qfloDFjj.
   Google Scholar
• University Museum of International Cultures, Kyoto University of Foreign Studies. 2022, April 20. “Kokusaibunkashiryokansyuzohinten ‘Miyatake Tatsuo Collection: Genshigeijustu heno Akogare’ Kaisai no Oshirase.” Kyoto University of Foreign Studies, Kyoto Junior College of Foreign Language. https://www.kufs.ac.jp/news/detail.html?id = 8o6c2CUk.
   Google Scholar
• Ushiroshoji, Masahiro. 2014a. “Gaisetsu: Nihonbijutsu no Ryodo to Seido.” In Bijutsu no Nihonkingendaishi: Seido, Gensetsu, Zokei [Histories of Modern and Contemporary Japan through Art: Institutions, Discourse, Practice], edited by Noriaki Kitazawa, Doshin Sato, and Hitoshi Mori, 329–337. Tokyo: Tokyobijutsu.
   Google Scholar
• Ushiroshoji, Masahiro. 2014b. “Tonan Ajia oyobi Nanyoshoto no Bijutsu.” In Bijutsu no Nihonkingendaishi: Seido, Gensetsu, Zokei [Histories of Modern and Contemporary Japan through Art: Institutions, Discourse, Practice], edited by Noriaki Kitazawa, Doshin Sato, and Hitoshi Mori, 390–401. Tokyo: Tokyobijutsu.
   Google Scholar
• Yamamoto, Hiroki. 2023. “Owarini: Teikoku no Rojikku ni Koshite.” In Konokuni (Kindainihon) no Geijutsu: ‘Nihonbijutsushi’ wo Datsuteikokushugikasuru, edited by Nodoka Odawara, and Hiroki Yamamoto, 812–832. Tokyo: Getsuyosha.
   Google Scholar
• Yasui, Manami. 2020. “Hijikata Hisakatsu to Palau no Storyboard.” Kikan Minzokugaku [Ethnographical Quarterly] 44 (3): 26–33.
   Google Scholar
• Yoshida, Kenji. 1997. “Maegaki: Kokuritsu Minzokugaku Hakubutsukan Daiei Hakubutsukan Kyodo Purojekuto no Aramashi” [Preface: A Note on the Joint Projects by the Nartional Museum of Ethnology and the British Museum].” In Ibunka heno Manazashi: Daiei Hakubutsukan to Kokuritsu Minzokugaku Hakubutsukan no Korekushon kara [Images of Other Cultures: Re-viewing Ethnographic Collections of the British Museum and the National Museum of Ethnology, Osaka], edited by Kenji Yoshida, and John Mack, 14–18. Osaka: NHK Service Center, Inc.
   Google Scholar
• Yoshida, Kenji. 2022. “‘Primitivism’ Saiko” [Rethinking ‘Primitivism’]. arts/ : Journal of the Society for Arts and Anthropology 38: 20–29.
   Google Scholar
• Yoshida, Kenji, and Takuji, Hamada. 2023. “Tokubetsu Taidan ‘Tami’ heno Manazashi: Mingei to Minzokugaku to Minzokugaku.” Kikan Minzokugaku [Ethnographical Quarterly] 183: 4–17.
   Google Scholar