Primitivism and affiliation: Yeh Chi Wei’s Borneo images

References

• Antliff, Mark, and Patricia Leighton. 2003. “Primitive.” In Critical Terms for Art History, edited by Robert S. Nelson, and Richard Shiff, 217–233. Chicago: University of Chicago Press.
   Google Scholar
• ASEAN Art 1972. 1972. Singapore: Government Printing Office.
   Google Scholar
• Chan, Lang Hwee. 2010. “Recollections About Pioneer Artist Yeh Chi Wei Leading an Expedition to Sabah and Sarawak in April 1968.” Zaobao Weekly (Lianhe Zaobao’s Sunday supplement), August 8, 2010. Unpublished translation by Ng Kum Hoon.
   Google Scholar
• Clark, John. 1998. Modern Asian Art. Sydney: Craftsman House.
   Google Scholar
• Cohen, Joshua I. 2017. “Fauve Masks: Rethinking ‘Primitivist’ Uses of African and Oceanic Art, 1905-8.” The Art Bulletin 99 (2): 136–65.
   Web of Science ®Google Scholar
• Fraser, Sarah. E. 2010. “Antiquarianism or Primitivism? The Edge of History in the Modern Chinese Imagination.” In Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture, edited by Wu Hung, 342–367. Chicago: The Center for the Arts of East Asia, University of Chicago.
   Google Scholar
• Geertz, Clifford. (1972) 1993. “Deep Play: Notes on the Balinese Cockfight.” In The Interpretation of Cultures: Selected Essays, 412–453. London: Fontana Press.
   Google Scholar
• Harrison, Barbara. 1986. Pusaka: Heirloom Jars of Borneo. Singapore: Oxford University Press.
   Google Scholar
• Horn, Christine. 2015. “The Orang Ulu and the Museum: Investigating Traces of Collaboration and Agency in Ethnographic Photographs from the Sarawak Museum in Malaysia.” Melbourne: Ph.D. Dissertation, Swinburne University of Technology.
   Google Scholar
• Hsu, Marco C. F (pseud. Ma Ge). (1965) 2010. “Foreword.” Translated by Ng Kum Hoon. In The Story of Yeh Chi Wei, vol 2, edited by Yeo Wei Wei, 128–131. Singapore: The National Art Gallery Singapore.
   Google Scholar
• Hsu, Marco C. F. (pseud. Ma Ge). (c. 1969) 2010. “Written Before Chi Wei’s First Solo Exhibition.” Translated by Ng Kum Hoon. In The Story of Yeh Chi Wei, vol 2, edited by Yeo Wei Wei, 137–141. Singapore: The National Art Gallery Singapore.
   Google Scholar
• Jehom, Welyne Jeffrey. 2022. “Responding to The Drummer by Yeh Chi Wei.” In Familiar Others: Emiria Sunassa, Eduardo Masferré and Yeh Chi Wei, edited by Phoebe Scott, 78. Singapore: National Gallery Singapore.
   Google Scholar
• Kedit, Peter. 1992. “The Iban of Sarawak: A Cultural Heritage.” In Pua: Iban Weavings of Sarawak, edited by Edric Ong, 7–15. Kuching: Society Atelier Sarawak.
   Google Scholar
• Kwok, Kian Chow, ed. 1996. Channels and Confluences: A History of Singapore Art. Singapore: Singapore Art Museum.
   Google Scholar
• Lim Hak, Tai. (1955) 2023. “Preface to The Art of Young Malayans.” In The Modern in Southeast Asian Art: A Reader, vol. 1, edited by T. K. Sabapathy, and Patrick Flores, 423–425. Singapore: National Gallery Singapore.
   Google Scholar
• Low, Sze Wee. 2010. “Introduction: Rediscovering Yeh Chi Wei.” In The Story of Yeh Chi Wei, vol. 1, edited by Yeo Wei Wei, 12–71. Singapore: The National Art Gallery, Singapore.
   Google Scholar
• MacDonald, Malcolm. (1956) 1985. Borneo People. Singapore: Oxford University Press.
   Google Scholar
• Mashadi, Ahmad. 2004. “Moments of Regionality: Negotiating Southeast Asia.” In Crossings: Philippine Works from the Singapore Art Museum, edited by Patrick D. Flores, Alice G. Guillermo, Ahmad Mashadi, and Dita R. Samson, 24–37. Manila: Ayala Foundation and National Heritage Board.
   Google Scholar
• Maxwell, Robyn. 2014. Textiles of Southeast Asia: Tradition, Trade and Transformation. Hong Kong: Periplus.
   Google Scholar
• Morrison, Hedda. 1957. Sarawak. London: MacGibbon & Kee.
   Google Scholar
• Morrison, Hedda. 1962. Life in a Longhouse. Kota Kinabalu: Borneo Literature Bureau.
   Google Scholar
• Nelson, Roger. 2021. “My World is Modern: De-Provincialising Chen Cheng Mei and You Khin, Artists from Southeast Asia who Traversed the Global South.” Southeast of Now 5 (1&2): 205–249.
   Google Scholar
• Nochlin, Linda. 1989. “The Imaginary Orient.” In Essays in Nineteenth-Century Art and Society, edited by Linda Nochlin, 33–59. New York: Harper and Row.
   Google Scholar
• O’Connor, Stanley J. 1983. “Art Critics, Connoisseurs, and Collectors in the Southeast Asian Rain Forest: A Study in Cross-Cultural Art Theory.” Journal of Southeast Asian Studies 14 (2): 400–408. https://doi.org/10.1017/S0022463400011048.
   Web of Science ®Google Scholar
• Ong, Edric. 1992. Pua: Iban Weavings of Sarawak. Kuching: Society Atelier Sarawak.
   Google Scholar
• Ong, Zhen Min. 2015. “Nanyang Reverie.” In Siapa Nama Kamu? Art in Singapore Since the 19th Century, edited by Low Sze Wee, 42–53. Singapore: National Gallery Singapore.
   Google Scholar
• Ooi, Keat Gin. 2020. Borneo in the Cold War 1950–1990. Abingdon: Routledge.
   Google Scholar
• Permanent Delegation of Malaysia to UNESCO. 2021. “The Archaeological Heritage of Niah National Park’s Caves Complex, Sarawak, Malaysia.” Tentative List submission to the UNESCO World Heritage Centre, https://whc.unesco.org/en/tentativelists/6502/.
   Google Scholar
• Rajaratnam, S. 1965. “Message.” In Ten Men Art Exhibition Tour of Sarawak 1965. Exhibition Catalogue, Singapore.
   Google Scholar
• Sabapathy, T. K. 1994. “Bali, Almost Re-Visited.” In Reminiscence of Singapore’s Pioneer Art Masters. Singapore: The Singapore Mint.
   Google Scholar
• Scott, Phoebe. 2022. “Familiar Others: The Artist’s Gaze and its Legacy.” In Familiar Others: Emiria Sunassa, Eduardo Masferré and Yeh Chi Wei, edited by Phoebe Scott, 13–40. Singapore: National Gallery Singapore.
   Google Scholar
• Seng, Yu Jin, and Grace Tng. 2010. “Bridging Worlds.” In Cheong Soo Pieng: Visions of Southeast Asia, edited by Yeo Wei Wei, 51–133. Singapore: The National Art Gallery Singapore.
   Google Scholar
• Shaw, Alexander Nicholas. 2018. “A Diplomat and a Collector: Malcolm MacDonald’s Pursuit of Beauty During the Cold War and End of Empire.” Journal of the History of Collections 30 (3): 511–527. https://doi.org/10.1093/jhc/fhx045.
   Web of Science ®Google Scholar
• Solomon-Godeau, Abigail. 1989. “Going Native: Paul Gauguin and the Invention of Primitivist Modernism.” Art in America 77: 118–129.
   Web of Science ®Google Scholar
• Sullivan, Michael. 1959. Chinese Art in the Twentieth Century. London: Faber and Faber.
   Google Scholar
• Tan, Danny. 2009. “In the Image of … : Looking at Visual Representations of the Iban People of Sarawak, Malaysia.” Singapore: Ph.D. Dissertation, National University of Singapore.
   Google Scholar
• Ten Men Art Group. 1970. “Foreword.” In 10 Men Art Exhibition: Exhibition on Life in North Sumatra by Ten Artists. Exhibition Catalogue, Singapore.
   Google Scholar
• Teo Han Wue. 2010. “Making the Old Serve the New: Archaism in Yeh Chi Wei’s Art.” In The Story of Yeh Chi Wei, vol. 1, edited by Yeo Wei Wei, 88–103. Singapore: The National Art Gallery Singapore.
   Google Scholar
• Teoh, Alex. 2023. “Lok Wan Tho and the Governor of Sarawak’s Visit to Ulu Baram and Tinjar River.” ISEAS – Yusof Ishak Institute, Singapore. https://www.iseas.edu.sg/library/blog/highlights-happenings/governor-visit-baram-tinjar/.
   Google Scholar
• Toh, Charmaine, ed. 2022. Living Pictures: Photography in Southeast Asia. Singapore: National Gallery Singapore.
   Google Scholar
• Yeh Chi Wei. 1969. Exhibition Catalogue, Singapore.
   Google Scholar
• Yeh, Chi Wei. (1962) 2010. “Artist’s Preface.” Translated by Ng Kum Hoon. In The Story of Yeh Chi Wei, vol 2, edited by Yeo Wei Wei, 30–33. Singapore: The National Art Gallery Singapore.
   Google Scholar
• Yeh Chi Wei. (1969) 2010. “Artist’s Preface.” Translated by Ng Kum Hoon. In The Story of Yeh Chi Wei, vol 2, edited by Yeo Wei Wei, 59–63. Singapore: The National Art Gallery Singapore.
   Google Scholar
• Yeo, Wei Wei, ed. 2010. The Story of Yeh Chi Wei, vol. 1 and 2. Singapore: National Art Gallery.
   Google Scholar
• Yeo, Mang Thong. 2021. “The Nanyang School: A Fantasy in the Hearts of Commentators.” Translated by Chow Teck Seng. Perspectives Magazine, National Gallery Singapore. https://www.nationalgallery.sg/magazine/nanyang-school-fantasy-hearts-commentators.
   Google Scholar
• Zhuang, Wubin. 2019. “From the Archives: The Work of Photographer K. F. Wong.” biblioasia, National Library, Singapore. https://biblioasia.nlb.gov.sg/vol-15/issue-2/jul-sep-2019/wong-ken-foo/.
   Google Scholar