References
- Akita, K. 2009. A Grammar of Sound-symbolic Words in Japanese: Theoretical Approaches to Iconic and Lexical Properties of Mimetics. Kobe: Kobe University dissertation.
- Alderson-Day, B., and C. Fernyhough. 2015. “Inner Speech: Development, Cognitive Functions, Phenomenology and Neurobiology.” Psychological Bulletin 141 (5): 931–965. doi:https://doi.org/10.1037/bul0000021.
- Atkinson, P. 2009. “Movements within Movements: Following the Line in Animation and Comic Books.” Animation: An Interdisciplinary Journal 4 (3): 265–281. doi:https://doi.org/10.1177/1746847709344790.
- Bergson, H. [1911] 2014. Laughter: An Essay on the Meaning of the Comic. Mansfield Center, CT: Martino.
- Cannon, W. B. 1915. Bodily Changes in Pain, Hunger, Fear and Rage: An Account of Recent Researches into the Function of Emotional Excitement. New York, NY: D. Appleton and Company.
- Chen, M.-H., and I.-P. Chen. 2015. “The Relationship between Personalities and Faces of Manga Characters.” The Comics Grid: Journal of Comics Scholarship 5 (1): 3. 1–7.
- Cohn, N. 2007. “A Visual Lexicon.” Public Journal of Semiotics 1 (1): 53–84. doi:https://doi.org/10.37693/pjos.2007.1.8814.
- Cohn, N. 2011. “A Different Kind of Cultural Frame: An Analysis of Panels in American Comics and Japanese Manga.” Image [And] Narrative 12 (1): 120–134.
- Cohn, N. 2013a. “Visual Narrative Structure.” Cognitive Science 37 (3): 413–452. doi:https://doi.org/10.1111/cogs.12016.
- Cohn, N. 2013b. “Navigating Comics: An Empirical and Theoretical Approach to Strategies of Reading Comic Page Layouts.” Frontiers in Cognitive Science 4: 1–15.
- Cohn, N. 2013c. The Visual Language of Comics: Introduction to the Structure and Cognition of Sequential Images. London: Bloomsbury Academic.
- Cohn, N. 2013d. “Beyond Speech Balloons and Thought Bubbles: The Integration of Text and Image.” Semiotica 197: 35–63.
- Cohn, N. 2016. “A Multimodal Parallel Architecture: A Cognitive Framework for Multimodal Interactions.” Cognition 146: 304–323. doi:https://doi.org/10.1016/j.cognition.2015.10.007.
- Cohn, N., A. Taylor-Weiner, and S. Grossman. 2012. “Framing Attention in Japanese and American Comics: Cross-cultural Differences in Attentional Structure.” Frontiers in Psychology: Cultural Psychology 3: 1–12. doi:https://doi.org/10.3389/fpsyg.2012.00349.
- Cohn, N., R. Taylor, and K. Pederson. 2017. “A Picture Is Worth More Words over Time: Multimodality and Narrative Structure across Eight Decades of American Superhero Comics.” Multimodal Communication 6 (1): 19–37. doi:https://doi.org/10.1515/mc-2017-0003.
- Cohn, N., and S. Ehly. 2016. “The Vocabulary of Manga: Visual Morphology in Dialects of Japanese Visual Language.” Journal of Pragmatics 92: 17–29. doi:https://doi.org/10.1016/j.pragma.2015.11.008.
- Cook, H. M. 1990. “The Sentence-final Particle Ne as a Tool for Cooperation in Japanese Conversation.” Japanese/Korean Linguistics 1: 29–44.
- Cook, H. M. 1992. “Meanings of Non-referential Indexes: A Case Study of the Japanese Sentence-final Particle Ne.” Text 12 (4): 507–539. doi:https://doi.org/10.1515/text.1.1992.12.4.507.
- Eerden, B. 2009. “Anger in Asterix: The Metaphorical Representation of Anger in Comics and Animated Films.” In Multimodal Metaphor: Applications of Cognitive Linguistics, edited by C. J. Forceville and E. Urios-Aparisi, 243–264. New York, NY: Mouton de Gruyter.
- Eisner, W. 1985. Comics and Sequential Art. Florida: Poorhouse Press.
- Fein, O., and A. Kasher. 1996. “How to Do Things with Words and Gestures in Comics.” Journal of Pragmatics 26 (6): 793–808. doi:https://doi.org/10.1016/S0378-2166(96)00023-9.
- Flyxe, M. 2002. “Translation of Japanese Onomatopoeia into Swedish (With Focus on Lexicalization).” Africa and Asia 2: 54–73.
- Forceville, C. J. 2005. “Visual Representations of the Idealized Cognitive Model of Anger in the Asterix Album.” La Zizanie. Journal of Pragmatics 37 (1): 69–88. doi:https://doi.org/10.1016/j.pragma.2003.10.002.
- Forceville, C. J., T. Veale, and K. Feyaerts. 2010. “Balloonics: The Visuals of Balloons in Comics.” In The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form, edited by J. Goggin and D. Hassler-Forest, 56–73. Jefferson, NC: McFarland.
- Forceville, C. J. 2011. “Pictorial Runes in Tintin and the Picaros.” Journal of Pragmatics 43 (3): 875–890. doi:https://doi.org/10.1016/j.pragma.2010.07.014.
- Forceville, C. J., E. E. Refaie, and G. Meesters. 2014. “Stylistics in Comics.” In The Routledge Handbook of Stylistics, edited by M. Burke, 485–499. London: Routledge.
- Guynes, S. A. 2014. “Four-color Sound: A Peircean Semiotics of Comic Book Onomatopoeia.” Public Journal of Semiotics 6 (1): 58–72. doi:https://doi.org/10.37693/pjos.2014.6.11916.
- Hasada, R. 1998. “Sound Symbolic Emotion Words in Japanese.” In Speaking of Emotions: Conceptualization and Expression, edited by A. Athanasiadou and E. Tabakowska, 83–98. Berlin & New York, NY: Mouton de Gruyter.
- Hasegawa, Y. 2010. “The Sentence-final Particles Ne and Yo in Soliloquial Japanese.” Pragmatics 20 (1): 71–89. doi:https://doi.org/10.1075/prag.20.1.04has.
- Ito, K. 2005. “A History of Manga in the Context of Japanese Culture and Society.” The Journal of Popular Culture 38 (3): 456–575. doi:https://doi.org/10.1111/j.0022-3840.2005.00123.x.
- Jackendoff, R. 2010. Meaning and the Lexicon: The Parallel Architecture 1975—2010. Oxford: Oxford University Press
- Kamio, A. 1994. “The Theory of Territory of Information: The Case of Japanese.” Journal of Pragmatics 21 (1): 67–100. doi:https://doi.org/10.1016/0378-2166(94)90047-7.
- Katagiri, Y. 2007. “Dialogue Functions of Japanese Sentence-final Particles Yo and Ne.” Journal of Pragmatics 39 (7): 1313–1323. doi:https://doi.org/10.1016/j.pragma.2007.02.013.
- Kennedy, J. 1982. “Metaphor in Pictures.” Perception 11 (5): 589–605. doi:https://doi.org/10.1068/p110589.
- Kinsella, S. 2000. Adult Manga: Culture and Power in Contemporary Japanese Society. Honolulu, HI: University of Hawaii Press.
- Koyama, M. 2016. “Manga Hyōgenron no “Rekishi” to Sono Tenbō.” [History and Perspectives of Manga Expression Theories]. In M. Koyama, H. Tamagawa, and R. Koike (edited by), Manga Kenkyū 13-kō [13 lectures of manga studies]. In., 108–149. Tokyo: Suiseisha.
- Kraft, R. N. 1987. “The Influence of Camera Angle on Comprehension and Retention of Pictorial Events.” Memory and Cognition 15 (4): 291–307. doi:https://doi.org/10.3758/BF03197032.
- Liu, C.-Y. 2019. Mànhuà Gāngzhīliànjīnshùshī de Shēngmìng Jiàoyù Yìhán [The Meaning of Life Education in the Manga Fullmetal Alchemist]. Kaohsiung: National Kaohsiung Normal University thesis.
- Liu, K., J.-H. Chen, and K.-M. Chang. 2019. “A Study of Facial Features of American and Japanese Cartoon Characters.” Symmetry 11 (5): 664. doi:https://doi.org/10.3390/sym11050664.
- Maynard, S. K. 1997. Japanese Communication: Language and though in Context. Honolulu, HI: University of Hawaii Press.
- McCloud, S. 1994. Understanding Comics: The Invisible Art. New York, NY: HarperCollins.
- McCorry, L. K. 2007. “Physiology of the Autonomic Nervous System.” American Journal of Pharmaceutical Education 71 (4): 78. doi:https://doi.org/10.5688/aj710478.
- Mehrabian, A. 1981. Silent Messages: Implicit Communication of Emotions and Attitudes. Belmont, CA: Wadsworth.
- Natsume, F. 1997. Manga Wa Naze Omoshiroi-no-ka: Sono Hyōgen to Bunpō [Why Is Manga Fun? Its Expression and Grammar]. Tokyo: NHK Library.
- Oszmianska, A. 2001. “Sound Symbolism as A Universal Drive to Associate Sound with Meaning: A Comparison between English and Japanese.” Poznan Studies in Contemporary Linguistics 37: 147–155.
- Pederson, K., and N. Cohn. 2016. “The Changing Pages of Comics: Page Layouts across Eight Decades of American Superhero Comics.” Studies in Comics 7 (1): 7–28. doi:https://doi.org/10.1386/stic.7.1.7_1.
- Pratha, N. K., N. Avunjian, and N. Cohn. 2016. “Pow, Punch, Pika, and Chu: The Structure of Sound Effects in Genres of American Comics and Japanese Manga.” Multimodal Communication 5 (2): 93–109. doi:https://doi.org/10.1515/mc-2016-0017.
- Schodt, F. L. 1983. Manga! Manga! The World of Japanese Comics. New York, NY: Kodansha America.
- Shamoon, D. 2011. “Films on Paper: Cinematic Narrative in Gekiga.” In Mangatopia: Essays on Manga and Anime in the Modern World, edited by T. Perper and M. Cornog, 21–36. Westport, CT: Libraries Unlimited.
- Shinohara, K., and Y. Matsunaka. 2009. “Pictorial Metaphors of Emotion in Japanese Comics.” In Multimodal Metaphor: Applications of Cognitive Linguistics, edited by C. J. Forceville and E. Urios-Aparisi, 265–293. New York, NY: Mouton de Gruyter.
- Stamenković, D., M. Tasić, and C. J. Forceville. 2018. “Facial Expressions in Comics: An Empirical Consideration of McCloud’s Proposal.” Visual Communication 17 (4): 407–432. doi:https://doi.org/10.1177/1470357218784075.
- Uyeno, T. 1971. A Study of Japanese Modality: A Performance Analysis of Sentence Particles. Ann Arbor, MI: University of Michigan dissertation.
- Yamanashi, M. [1988] 2007. Hiyu to Rikai. [Figure of speech and understanding]. Tokyo: Tokyo University Press.