‘I am not an animal’: Vikram Balagopal’s psychologisation of Hanuman in Simian

References

• Arni, S., and M. Chitrakar. Sita’s Ramayana. Chennai: Tara Books; Toronto and Berkeley: Groundwood Books; 2001.
   Google Scholar
• Appadurai, A., and C. A. Breckenridge. 1995. “Public Modernity in India.” In Consuming Modernity: Public Culture in a South Asian World, edited by C. A. Breckenridge, 1–20. Minneapolis: University of Minnesota Press.
   Google Scholar
• Balagopal, V. 2014. Simian. Parts 1&2. Noida, UP: HarperCollins Publishers India.
   Google Scholar
• Balagopal, V. 2016. “Email Interviews with author.” February 21–March 14.
   Google Scholar
• Brosius, C. 2004. Empowering Visions: The Politics of Representation in Hindu Nationalism. Anthem South Asian Studies. London: Anthem Press.
   Google Scholar
• Chandra, N. 2008. The Classic Popular Amar Chitra Katha, 1967–2007. New Delhi: Yoda Press.
   Google Scholar
• Chute, H. “Comics as Literature? Reading Graphic Narrative.” PMLA 123.2 (2008): 453–465. doi:https://doi.org/https://doi.org/10.1632/pmla.2008.123.2.452
   Google Scholar
• Creekmur, C. 2015. “The Indian Graphic Novel.” In A History of the Indian Novel in English, edited by U. Anjaria, 348–358. New York: Cambridge University Press.
   Google Scholar
• Daiya, K. 2018. “Editorial.” South Asian Review Special Issue: South Asia in Graphic Narratives 39 (1–2): 3–10. doi:https://doi.org/10.1080/02759527.2018.1514131.
   Google Scholar
• Das, S. K. A History of Indian Literature, 1800–1910: Western Impact, Indian Response. New Delhi: Sahitya Akademi, 1991.
   Google Scholar
• Das, S. K. A History of Indian Literature, 500–1399. New Delhi: Sahitya Akademi, 1995.
   Google Scholar
• Dwyer, R., and C. Pinney, eds. 2001. Pleasure and the Nation: The History, Politics and Consumption of Public Culture in India. SOAS Studies on South Asia. New Delhi: Oxford University Press.
   Google Scholar
• Dwyer, R. Filming the Gods: Religion and Indian Cinema. London: Routledge, 2006.
   Google Scholar
• Davis, R. H., ed. 2007. Picturing the Nation: Iconographies of Modern India. Hyderabad: Orient Blackswan.
   Google Scholar
• Erndl, K. 1991. “The Mutilation of Surpanakha.” In Many Ramayanas: The Diversity of a Narrative Tradition in South Asia, edited by P. Richman, 67–85. Berkeley: University of California Press.
   Google Scholar
• Freitag, S. B. 2001. “Visions of the Nation: Theorizing the Nexus between Creation, Consumption and Participation in the Public Sphere.” In Pleasure and the Nation: The History, Politics and Consumption of Public Culture in India, edited by R. Dwyer and C. Pinney, 35–75. SOAS Studies on South Asia. New Delhi: Oxford University Press.
   Google Scholar
• Freitag, S. B. 2003. “The Realm of the Visual: Agency and Modern Civil Society.” In Beyond Appearances? Visual Practices and Ideologies in Modern India, edited by S. Ramaswamy, 365–397. Contributions to Indian Sociology Occasional Studies 10. New Delhi: Sage Publications.
   Google Scholar
• Garcia, S. 2015. On the Graphic Novel. Translated by Bruce Campbell. Jackson: University Press of Mississippi.
   Google Scholar
• Goldman, R. P. 2004. “Resisting Rama: Dharmic Debates on Gender and Hierarchy and the Work of the Valmiki Ramayana.” In The Ramayana Revisited, edited by M. Bose. New York: Oxford University Press 19–46 .
   Google Scholar
• Hatfield, C. 2005. Alternative Comics: An Emerging Literature. Jackson, MS: University Press of Mississippi.
   Google Scholar
• Jacob, P. S. 1999. “Between Modernism and Modernization: Locating Modernity in South Asian Art.” Art Journal 58 (3): 48–57. doi:https://doi.org/10.1080/00043249.1999.10791953.
   Web of Science ®Google Scholar
• Jain, K. 2007. Gods in the Bazaar: The Economies of Indian Calendar Art. Durham, NC: Duke University Press.
   Google Scholar
• Jha, V. (Singh), and M. Chandran. 2017. “Reading a Retelling: Mahabharata in the Graphic Novel Form.” Journal of Graphic Novels and Comics 9 (4): 373–390. doi:https://doi.org/10.1080/21504857.2017.1355823.
   Google Scholar
• Khan, H. 1998. “The Modern Re-Appropriation of Myth: Post Colonial Discourse in South Asia.” Alif: Journal of Comparative Poetics 18: 174–204.
   Google Scholar
• Lothspeich, P. Epic Nation: Reimagining the Mahabharata in the Age of Empire. New Delhi: Oxford University Press, 2009.
   Google Scholar
• Lutgendorf, P. 2003. “Evolving a Monkey: Hanuman, Poster Art and Postcolonial Anxiety.” In Beyond Appearances? Visual Practices and Ideologies in Modern India. Contributions to Indian Sociology, edited by S. Ramaswamy, 71–112. New Delhi: Sage Publications.
   Google Scholar
• Lutgendorf, P. 2007. Hanuman’s Tale: The Messages of a Divine Monkey. New York: Oxford University Press.
   Google Scholar
• Madan, A. 2010. “Construction of Morality in Contemporary English Adaptations of Mahabharata for Children.” The Journal of Children’s Literature Studies 7(3): 80–97.
   Google Scholar
• Madan, A. 2016. “Hindu Mythology in Indian Graphic Narratives and Animations for Young People, 2000–2015.” PhD Diss., University of Florida.
   Google Scholar
• Madan, A. 2017a. “Sita’s Ramayana’s Negotiation with an Indian Epic Picture Storytelling Tradition.” In Graphic Novels for Children and Young Adults: A Collection of Critical Essays, edited by M. A. Abate and G. A. Tarbox, 312–331. Jackson: University of Mississippi Press.
   Google Scholar
• Madan, A. 2017b. “Child Hanuman and the Politics of Being a Superhero.” In The Routledge Companion to International Children’s Literature, edited by J. Stephens, 269–279. London: Taylor and Francis.
   Google Scholar
• Madan, A. 2018. “Slow Violence and Water Racism in Sarnath Banerjee’s All Quiet in Vikaspuri.” South Asian Review 39 (1–2): 125–143. doi:https://doi.org/10.1080/02759527.2018.1509548.
   Google Scholar
• Mankekar, P. Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood and Nation in Postcolonial India. Durham: Duke University Press, 1999.
   Google Scholar
• McLain, K. India’s Immortal Picture Books: Gods, Kings and other Heroes. Bloomington: Indiana University Press, 2009.
   Google Scholar
• Nayar, P. 2016. The Indian Graphic Novel: Nation, History and Critique. New York: Routledge.
   Google Scholar
• Pandey, M. 2018. “Angry Hanuman: This Viral Image that Won Modi’s Praise Symbolizes Today’s Aggressive, Macho India.” Scroll.in, May 26.
   Google Scholar
• Pauwels, H. R. M. Ed., The Goddess as Role Model: Sita and Radha in Scripture and on Screen. Oxford and New York: Oxford University Press, 2008.
   Google Scholar
• Pinney, C. 2004. Photos of the Gods: The Printed Image and the Political Struggle in India. London: Reaktion Books.
   Google Scholar
• Pollock, S. “Ramayana and Political Imagination in India.” Journal of Asian Studies 52.2 (1993): 261–297. https://doi.org/https://doi.org/10.2307/2059648
   Web of Science ®Google Scholar
• Rajagopal, A. Politics after Television: Hindu Nationalism and the Reshaping of the Public in India. Cambridge: Cambridge University Press, 2001. Print.
   Google Scholar
• Ramaswamy, S. 2003. “Introduction.” In Beyond Appearances? Visual Practices and Ideologies in Modern India. Contributions to Indian Sociology, edited by S. Ramaswamy, xiii–xxix. New Delhi: Sage Publications.
   Google Scholar
• Richman, P. Ramayana Stories in Modern South India: An Anthology. Bloomington: Indiana University Press, 2008.
   Google Scholar
• Richman, P. 1991. “Introduction: The Diversity of the Ramayana Tradition.” In Many Ramayanas: The Diversity of a Narrative Tradition in South Asia, edited by P. Richman, 3–16. Berkeley: University of California Press.
   Google Scholar
• Richman, P. 2000. “Questioning and Multiplicity within the Ramayana Tradition.” In Introduction. Questioning Ramayanas: A South Asian Tradition, edited by P. Richman, 1–21. Berkeley: University of California Press.
   Google Scholar
• Sattar, A. 2014. “Book Review: Simian.” LiveMint, May 17.
   Google Scholar
• Sharma, C. 2019. “Expanding World of Indian English Fiction: The Mahabharata Retold in Krishna Udayasankar’s the Aryavarta Chronicles and Amruta Patil’s Adi Parva.” In Indian Genre Fiction: Past and Future Histories, edited by B. Chattopadhyay, A. Mandhwani, and A. Maithy, 159–174. New York: Routledge.
   Google Scholar
• Thapar, R., “The Ramayana Syndrome.” Seminar, 353 (January 1989): 71–80. https://doi.org/https://doi.org/10.2307/2059648
   Google Scholar
• Valmiki. 1996. Ramayana, Book Five: Sundarakanda. Translated and annotated by Robert P. Goldman and Sally J. Sutherland Goldman. New Jersey: Princeton University Press.
   Google Scholar
• Valmiki. 2005. Ramayana, Book Four: Kishkinda. Translated by Rosalind Lefeber. The Clay Sanskrit Library. New York: New York University Press; JJC Foundation.
   Google Scholar
• Varughese, E.D. 2018. Visuality and Identity in Post-Millennial Indian Graphic Narratives. Palgrave Studies in Comics and Graphic Novels. Series Editor Roger Sabin. London: Palgrave.
   Google Scholar
• Varughese, E. D. 2016. Genre Fiction of New India. London: Palgrave.
   Google Scholar